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ON FAITH & MEDIA View Comments

The Wolfman

By
John P. McCarthy
Source: Catholic News Service


Anthony Hopkins and Benicio Del Toro star in the action-horror film "The Wolfman."
Alternately spooky, savage and silly, "The Wolfman" (Universal) entertains by rendering the trappings of lycanthrope lore with first-rate special effects and actors willing to feast on the material. A remake of the 1941 monster classic "The Wolf Man," it strikes a tone that might be described as "visceral camp."

The amount and kind of violence displayed is in keeping with the fear-inducing context. Though not for the squeamish, displays of the titular creature's bloody handiwork rarely feel gratuitous and help keep the picture hovering somewhere between art and pulp.

Unafraid to exploit cliches of the werewolf subgenre, director Joe Johnston cuts to the cloud-shrouded moon and inserts howls with abandon. In general, his approach suggests a desire to satisfy horror aficionados and novices alike. That the protagonist's transformations from man to beast are so convincing is a bonus for everyone.

Sympathy for Lawrence Talbot, played by Lon Chaney Jr. in the original, is heightened by Benicio Del Toro's performance. Not only is Del Toro a feral actor, but the humanity of his characters never fails to come through. Following his brother's mysterious, brutal murder, Lawrence—a famous stage actor—returns to his ancestral home in Broadmoor, England. The year is 1891.

Strewn with leaves and cobwebs, Talbot Hall is a slate-gray pile occupied by his eccentric father Sir John (Anthony Hopkins in masterful fettle). Also in residence is Gwen Conliffe (Emily Blunt), his brother's grieving fiancee.

Lawrence vows to discover who or what dismembered his late sibling. Many villagers believe the Gypsies encamped nearby are to blame. Inspector Abberline (Hugo Weaving) of Scotland Yard suspects Lawrence is the lunatic responsible for the attacks, which continue.

The (presumably Anglican) vicar of Broadmoor is depicted in an unflattering light, leading a vigilante posse against Lawrence and delivering a fiery sermon about the terror confronting the village. Yet he proves to be more prescient about its malevolent source than the medical establishment, represented by the staff at a London asylum who subject Lawrence to sadistic treatments (for which they pay dearly).

The movie contains frequent episodes of moderately graphic violence, including fleeting images of human entrails, decapitations, and severed limbs; an instance of partial upper female nudity; several references to prostitution; and one use of profane language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.



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David of Wales: David is the patron saint of Wales and perhaps the most famous of British saints. Ironically, we have little reliable information about him. 
<p>It is known that he became a priest, engaged in missionary work and founded many monasteries, including his principal abbey in southwestern Wales. Many stories and legends sprang up about David and his Welsh monks. Their austerity was extreme. They worked in silence without the help of animals to till the soil. Their food was limited to bread, vegetables and water. </p><p>In about the year 550, David attended a synod where his eloquence impressed his fellow monks to such a degree that he was elected primate of the region. The episcopal see was moved to Mynyw, where he had his monastery (now called St. David's). He ruled his diocese until he had reached a very old age. His last words to his monks and subjects were: "Be joyful, brothers and sisters. Keep your faith, and do the little things that you have seen and heard with me." </p><p>St. David is pictured standing on a mound with a dove on his shoulder. The legend is that once while he was preaching a dove descended to his shoulder and the earth rose to lift him high above the people so that he could be heard. Over 50 churches in South Wales were dedicated to him in pre-Reformation days.</p> American Catholic Blog When we recognize the wounded Jesus in ourselves, we are quite likely to go out of our hearts and minds to recognize Him in those around us. And, as we tend our own selves, we are moved to tend others as we can, whether through action or prayer. Our lives can truly echo the caring words and provide the caring touch of Christ.


 
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