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ON FAITH & MEDIA View Comments

Valentine's Day

By
John Mulderig
Source: Catholic News Service

Director Garry Marshall's ensemble romantic comedy "Valentine's Day" (New Line)—though chockablock with talented stars—is as unengaging as it is unwieldy. Worse, as penned by Katherine Fugate, this tale of loves lost and found, while rejecting marital infidelity, otherwise takes the full physical expression of affection as a given, before marriage, before college and between members of the same gender.

The script charts the amorous ups and downs of a series of interconnected Los Angelenos over the titular holiday, beginning with the early-morning proposal of starry-eyed florist Reed (Ashton Kutcher) to his work-obsessed girlfriend Morley (Jessica Alba). Since the pair already lives together, Reed only has to go around the foot of the bed to pop the question.

Reed's best friend is elementary school teacher Julia (Jennifer Garner), who wakes up beside her newfound beau, cardiologist Harrison (Patrick Dempsey). He's off on a trip to San Francisco that will prevent him from taking Julia to dinner on the most sentimentally significant night of the year, so we immediately sense there's something wrong, even if Julia doesn't.

Edison (Bryce Robinson), one of Julia's fifth-graders, lives with his grandparents Estelle and Edgar (Shirley MacLaine and Hector Elizondo), who are preparing to renew their vows after more than 50 years of marriage. But former screen ingenue Estelle has a long pent-up secret that could derail their return to the altar.

Edison's 18-year-old baby-sitter Grace (Emma Roberts) plans to spend the afternoon consummating her relationship with high school classmate, boyfriend and fellow virgin Alex (Carter Jenkins). Though Grace eventually has second thoughts, her reasons for delay are as irresponsible as Alex's unabashed longing for immediate gratification.

Other plotlines involve Jamie Foxx as a sportswriter, Eric Dane as pro football player with a clouded future, Queen Latifah as the athlete's no-nonsense agent, and Anne Hathaway as a secretary at the agent's office who moonlights as a sex phone worker. And that's not to mention Julia Roberts as a furloughed army Captain.

While, as the Bard assures us, "The course of true love never did run smooth," here, neither does the course of shacking up, talking dirty for extra pay or bedding down—as Hathaway's character also does—with someone you've been dating for all of two weeks.

The film contains implicit approval of nonmarital sexual activity and homosexual acts, partial nudity, adultery and phone-sex themes, sexual references and jokes, brief irreverent humor and a half-dozen crude and some crass terms

The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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