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ON FAITH & MEDIA View Comments

When in Rome

By
John Mulderig
Source: Catholic News Service

While the familiar proverb that supplies its title ultimately derives from the advice of one church father (St. Ambrose of Milan) quoted in the writings of another (St. Augustine of Hippo), the perky romantic comedy "When in Rome" (Touchstone) draws on the Eternal City's religious heritage only incidentally.

The graceful 17th-century church of St. Mary Magdalene—known colloquially as La Maddalena—does, however, provide the setting for the marriage ceremony at which its two main characters first meet and begin to fall in love.

Beth (Kristen Bell) is a work-obsessed curator at New York's Guggenheim Museum who has reluctantly taken 48 hours of personal time to serve as her sister Joan's (Alexis Dziena) maid of honor. The gent catching Beth's eye is best man Nick (Josh Duhamel), once Italian groom Umberto's (Luca Calvani) college roommate, and now a Gotham sportswriter.

Despite Beth's unhappy track record in previous relationships, the pair quickly bond during the lavish reception. But just as Beth's hopes begin to rise, she witnesses an incident that convinces her that Nick is a frivolous cad.

Wading despondently through the waters of the nearby "Fountain of Love," Beth shows her renewed cynicism by removing several of the coins that passers-by customarily toss into the basin for good luck in matters of the heart. According to the film's fanciful mythology, this ill-advised gesture immediately causes the quartet of eccentric strangers who deposited the change to become hopelessly infatuated with her.

So, once back in the Big Apple, Beth finds herself being relentlessly pursued and incongruously wooed by sausage magnate Al (Danny DeVito), street magician Lance (John Heder), aspiring artist Antonio (Will Arnett) and Gale (Dax Shepard), a would-be model enthralled by his own physique.

Though Nick eventually regains Beth's trust, successfully explaining away his apparent misbehavior, another obstacle arises when Beth suspects a poker chip she also retrieved from the fountain is his, meaning that he is merely under a spell and not freely— and therefore truly—in love.

Father Dino (Keir O'Donnell), the youthful, slightly pixilated priest who performs Joan and Umberto's nuptials, and who reappears in a couple of last-reel scenes, comes in for some gentle ribbing. But he's essentially an appealing character, and the closest the humor comes to anything remotely troublesome is the sight of him break dancing in his chasuble over the closing credits.

Otherwise, director Mark Steven Johnson's pleasantly diverting ensemble piece is mostly worry-free, with only a fleeting scene of newlywed friskiness that sees Joan in the kitchen wearing only an apron and Umberto, embracing her from behind, wearing apparently nothing at all, to bar endorsement for teens.

The film contains brief nongraphic marital lovemaking with implied nudity, mildly irreverent portrayal of a clergyman and a few crass expressions. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops. More reviews are available online at www.usccb.org/movies.



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Josephine Bakhita: For many years, Josephine Bakhita was a slave but her spirit was always free and eventually that spirit prevailed. 
<p>Born in Olgossa in the Darfur region of southern Sudan, Josephine was kidnapped at the age of seven, sold into slavery and given the name Bakhita, which means <i>fortunate</i>. She was re-sold several times, finally in 1883 to Callisto Legnani, Italian consul in Khartoum, Sudan. </p><p>Two years later he took Josephine to Italy and gave her to his friend Augusto Michieli. Bakhita became babysitter to Mimmina Michieli, whom she accompanied to Venice's Institute of the Catechumens, run by the Canossian Sisters. While Mimmina was being instructed, Josephine felt drawn to the Catholic Church. She was baptized and confirmed in 1890, taking the name Josephine. </p><p>When the Michielis returned from Africa and wanted to take Mimmina and Josephine back with them, the future saint refused to go. During the ensuing court case, the Canossian sisters and the patriarch of Venice intervened on Josephine's behalf. The judge concluded that since slavery was illegal in Italy, she had actually been free since 1885. </p><p>Josephine entered the Institute of St. Magdalene of Canossa in 1893 and made her profession three years later. In 1902, she was transferred to the city of Schio (northeast of Verona), where she assisted her religious community through cooking, sewing, embroidery and welcoming visitors at the door. She soon became well loved by the children attending the sisters' school and the local citizens. She once said, "Be good, love the Lord, pray for those who do not know Him. What a great grace it is to know God!" </p><p>The first steps toward her beatification began in 1959. She was beatified in 1992 and canonized eight years later.</p> American Catholic Blog St. Paul talks about the Christian life as a race, and encourages us to run so as to win. So it’s not just OK, it’s commanded to be competitive, to strive to excel. But true greatness consists in sharing in the sacrificial love of Christ, who comes to serve rather than to be served. That means that this race St. Paul is talking about is a race to the bottom.

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CATHOLIC GREETINGS
St. Josephine Bakhita
Today we honor the first saint from the Sudan, who was a model of piety and humility.

National Marriage Week
During this week especially tell each other how much your marriage means to you.

St. Valentine's Day
Schedule one or more e-cards today to be sent next Sunday.

Carnival
Create a festive atmosphere and invite friends over for one last party before the Lenten fast.

Catholic Schools Week
In the Catholic schools, parents know that their children are being formed as well as informed.




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