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ON FAITH & MEDIA View Comments

The Wolfman

By
John P. McCarthy
Source: Catholic News Service


Anthony Hopkins and Benicio Del Toro star in the action-horror film "The Wolfman."
Alternately spooky, savage and silly, "The Wolfman" (Universal) entertains by rendering the trappings of lycanthrope lore with first-rate special effects and actors willing to feast on the material. A remake of the 1941 monster classic "The Wolf Man," it strikes a tone that might be described as "visceral camp."

The amount and kind of violence displayed is in keeping with the fear-inducing context. Though not for the squeamish, displays of the titular creature's bloody handiwork rarely feel gratuitous and help keep the picture hovering somewhere between art and pulp.

Unafraid to exploit cliches of the werewolf subgenre, director Joe Johnston cuts to the cloud-shrouded moon and inserts howls with abandon. In general, his approach suggests a desire to satisfy horror aficionados and novices alike. That the protagonist's transformations from man to beast are so convincing is a bonus for everyone.

Sympathy for Lawrence Talbot, played by Lon Chaney Jr. in the original, is heightened by Benicio Del Toro's performance. Not only is Del Toro a feral actor, but the humanity of his characters never fails to come through. Following his brother's mysterious, brutal murder, Lawrence—a famous stage actor—returns to his ancestral home in Broadmoor, England. The year is 1891.

Strewn with leaves and cobwebs, Talbot Hall is a slate-gray pile occupied by his eccentric father Sir John (Anthony Hopkins in masterful fettle). Also in residence is Gwen Conliffe (Emily Blunt), his brother's grieving fiancee.

Lawrence vows to discover who or what dismembered his late sibling. Many villagers believe the Gypsies encamped nearby are to blame. Inspector Abberline (Hugo Weaving) of Scotland Yard suspects Lawrence is the lunatic responsible for the attacks, which continue.

The (presumably Anglican) vicar of Broadmoor is depicted in an unflattering light, leading a vigilante posse against Lawrence and delivering a fiery sermon about the terror confronting the village. Yet he proves to be more prescient about its malevolent source than the medical establishment, represented by the staff at a London asylum who subject Lawrence to sadistic treatments (for which they pay dearly).

The movie contains frequent episodes of moderately graphic violence, including fleeting images of human entrails, decapitations, and severed limbs; an instance of partial upper female nudity; several references to prostitution; and one use of profane language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.



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Paul of the Cross: 
		<p>Born in northern Italy in 1694, Paul Daneo lived at a time when many regarded Jesus as a great moral teacher but no more. After a brief time as a soldier, he turned to solitary prayer, developing a devotion to Christ’s passion. Paul saw in the Lord’s passion a demonstration of God’s love for all people. In turn that devotion nurtured his compassion and supported a preaching ministry that touched the hearts of many listeners. He was known as one of the most popular preachers of his day, both for his words and for his generous acts of mercy. </p>
		<p>In 1720 Paul founded the Congregation of the Passion, whose members combined devotion to Christ’s passion with preaching to the poor and rigorous penances. Known as the Passionists, they add a fourth vow to the traditional three of poverty, chastity, and obedience, to spread the memory of Christ’s passion among the faithful. Paul was elected superior general of the Congregation in 1747, spending the remainder of his life in Rome. </p>
		<p>Paul of the Cross died in 1775, and was canonized in 1867. Over 2000 of his letters and several of his short writings have survived. </p>
American Catholic Blog Always bear in mind as a safe general rule that while God tries us by His crosses and sufferings, He always leaves us a glimmer of light by which we continue to have great trust in him and to recognize His immense goodness.

 
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