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ON FAITH & MEDIA View Comments

Brooklyn's Finest

By
John Mulderig
Source: Catholic News Service

Catholic imagery pervades director Antoine Fuqua's seamy New York police drama "Brooklyn's Finest" (Overture).

But faith provides no meaningful guidance to the conflicted cops who populate this grim journey through Gotham's criminal underworld. Instead, characters cross all manner of legal and moral boundaries as the obscenity laden-script lurches from bloodshed to explicit scenes of sexuality.

The film chronicles a week in the lives of three troubled lawmen: cynical patrolman Eddie Dugan (Richard Gere), who's on the verge of retirement; undercover operative Clarence "Tango" Butler (Don Cheadle), who's desperate for promotion to a safe desk job; and narcotics officer Sal Procida (Ethan Hawke), who finds himself tempted to steal drug money to provide for his ill wife and growing family.

The ultimately impotent role of religion in at least two of these three chaotic lives is typified by a pair of unsettling early scenes.

In one, Eddie wakes up from a nightmare in a bedroom where practically the only form of decoration is a rosary hanging over the bed, downs a shot of whiskey and plays a round of Russian roulette with his service pistol jammed in his mouth. The other shows Sal going to confession, but ultimately declaring—with language typical for the dialogue but wildly inappropriate for the sacred setting—that he doesn't want God's forgiveness, just his help.

Sal's goal is to raise the money—by fair means or foul—for a new house, not only to get away from the mold that aggravates wife Angela's (Lili Taylor) asthma, but to accommodate the five children he already has and the twins who are on the way. The clear implication is that Sal's Catholic beliefs prevent him from exercising responsible family planning, as though artificial contraception were the only viable means of doing so.

Sal's back is adorned with a large tattoo of the archangel Michael, along with the text of the familiar prayer invoking that heavenly warrior's protection. As the film reaches its improbable, corpse-strewn climax, Sal misguidedly recites this prayer before launching an attack as vicious and conscience-deadening as anything served up by the ruthless traffickers he is meant to be combating.

The film contains frequent bloody violence, including beatings, shootings and strangulation, graphic nonmarital sexual activity, upper female nudity, a few uses of profanity and unremitting rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.





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Leopold Mandic: Western Christians who are working for greater dialogue with Orthodox Christians may be reaping the fruits of Father Leopold’s prayers.
<p>A native of Croatia, Leopold joined the Capuchin Franciscans and was ordained several years later in spite of several health problems. He could not speak loudly enough to preach publicly. For many years he also suffered from severe arthritis, poor eyesight and a stomach ailment.
</p><p>Leopold taught patrology, the study of the Church Fathers, to the clerics of his province for several years, but he is best known for his work in the confessional, where he sometimes spent 13-15 hours a day. Several bishops sought out his spiritual advice.
</p><p>Leopold’s dream was to go to the Orthodox Christians and work for the reunion of Roman Catholicism and Orthodoxy. His health never permitted it. Leopold often renewed his vow to go to the Eastern Christians; the cause of unity was constantly in his prayers.
</p><p>At a time when Pope Pius XII said that the greatest sin of our time is "to have lost all sense of sin," Leopold had a profound sense of sin and an even firmer sense of God’s grace awaiting human cooperation.
</p><p>Leopold, who lived most of his life in Padua, died on July 30, 1942, and was canonized in 1982.</p> American Catholic Blog Good parenthood is a blend of yes and no. Knowing when to say no and enforce it leads to more yeses. No doesn’t shrink a child’s world; it expands it.

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