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ON FAITH & MEDIA View Comments

Legion

By
John Mulderig
Source: Catholic News Service

"Come, ye children, hearken unto me: I will teach you the fear of the Lord."

This verse from the King James Version's translation of Psalm 34 opens—and is intended to set the tone for—the theologically skewed apocalyptic horror outing "Legion" (Screen Gems). But, as the next hour-and-a-half of screen time makes abundantly clear, director and co-writer (with Peter Schink) Scott Stewart's feature debut portrays the fear of the Lord in a very different manner than either the psalmist or the writers of Scripture in general.

Rather than the reverential submission due to a mighty but benevolent God, the emotion aimed at here seems to be the kind of frenzy which an all-powerful heaven-dwelling terrorist might produce. Thus the script takes for its premise that God has despaired of humanity's future and has unleashed hordes of demonic angels—not to mention pestilential swarms of insects—to destroy civilization and wipe out Earth's entire population.

But the archangel Michael (Paul Bettany) rebels against this petulant plan.

Knowing that Charlie (Adrianne Palicki), the lone waitress at a remote roadside cafe in the Mojave Desert, is pregnant (though unmarried) with a child who alone can save humanity, Michael sets out to defend the place against the repeated attacks of his fellow angels—who have, by now, taken possession of crowds of human beings, transforming them into zombielike killing machines—long enough for her to give birth.

And just when is Charlie's due date? Dec. 25, naturally.

Michael enlists the help of the eatery's owners, religious skeptic Bob (Dennis Quaid) and Bible believer Percy (Charles S. Dutton), Bob's gentle son Jeep (Lucas Black)—who humbly nurses a forlorn, all-accepting love for Charlie—and just-passing-through customer Kyle (Tyrese Gibson).

What follows is a long, grim slog that intersperses relentless, though only occasionally gory, violence with metaphysical mush. Despite a brief passage of dialogue about Charlie's experience in an abortion mill that can be read as conveying a pro-life message, the wearisome proceedings overall leave viewers feeling as besieged as the characters in that lonesome greasy spoon.

The film contains convoluted religious themes; constant, though mostly nongraphic, violence; an out-of-wedlock pregnancy; a couple of uses of profanity; much rough language (including at least 25 uses of the F-word); and some crude and crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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James Oldo: You’ve heard rags-to-riches stories. Today, we celebrate the reverse. 
<p>James of Oldo was born into a well-to-do family near Milan in 1364. He married a woman who, like him, appreciated the comforts that came with wealth. But an outbreak of plague drove James, his wife and their three children out of their home and into the countryside. Despite those precautions, two of his daughters died from the plague, James determined to use whatever time he had left to build up treasures in heaven and to build God’s realm on earth. </p><p>He and his wife became Secular Franciscans. James gave up his old lifestyle and did penance for his sins. He cared for a sick priest, who taught him Latin. Upon the death of his wife, James himself became a priest. His house was transformed into a chapel where small groups of people, many of them fellow Secular Franciscans, came for prayer and support. James focused on caring for the sick and for prisoners of war. He died in 1404 after contracting a disease from one of his patients. </p><p>James Oldo was beatified in 1933.</p> American Catholic Blog Even when skies are grey and clouds heavy with tears, the sun rises. So to with our souls, burdened by life’s sins and still He rises.

 
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