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ON FAITH & MEDIA View Comments

Percy Jackson & the Olympians: The Lightning Thief

By
John Mulderig
Source: Catholic News Service


Logan Lerman stars in a scene from the movie "Percy Jackson & the Olympians: The Lightning Thief."
Catholic parents' decision whether to allow their children to view "Percy Jackson & The Olympians: The Lightning Thief" (Fox) will largely depend on how they choose to interpret the tale's mythological premise.

For the film—like the children's novel on which it's based—is set in motion when its hero, mildly troubled New York high school student Percy Jackson (Logan Lerman), discovers his true identity as a demigod, offspring of the Greek sea god Poseidon (Kevin McKidd) and Sally (Catherine Keener), his affectionate, but perfectly ordinary human mother.

Some will take this mingling of contemporary reality and ancient myth as no more than a literary device, and a useful means of introducing youngsters to the deities of Mount Olympus, whose figures crop up constantly throughout the canon of Western literature. For others, it may represent an attempted revival of pagan ideas with the potential to confuse impressionable kids.

The disclosure of Percy's true nature comes in the midst of a crisis. The theft of Zeus' (Sean Bean) thunderbolt threatens to unleash a war between the king of the gods and his brothers, Poseidon and Hades (Steve Coogan). Convinced, like Zeus, that Percy has stolen the lightning, Hades takes Sally to the underworld as his prisoner to blackmail her son into handing the celestial weapon over to him.

So Percy embarks on a heroic quest to rescue his mother and prevent the outbreak of a conflict with potentially devastating consequences. He's accompanied—and assisted—by the semi-divine teen girl warrior Annabeth (Alexandra Daddario), daughter of Athena, and by Grover (Brandon T. Jackson), a courageous but untested adolescent satyr who has long served as Percy's protector under the guise of his schoolmate and best friend.

Though some slick special effects keep the adventure moving forward—Uma Thurman as Medusa has an unsettlingly realistic head of squirming snake hair—character-based drama is almost entirely absent from director Chris Columbus' glossy but shallow screen version of the first in novelist Rick Riordan's series of best-sellers.

And Percy's transformation from a 12-year-old on paper to a 17-year-old on the screen introduces elements unsuitable for some of the book's younger fans. Thus, in true satyr fashion, Grover spends his off-time cavorting with a gaggle of bikini-clad nymphs, and later draws the amorous interest of Persephone (Rosario Dawson), Hades' unwilling wife.

There's talk in the dialogue, too, of Persephone's secret male visitors and of how gods and mortals have been known to "hook up."

Though moderate, such content, taken together with the theological considerations mentioned above, precludes endorsement for a general audience.

The film contains pagan themes, brief domestic discord, a few instances of sexual innuendo and a couple of crass terms. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog The amazing friends I have: I didn’t “find” them; I certainly
don’t deserve them; but I do have them. And there is only one feasible reason: because my friends are God’s gift to me in proof of His love for me, His friendship.

 
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