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ON FAITH & MEDIA View Comments

The Wolfman

By
John P. McCarthy
Source: Catholic News Service


Anthony Hopkins and Benicio Del Toro star in the action-horror film "The Wolfman."
Alternately spooky, savage and silly, "The Wolfman" (Universal) entertains by rendering the trappings of lycanthrope lore with first-rate special effects and actors willing to feast on the material. A remake of the 1941 monster classic "The Wolf Man," it strikes a tone that might be described as "visceral camp."

The amount and kind of violence displayed is in keeping with the fear-inducing context. Though not for the squeamish, displays of the titular creature's bloody handiwork rarely feel gratuitous and help keep the picture hovering somewhere between art and pulp.

Unafraid to exploit cliches of the werewolf subgenre, director Joe Johnston cuts to the cloud-shrouded moon and inserts howls with abandon. In general, his approach suggests a desire to satisfy horror aficionados and novices alike. That the protagonist's transformations from man to beast are so convincing is a bonus for everyone.

Sympathy for Lawrence Talbot, played by Lon Chaney Jr. in the original, is heightened by Benicio Del Toro's performance. Not only is Del Toro a feral actor, but the humanity of his characters never fails to come through. Following his brother's mysterious, brutal murder, Lawrence—a famous stage actor—returns to his ancestral home in Broadmoor, England. The year is 1891.

Strewn with leaves and cobwebs, Talbot Hall is a slate-gray pile occupied by his eccentric father Sir John (Anthony Hopkins in masterful fettle). Also in residence is Gwen Conliffe (Emily Blunt), his brother's grieving fiancee.

Lawrence vows to discover who or what dismembered his late sibling. Many villagers believe the Gypsies encamped nearby are to blame. Inspector Abberline (Hugo Weaving) of Scotland Yard suspects Lawrence is the lunatic responsible for the attacks, which continue.

The (presumably Anglican) vicar of Broadmoor is depicted in an unflattering light, leading a vigilante posse against Lawrence and delivering a fiery sermon about the terror confronting the village. Yet he proves to be more prescient about its malevolent source than the medical establishment, represented by the staff at a London asylum who subject Lawrence to sadistic treatments (for which they pay dearly).

The movie contains frequent episodes of moderately graphic violence, including fleeting images of human entrails, decapitations, and severed limbs; an instance of partial upper female nudity; several references to prostitution; and one use of profane language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.



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Marian and James: Often, it’s hard to find much detail from the lives of saints of the early Church. What we know about the third-century martyrs we honor today is likewise minimal. But we do know that they lived and died for the faith. Almost 2,000 years later, that is enough reason to honor them. 
<p>Born in North Africa, Marian was a lector or reader; James was a deacon. For their devotion to the faith they suffered during the persecution of Valerian. </p><p>Prior to their persecution, Marian and James were visited by two bishops who encouraged them in the faith not long before they themselves were martyred. A short time later, Marian and James were arrested and interrogated. The two readily confessed their faith and, for that, were tortured. While in prison they are said to have experienced visions, including one of the two bishops who had visited them earlier. </p><p>On the last day of their lives, Marian and James joined other Christians facing martyrdom. They were blindfolded and then put to death. Their bodies were thrown into the water. The year was 259.</p> American Catholic Blog As we befriend those who are paralyzed by fear, illness, failure, or loss, we are loving them as Christ would. We are building holy and beautiful relationships with the people God has entrusted to our care. Our mission, if we choose to accept it, is to carry our friends to Jesus.

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