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ON FAITH & MEDIA View Comments

She's Out of My League

By
John Mulderig
Source: Catholic News Service

A seemingly unlikely romance between a nerdy but good-hearted man and a fetching, sophisticated young woman could be the basis for a film exploring worthwhile themes such as the need to reject stereotypes and the value of basing lasting attachments on the appreciation of personal, rather than merely physical qualities.

In the raunchy romantic comedy "She's Out of My League" (Paramount), however, this premise becomes the launching pad for a barrage of sophomoric antics and frequently distasteful sight gags.

As scripted by Sean Anders and John Morris, and directed by Jim Field Smith, this is the tale of awkward, self-doubting Pittsburgh airport security agent Kirk (Jay Baruchel) whose life and romantic prospects are in limbo until he accidentally manages to attract the interest of comely party planner Molly (Alice Eve) when she leaves her cell phone behind while passing through his checkpoint, and he goes out of his way to return it to her.

On the rebound from her last relationship with her dashing but insufferably egotistical ex-boyfriend Cam (Geoff Stults), Molly appreciates Kirk's Boy Scout-like politeness as well as his quirky, self-deprecating sense of humor.

But Kirk's doubts that Molly could actually be attracted to him are reinforced by the cynical nay saying of his three slacker best friends and co-workers, Jack (Mike Vogel), Stainer (T.J. Miller) and Devon (Nate Torrence), who reduce all interaction between the sexes to a set of mathematical formulas whereby a "hard 10" like Molly couldn't possibly fall for Kirk, who is, they calculate, barely a "5.'

Also rooting for Kirk to fail is his ornery ex-girlfriend, Marnie (Lindsay Sloane).

Kirk's effort to make himself more sexually appealing by shaving a part of his anatomy well south of his chin—an endeavor in which he fails on his own and has to accept the supposedly comic help of one of his trio of buddies—and a scene where he becomes overexcited during the preliminaries of an encounter with Molly, only to have her parents arrive unexpectedly, typify the cringe-inducing version of comedy that prevails throughout.

The film contains pervasive sexual humor, rear nudity, brief nongraphic sexual activity, implicit approval of premarital sex, about 10 uses of profanity and constant rough and crude language, including at least 40 uses of the F-word. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Rita of Cascia: Like Elizabeth Ann Seton, Rita of Cascia was a wife, mother, widow and member of a religious community. Her holiness was reflected in each phase of her life. 
<p>Born at Roccaporena in central Italy, Rita wanted to become a nun but was pressured at a young age into marrying a harsh and cruel man. During her 18-year marriage, she bore and raised two sons. After her husband was killed in a brawl and her sons had died, Rita tried to join the Augustinian nuns in Cascia. Unsuccessful at first because she was a widow, Rita eventually succeeded. </p><p>Over the years, her austerity, prayerfulness and charity became legendary. When she developed wounds on her forehead, people quickly associated them with the wounds from Christ's crown of thorns. She meditated frequently on Christ's passion. Her care for the sick nuns was especially loving. She also counseled lay people who came to her monastery. </p><p>Beatified in 1626, Rita was not canonized until 1900. She has acquired the reputation, together with St. Jude, as a saint of impossible cases. Many people visit her tomb each year.</p> American Catholic Blog Your sins are great? Just tell the Lord: Forgive me, help me to get up again, change my heart! –Pope Francis

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