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ON FAITH & MEDIA View Comments

Percy Jackson & the Olympians: The Lightning Thief

By
John Mulderig
Source: Catholic News Service


Logan Lerman stars in a scene from the movie "Percy Jackson & the Olympians: The Lightning Thief."
Catholic parents' decision whether to allow their children to view "Percy Jackson & The Olympians: The Lightning Thief" (Fox) will largely depend on how they choose to interpret the tale's mythological premise.

For the film—like the children's novel on which it's based—is set in motion when its hero, mildly troubled New York high school student Percy Jackson (Logan Lerman), discovers his true identity as a demigod, offspring of the Greek sea god Poseidon (Kevin McKidd) and Sally (Catherine Keener), his affectionate, but perfectly ordinary human mother.

Some will take this mingling of contemporary reality and ancient myth as no more than a literary device, and a useful means of introducing youngsters to the deities of Mount Olympus, whose figures crop up constantly throughout the canon of Western literature. For others, it may represent an attempted revival of pagan ideas with the potential to confuse impressionable kids.

The disclosure of Percy's true nature comes in the midst of a crisis. The theft of Zeus' (Sean Bean) thunderbolt threatens to unleash a war between the king of the gods and his brothers, Poseidon and Hades (Steve Coogan). Convinced, like Zeus, that Percy has stolen the lightning, Hades takes Sally to the underworld as his prisoner to blackmail her son into handing the celestial weapon over to him.

So Percy embarks on a heroic quest to rescue his mother and prevent the outbreak of a conflict with potentially devastating consequences. He's accompanied—and assisted—by the semi-divine teen girl warrior Annabeth (Alexandra Daddario), daughter of Athena, and by Grover (Brandon T. Jackson), a courageous but untested adolescent satyr who has long served as Percy's protector under the guise of his schoolmate and best friend.

Though some slick special effects keep the adventure moving forward—Uma Thurman as Medusa has an unsettlingly realistic head of squirming snake hair—character-based drama is almost entirely absent from director Chris Columbus' glossy but shallow screen version of the first in novelist Rick Riordan's series of best-sellers.

And Percy's transformation from a 12-year-old on paper to a 17-year-old on the screen introduces elements unsuitable for some of the book's younger fans. Thus, in true satyr fashion, Grover spends his off-time cavorting with a gaggle of bikini-clad nymphs, and later draws the amorous interest of Persephone (Rosario Dawson), Hades' unwilling wife.

There's talk in the dialogue, too, of Persephone's secret male visitors and of how gods and mortals have been known to "hook up."

Though moderate, such content, taken together with the theological considerations mentioned above, precludes endorsement for a general audience.

The film contains pagan themes, brief domestic discord, a few instances of sexual innuendo and a couple of crass terms. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.





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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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