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ON FAITH & MEDIA View Comments

The Wolfman

By
John P. McCarthy
Source: Catholic News Service


Anthony Hopkins and Benicio Del Toro star in the action-horror film "The Wolfman."
Alternately spooky, savage and silly, "The Wolfman" (Universal) entertains by rendering the trappings of lycanthrope lore with first-rate special effects and actors willing to feast on the material. A remake of the 1941 monster classic "The Wolf Man," it strikes a tone that might be described as "visceral camp."

The amount and kind of violence displayed is in keeping with the fear-inducing context. Though not for the squeamish, displays of the titular creature's bloody handiwork rarely feel gratuitous and help keep the picture hovering somewhere between art and pulp.

Unafraid to exploit cliches of the werewolf subgenre, director Joe Johnston cuts to the cloud-shrouded moon and inserts howls with abandon. In general, his approach suggests a desire to satisfy horror aficionados and novices alike. That the protagonist's transformations from man to beast are so convincing is a bonus for everyone.

Sympathy for Lawrence Talbot, played by Lon Chaney Jr. in the original, is heightened by Benicio Del Toro's performance. Not only is Del Toro a feral actor, but the humanity of his characters never fails to come through. Following his brother's mysterious, brutal murder, Lawrence—a famous stage actor—returns to his ancestral home in Broadmoor, England. The year is 1891.

Strewn with leaves and cobwebs, Talbot Hall is a slate-gray pile occupied by his eccentric father Sir John (Anthony Hopkins in masterful fettle). Also in residence is Gwen Conliffe (Emily Blunt), his brother's grieving fiancee.

Lawrence vows to discover who or what dismembered his late sibling. Many villagers believe the Gypsies encamped nearby are to blame. Inspector Abberline (Hugo Weaving) of Scotland Yard suspects Lawrence is the lunatic responsible for the attacks, which continue.

The (presumably Anglican) vicar of Broadmoor is depicted in an unflattering light, leading a vigilante posse against Lawrence and delivering a fiery sermon about the terror confronting the village. Yet he proves to be more prescient about its malevolent source than the medical establishment, represented by the staff at a London asylum who subject Lawrence to sadistic treatments (for which they pay dearly).

The movie contains frequent episodes of moderately graphic violence, including fleeting images of human entrails, decapitations, and severed limbs; an instance of partial upper female nudity; several references to prostitution; and one use of profane language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.





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Raymond Lull: Raymond worked all his life to promote the missions and died a missionary to North Africa. 
<p>Raymond was born at Palma on the island of Mallorca in the Mediterranean Sea. He earned a position in the king’s court there. One day a sermon inspired him to dedicate his life to working for the conversion of the Muslims in North Africa. He became a Secular Franciscan and founded a college where missionaries could learn the Arabic they would need in the missions. Retiring to solitude, he spent nine years as a hermit. During that time he wrote on all branches of knowledge, a work which earned him the title "Enlightened Doctor." </p><p>Raymond then made many trips through Europe to interest popes, kings and princes in establishing special colleges to prepare future missionaries. He achieved his goal in 1311 when the Council of Vienne ordered the creation of chairs of Hebrew, Arabic and Chaldean at the universities of Bologna, Oxford, Paris and Salamanca. At the age of 79, Raymond went to North Africa in 1314 to be a missionary himself. An angry crowd of Muslims stoned him in the city of Bougie. Genoese merchants took him back to Mallorca, where he died. Raymond was beatified in 1514.</p> American Catholic Blog Let’s not forget these words: The Lord never tires of forgiving us, never. The problem is that we grow tired; we don’t want to ask, we grow tired of asking for forgiveness.

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