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ON FAITH & MEDIA View Comments

Edge of Darkness

By
John Mulderig
Source: Catholic News Service

In 1985, BBC television aired director Martin Campbell's miniseries "Edge of Darkness," a thriller about intrigue in the nuclear energy industry.

With Cold War tensions mounting at the time, the program achieved both popularity and critical acclaim, receiving six British Academy of Film and Television awards and being ranked 15th on the British Film Institute's Top 100 Television list.

Now Campbell brings an Americanized version of his stark tale of loss and corruption to the big screen as the feature-length drama "Edge of Darkness" (Warner Bros.) starring Mel Gibson.

In his first leading role in seven years, Gibson plays Boston police detective Thomas Craven. A widower given to old-fashioned ways, Craven is an isolated figure whose only real emotional bond is with his adult daughter Emma (Bojana Novakovic).

So when Emma is brutally shot dead shortly after arriving at her father's house for a visit—and before she can explain the nature of the illness that was causing her bouts of severe nausea—Craven is both emotionally devastated and reluctant to accept the theory that the bullets were meant for him.

Though Craven—whose Irish-American, and presumably Catholic, extraction is strongly signaled by Gibson's credible shot at a "Southie" accent—utters a fervent but ultimately stifled prayer as he cradles Emma's body moments after the attack, we later see him scattering her ashes in the ocean, a practice discouraged by the church as discordant with Gospel teaching on the resurrection of the body.

Launching a personal investigation, Craven gradually discovers some unsettling details about Emma's secretive work for Northmoor, a government contractor engaged in clandestine atomic research.

Predictably, Northmoor CEO Jack Bennett (Danny Huston) proves dissatisfyingly taciturn, while Emma's boyfriend and co-worker Daniel Burnham (Shawn Roberts) is too terrified to give Craven more than a few clues.

Some of Craven's best leads come from Darius Jedburgh (Ray Winstone), a shadowy, elegantly jaded fixer whose loyalties are thoroughly ambiguous.

William Monahan and Andrew Bovell's script—the miniseries was penned by Troy Kennedy Martin—provides a reasonably absorbing but gritty narrative that includes incidents of shocking violence. Thus, in addition to the gore that attends Emma's killing, one of Craven's informants is assaulted in a sudden, graphic, and thoroughly jarring manner.

As Craven closes in on those responsible for Emma's death, the film also skirts the dark edges of vigilantism, though the extreme circumstances and the far reach of the conspiracy Craven uncovers at least partly justify his go-it-alone approach to exacting redress.

The film contains complex moral issues, considerable and sometimes bloody violence, an implied premarital relationship, a few uses of profanity and much rough and some crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Cyril and Methodius: Because their father was an officer in a part of Greece inhabited by many Slavs, these two Greek brothers ultimately became missionaries, teachers and patrons of the Slavic peoples. 
<p>After a brilliant course of studies, Cyril (called Constantine until he became a monk shortly before his death) refused the governorship of a district such as his brother had accepted among the Slavic-speaking population. Cyril withdrew to a monastery where his brother Methodius had become a monk after some years in a governmental post. </p><p>A decisive change in their lives occurred when the Duke of Moravia (present-day Czech Republic) asked the Eastern Emperor Michael for political independence from German rule and ecclesiastical autonomy (having their own clergy and liturgy). Cyril and Methodius undertook the missionary task. </p><p>Cyril’s first work was to invent an alphabet, still used in some Eastern liturgies. His followers probably formed the Cyrillic alphabet (for example, modern Russian) from Greek capital letters. Together they translated the Gospels, the psalter, Paul’s letters and the liturgical books into Slavonic, and composed a Slavonic liturgy, highly irregular then. </p><p>That and their free use of the vernacular in preaching led to opposition from the German clergy. The bishop refused to consecrate Slavic bishops and priests, and Cyril was forced to appeal to Rome. On the visit to Rome, he and Methodius had the joy of seeing their new liturgy approved by Pope Adrian II. Cyril, long an invalid, died in Rome 50 days after taking the monastic habit. </p><p>Methodius continued mission work for 16 more years. He was papal legate for all the Slavic peoples, consecrated a bishop and then given an ancient see (now in the Czech Republic). When much of their former territory was removed from their jurisdiction, the Bavarian bishops retaliated with a violent storm of accusation against Methodius. As a result, Emperor Louis the German exiled Methodius for three years. Pope John VIII secured his release. </p><p>Because the Frankish clergy, still smarting, continued their accusations, Methodius had to go to Rome to defend himself against charges of heresy and uphold his use of the Slavonic liturgy. He was again vindicated. </p><p>Legend has it that in a feverish period of activity, Methodius translated the whole Bible into Slavonic in eight months. He died on Tuesday of Holy Week, surrounded by his disciples, in his cathedral church. </p><p>Opposition continued after his death, and the work of the brothers in Moravia was brought to an end and their disciples scattered. But the expulsions had the beneficial effect of spreading the spiritual, liturgical and cultural work of the brothers to Bulgaria, Bohemia and southern Poland. Patrons of Moravia, and specially venerated by Catholic Czechs, Slovaks, Croatians, Orthodox Serbians and Bulgarians, Cyril and Methodius are eminently fitted to guard the long-desired unity of East and West. In 1980, Pope John Paul II named them additional co-patrons of Europe (with Benedict).</p> American Catholic Blog This is the beauty of self-giving love: Men and women, driven by love, freely choose to give up their autonomy, to limit their freedom, by committing themselves to the good of the spouse. Love is so powerful that it impels them to want to surrender their will to their beloved in this profound way.

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