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ON FAITH & MEDIA View Comments

Green Zone

By
John Mulderig
Source: Catholic News Service

The early stages of the U.S. invasion of Iraq, and the ultimately fruitless search for the Saddam regime's weapons of mass destruction, provide the context for "Green Zone" (Universal), an idealistic but raw combat drama.

Loosely inspired by journalist Rajiv Chandrasekaran's 2007 best-seller "Imperial Life in the Emerald City," this is the fictional tale of dedicated Army Chief Warrant Officer Roy Miller (Matt Damon). Frustrated that his unit's hunt for the weapons of mass destruction that served as the justification for American intervention has led only to a series of dead ends, Miller begins to question the validity of the intelligence reports on which he and his comrades have been relying.

His doubts bring him to the attention of two feuding residents of the titular American enclave within the Iraqi capital: Defense Department official and ideologue Clark Poundstone (Greg Kinnear), who's wholly indifferent as to how the conflict began so long as Iraq can be transformed into a functioning democracy, and rogue CIA station chief Martin Brown (Brendan Gleeson), a veteran Middle East analyst who believes the entire operation rests on a foundation of lies and fabrications.

Miller's pursuit of the truth also leads him to Wall Street Journal reporter Lawrie Dayne (Amy Ryan), whose series of pre-war articles on the dangers posed by Saddam's weapons program had helped fuel public support for the offensive, pro-American local Freddy (Khalid Abdalla), who's willing to endanger himself to help secure a better future for his country, and former Saddam ally Gen. Ayad Hamza (Aymen Hamdouchi).

Hamza's out to strike a political bargain with the new occupiers, failing which, he's prepared to help launch a nationwide insurgency.

The subjects of just war and political truth telling are obviously worthy themes, especially the very timely issue of whether a preemptive strike can ever meet the criteria for a morally acceptable use of force according to the standards of traditional Catholic teaching.

But director Paul Greengrass' uneasy mix of political conspiracy yarn and action adventure increasingly takes on the qualities of a personal crusade by Miller, thereby blunting Brian Helgeland's script's ability to dissect larger questions of real-life morality. And the occasionally gritty scenes of battle and captivity, together with the persistently salty dialogue—all, perhaps, accurate enough—further restrict the appeal of this well-intentioned but flawed war story.

The film contains considerable action violence, some of it bloody, torture, several uses of profanity and frequent rough and crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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