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ON FAITH & MEDIA View Comments

She's Out of My League

By
John Mulderig
Source: Catholic News Service

A seemingly unlikely romance between a nerdy but good-hearted man and a fetching, sophisticated young woman could be the basis for a film exploring worthwhile themes such as the need to reject stereotypes and the value of basing lasting attachments on the appreciation of personal, rather than merely physical qualities.

In the raunchy romantic comedy "She's Out of My League" (Paramount), however, this premise becomes the launching pad for a barrage of sophomoric antics and frequently distasteful sight gags.

As scripted by Sean Anders and John Morris, and directed by Jim Field Smith, this is the tale of awkward, self-doubting Pittsburgh airport security agent Kirk (Jay Baruchel) whose life and romantic prospects are in limbo until he accidentally manages to attract the interest of comely party planner Molly (Alice Eve) when she leaves her cell phone behind while passing through his checkpoint, and he goes out of his way to return it to her.

On the rebound from her last relationship with her dashing but insufferably egotistical ex-boyfriend Cam (Geoff Stults), Molly appreciates Kirk's Boy Scout-like politeness as well as his quirky, self-deprecating sense of humor.

But Kirk's doubts that Molly could actually be attracted to him are reinforced by the cynical nay saying of his three slacker best friends and co-workers, Jack (Mike Vogel), Stainer (T.J. Miller) and Devon (Nate Torrence), who reduce all interaction between the sexes to a set of mathematical formulas whereby a "hard 10" like Molly couldn't possibly fall for Kirk, who is, they calculate, barely a "5.'

Also rooting for Kirk to fail is his ornery ex-girlfriend, Marnie (Lindsay Sloane).

Kirk's effort to make himself more sexually appealing by shaving a part of his anatomy well south of his chin—an endeavor in which he fails on his own and has to accept the supposedly comic help of one of his trio of buddies—and a scene where he becomes overexcited during the preliminaries of an encounter with Molly, only to have her parents arrive unexpectedly, typify the cringe-inducing version of comedy that prevails throughout.

The film contains pervasive sexual humor, rear nudity, brief nongraphic sexual activity, implicit approval of premarital sex, about 10 uses of profanity and constant rough and crude language, including at least 40 uses of the F-word. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Miguel Agustín Pro: 
		<i>¡Viva Cristo Rey!</i> (Long live Christ the King) were the last words Fr. Pro uttered before he was executed for being a Catholic priest and serving his flock. 
<p>Born into a prosperous, devout family in Guadalupe de Zacatecas, Mexico, he entered the Jesuits in 1911, but three years later fled to Granada, Spain, because of religious persecution in Mexico. He was ordained in Belgium in 1925. </p><p>Fr. Pro immediately returned to Mexico, where he served a Church forced to go “underground.” He celebrated the Eucharist clandestinely and ministered the other sacraments to small groups of Catholics. </p><p>He and his brother Roberto were arrested on trumped-up charges of attempting to assassinate Mexico’s president. Roberto was spared but Miguel was sentenced to face a firing squad on November 23, 1927. His funeral became a public demonstration of faith. He was beatified in 1988.</p> American Catholic Blog Virtues guide our behavior according to the directives of faith and reason, leading us toward true freedom based on self-control, which fills us with joy that comes from living a good and moral life.

 
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