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ON FAITH & MEDIA View Comments

Dear John

By
John Mulderig
Source: Catholic News Service


Channing Tatum and Amanda Seyfried star in a scene from the movie "Dear John."
Young love finds itself tested by current events in the frequently sentimental drama "Dear John" (Screen Gems).

While the outside strains on the central relationship in director Lasse Hallstrom's adaptation of Nicholas Sparks' best-selling 2006 novel may be all too realistic—including as they do the 9/11 terrorist attacks and the subsequent wars in Afghanistan and Iraq—the characters' reactions to them, at least in a few crucial cases, come across as emotionally off-key.

Home on leave to visit his mildly autistic father (Richard Jenkins), South Carolina-bred Special Forces Sgt. John Tyree (Channing Tatum) falls for affluent college student Savannah Curtis (Amanda Seyfried). As shown in the opening scenes, the two meet when surfing enthusiast John, acting with characteristic gallantry, dives into the drink to retrieve the purse Savannah, acting with not-uncharacteristic vagueness, accidentally dropped off a beachside pier.

As John's return to duty looms, the two resolve to maintain their newfound bond by an exchange of detailed—and always honest—letters.

But then John's plans to leave the Army at the end of his enlistment—less than a year away—are suddenly scuttled by 9/11. He uses a brief furlough to visit Savannah, who fumes over the situation ("How dare that Osama bin Laden do this to me!" her face seems to say), and quarrels with him.

They make it up by consummating their attraction in an encounter the film handles discreetly, but also unmistakably endorses.

The crisis that follows once John departs again—revealing its precise nature would constitute a spoiler, though those old enough to remember the slang of earlier conflicts may take a hint from the title—sees Savannah behaving in a way that seems unlikely and inauthentic.

By contrast, the portrayal of John's conflicted filial feelings for his dad—an isolated figure who devotes all his time and attention to his extensive coin collection, and who eventually suffers a crisis of his own—is moving.

Despite John and Savannah's premature physicality, Jamie Linden's script does have its moral strong points, perhaps reflecting Spark's religious values as a practicing Catholic. Thus Savannah devotes her vacation days during spring break to rebuilding a neighbor's home, and dreams of opening a summer camp for autistic children. And John, who clearly appreciates Savannah's sensitivity, is shown to have a violent temper that he struggles to control.

The film contains nongraphic premarital sexual activity with partial nudity, a few uses of profanity and at least four instances of the S-word. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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