AmericanCatholic.org
 
Skip Navigation Links
Home
Year of Mercy
Catholic News
Saints
Seasonal
Special Reports
Shopping
Donate
Blog
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Valentine's Day

By
John Mulderig
Source: Catholic News Service

Director Garry Marshall's ensemble romantic comedy "Valentine's Day" (New Line)—though chockablock with talented stars—is as unengaging as it is unwieldy. Worse, as penned by Katherine Fugate, this tale of loves lost and found, while rejecting marital infidelity, otherwise takes the full physical expression of affection as a given, before marriage, before college and between members of the same gender.

The script charts the amorous ups and downs of a series of interconnected Los Angelenos over the titular holiday, beginning with the early-morning proposal of starry-eyed florist Reed (Ashton Kutcher) to his work-obsessed girlfriend Morley (Jessica Alba). Since the pair already lives together, Reed only has to go around the foot of the bed to pop the question.

Reed's best friend is elementary school teacher Julia (Jennifer Garner), who wakes up beside her newfound beau, cardiologist Harrison (Patrick Dempsey). He's off on a trip to San Francisco that will prevent him from taking Julia to dinner on the most sentimentally significant night of the year, so we immediately sense there's something wrong, even if Julia doesn't.

Edison (Bryce Robinson), one of Julia's fifth-graders, lives with his grandparents Estelle and Edgar (Shirley MacLaine and Hector Elizondo), who are preparing to renew their vows after more than 50 years of marriage. But former screen ingenue Estelle has a long pent-up secret that could derail their return to the altar.

Edison's 18-year-old baby-sitter Grace (Emma Roberts) plans to spend the afternoon consummating her relationship with high school classmate, boyfriend and fellow virgin Alex (Carter Jenkins). Though Grace eventually has second thoughts, her reasons for delay are as irresponsible as Alex's unabashed longing for immediate gratification.

Other plotlines involve Jamie Foxx as a sportswriter, Eric Dane as pro football player with a clouded future, Queen Latifah as the athlete's no-nonsense agent, and Anne Hathaway as a secretary at the agent's office who moonlights as a sex phone worker. And that's not to mention Julia Roberts as a furloughed army Captain.

While, as the Bard assures us, "The course of true love never did run smooth," here, neither does the course of shacking up, talking dirty for extra pay or bedding down—as Hathaway's character also does—with someone you've been dating for all of two weeks.

The film contains implicit approval of nonmarital sexual activity and homosexual acts, partial nudity, adultery and phone-sex themes, sexual references and jokes, brief irreverent humor and a half-dozen crude and some crass terms

The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

New Call-to-action

 
CATHOLIC GREETINGS
Most Holy Body and Blood of Christ
Ultimately it is the Eucharist that feeds us and leads us to the heavenly banquet.

Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

Memorial Day (U.S.)
This weekend remember all those who have fought and died for peace.

Sacrament of the Eucharist
When you are with the bread of life, you don't have to go out and look for food. You already have it in abundance.

Caregiver
Send an encouraging message to someone you know who cares for another, either professionally or at home.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2016