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ON FAITH & MEDIA View Comments

The Wolfman

By
John P. McCarthy
Source: Catholic News Service


Anthony Hopkins and Benicio Del Toro star in the action-horror film "The Wolfman."
Alternately spooky, savage and silly, "The Wolfman" (Universal) entertains by rendering the trappings of lycanthrope lore with first-rate special effects and actors willing to feast on the material. A remake of the 1941 monster classic "The Wolf Man," it strikes a tone that might be described as "visceral camp."

The amount and kind of violence displayed is in keeping with the fear-inducing context. Though not for the squeamish, displays of the titular creature's bloody handiwork rarely feel gratuitous and help keep the picture hovering somewhere between art and pulp.

Unafraid to exploit cliches of the werewolf subgenre, director Joe Johnston cuts to the cloud-shrouded moon and inserts howls with abandon. In general, his approach suggests a desire to satisfy horror aficionados and novices alike. That the protagonist's transformations from man to beast are so convincing is a bonus for everyone.

Sympathy for Lawrence Talbot, played by Lon Chaney Jr. in the original, is heightened by Benicio Del Toro's performance. Not only is Del Toro a feral actor, but the humanity of his characters never fails to come through. Following his brother's mysterious, brutal murder, Lawrence—a famous stage actor—returns to his ancestral home in Broadmoor, England. The year is 1891.

Strewn with leaves and cobwebs, Talbot Hall is a slate-gray pile occupied by his eccentric father Sir John (Anthony Hopkins in masterful fettle). Also in residence is Gwen Conliffe (Emily Blunt), his brother's grieving fiancee.

Lawrence vows to discover who or what dismembered his late sibling. Many villagers believe the Gypsies encamped nearby are to blame. Inspector Abberline (Hugo Weaving) of Scotland Yard suspects Lawrence is the lunatic responsible for the attacks, which continue.

The (presumably Anglican) vicar of Broadmoor is depicted in an unflattering light, leading a vigilante posse against Lawrence and delivering a fiery sermon about the terror confronting the village. Yet he proves to be more prescient about its malevolent source than the medical establishment, represented by the staff at a London asylum who subject Lawrence to sadistic treatments (for which they pay dearly).

The movie contains frequent episodes of moderately graphic violence, including fleeting images of human entrails, decapitations, and severed limbs; an instance of partial upper female nudity; several references to prostitution; and one use of profane language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.



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Feast of the Guardian Angels: Perhaps no aspect of Catholic piety is as comforting to parents as the belief that an angel protects their little ones from dangers real and imagined. Yet guardian angels are not only for children. Their role is to represent individuals before God, to watch over them always, to aid their prayer and to present their souls to God at death. 
<p>The concept of an angel assigned to guide and nurture each human being is a development of Catholic doctrine and piety based on Scripture but not directly drawn from it. Jesus' words in Matthew 18:10 best support the belief: "See that you do not despise one of these little ones, for I say to you that their angels in heaven always look upon the face of my heavenly Father." </p><p>Devotion to the angels began to develop with the birth of the monastic tradition. St. Benedict gave it impetus and Bernard of Clairvaux, the great 12th-century reformer, was such an eloquent spokesman for the guardian angels that angelic devotion assumed its current form in his day. </p><p>A feast in honor of the guardian angels was first observed in the 16th century. In 1615, Pope Paul V added it to the Roman calendar.</p> American Catholic Blog Nothing then, must keep us back, nothing separate us from Him, and nothing come between us and Him.

 
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