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ON FAITH & MEDIA View Comments

She's Out of My League

By
John Mulderig
Source: Catholic News Service

A seemingly unlikely romance between a nerdy but good-hearted man and a fetching, sophisticated young woman could be the basis for a film exploring worthwhile themes such as the need to reject stereotypes and the value of basing lasting attachments on the appreciation of personal, rather than merely physical qualities.

In the raunchy romantic comedy "She's Out of My League" (Paramount), however, this premise becomes the launching pad for a barrage of sophomoric antics and frequently distasteful sight gags.

As scripted by Sean Anders and John Morris, and directed by Jim Field Smith, this is the tale of awkward, self-doubting Pittsburgh airport security agent Kirk (Jay Baruchel) whose life and romantic prospects are in limbo until he accidentally manages to attract the interest of comely party planner Molly (Alice Eve) when she leaves her cell phone behind while passing through his checkpoint, and he goes out of his way to return it to her.

On the rebound from her last relationship with her dashing but insufferably egotistical ex-boyfriend Cam (Geoff Stults), Molly appreciates Kirk's Boy Scout-like politeness as well as his quirky, self-deprecating sense of humor.

But Kirk's doubts that Molly could actually be attracted to him are reinforced by the cynical nay saying of his three slacker best friends and co-workers, Jack (Mike Vogel), Stainer (T.J. Miller) and Devon (Nate Torrence), who reduce all interaction between the sexes to a set of mathematical formulas whereby a "hard 10" like Molly couldn't possibly fall for Kirk, who is, they calculate, barely a "5.'

Also rooting for Kirk to fail is his ornery ex-girlfriend, Marnie (Lindsay Sloane).

Kirk's effort to make himself more sexually appealing by shaving a part of his anatomy well south of his chin—an endeavor in which he fails on his own and has to accept the supposedly comic help of one of his trio of buddies—and a scene where he becomes overexcited during the preliminaries of an encounter with Molly, only to have her parents arrive unexpectedly, typify the cringe-inducing version of comedy that prevails throughout.

The film contains pervasive sexual humor, rear nudity, brief nongraphic sexual activity, implicit approval of premarital sex, about 10 uses of profanity and constant rough and crude language, including at least 40 uses of the F-word. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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