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ON FAITH & MEDIA View Comments

Brooklyn's Finest

By
John Mulderig
Source: Catholic News Service

Catholic imagery pervades director Antoine Fuqua's seamy New York police drama "Brooklyn's Finest" (Overture).

But faith provides no meaningful guidance to the conflicted cops who populate this grim journey through Gotham's criminal underworld. Instead, characters cross all manner of legal and moral boundaries as the obscenity laden-script lurches from bloodshed to explicit scenes of sexuality.

The film chronicles a week in the lives of three troubled lawmen: cynical patrolman Eddie Dugan (Richard Gere), who's on the verge of retirement; undercover operative Clarence "Tango" Butler (Don Cheadle), who's desperate for promotion to a safe desk job; and narcotics officer Sal Procida (Ethan Hawke), who finds himself tempted to steal drug money to provide for his ill wife and growing family.

The ultimately impotent role of religion in at least two of these three chaotic lives is typified by a pair of unsettling early scenes.

In one, Eddie wakes up from a nightmare in a bedroom where practically the only form of decoration is a rosary hanging over the bed, downs a shot of whiskey and plays a round of Russian roulette with his service pistol jammed in his mouth. The other shows Sal going to confession, but ultimately declaring—with language typical for the dialogue but wildly inappropriate for the sacred setting—that he doesn't want God's forgiveness, just his help.

Sal's goal is to raise the money—by fair means or foul—for a new house, not only to get away from the mold that aggravates wife Angela's (Lili Taylor) asthma, but to accommodate the five children he already has and the twins who are on the way. The clear implication is that Sal's Catholic beliefs prevent him from exercising responsible family planning, as though artificial contraception were the only viable means of doing so.

Sal's back is adorned with a large tattoo of the archangel Michael, along with the text of the familiar prayer invoking that heavenly warrior's protection. As the film reaches its improbable, corpse-strewn climax, Sal misguidedly recites this prayer before launching an attack as vicious and conscience-deadening as anything served up by the ruthless traffickers he is meant to be combating.

The film contains frequent bloody violence, including beatings, shootings and strangulation, graphic nonmarital sexual activity, upper female nudity, a few uses of profanity and unremitting rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Jerome Emiliani: A careless and irreligious soldier for the city-state of Venice, Jerome was captured in a skirmish at an outpost town and chained in a dungeon. In prison Jerome had a lot of time to think, and he gradually learned how to pray. When he escaped, he returned to Venice where he took charge of the education of his nephews—and began his own studies for the priesthood. 
<p>In the years after his ordination, events again called Jerome to a decision and a new lifestyle. Plague and famine swept northern Italy. Jerome began caring for the sick and feeding the hungry at his own expense. While serving the sick and the poor, he soon resolved to devote himself and his property solely to others, particularly to abandoned children. He founded three orphanages, a shelter for penitent prostitutes and a hospital. </p><p>Around 1532 Jerome and two other priests established a congregation, the Clerks Regular of Somasca, dedicated to the care of orphans and the education of youth. Jerome died in 1537 from a disease he caught while tending the sick. He was canonized in 1767. In 1928 Pius Xl named him the patron of orphans and abandoned children.</p> American Catholic Blog Jesus really cannot be merely a part of our life; he must be the center of our life. Unless we preserve some quiet time each day to sit at his feet, our action will become distraction, and we’ll be unhappy.

Divine Science Michael Dennin

 
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