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ON FAITH & MEDIA View Comments

Legion

By
John Mulderig
Source: Catholic News Service

"Come, ye children, hearken unto me: I will teach you the fear of the Lord."

This verse from the King James Version's translation of Psalm 34 opens—and is intended to set the tone for—the theologically skewed apocalyptic horror outing "Legion" (Screen Gems). But, as the next hour-and-a-half of screen time makes abundantly clear, director and co-writer (with Peter Schink) Scott Stewart's feature debut portrays the fear of the Lord in a very different manner than either the psalmist or the writers of Scripture in general.

Rather than the reverential submission due to a mighty but benevolent God, the emotion aimed at here seems to be the kind of frenzy which an all-powerful heaven-dwelling terrorist might produce. Thus the script takes for its premise that God has despaired of humanity's future and has unleashed hordes of demonic angels—not to mention pestilential swarms of insects—to destroy civilization and wipe out Earth's entire population.

But the archangel Michael (Paul Bettany) rebels against this petulant plan.

Knowing that Charlie (Adrianne Palicki), the lone waitress at a remote roadside cafe in the Mojave Desert, is pregnant (though unmarried) with a child who alone can save humanity, Michael sets out to defend the place against the repeated attacks of his fellow angels—who have, by now, taken possession of crowds of human beings, transforming them into zombielike killing machines—long enough for her to give birth.

And just when is Charlie's due date? Dec. 25, naturally.

Michael enlists the help of the eatery's owners, religious skeptic Bob (Dennis Quaid) and Bible believer Percy (Charles S. Dutton), Bob's gentle son Jeep (Lucas Black)—who humbly nurses a forlorn, all-accepting love for Charlie—and just-passing-through customer Kyle (Tyrese Gibson).

What follows is a long, grim slog that intersperses relentless, though only occasionally gory, violence with metaphysical mush. Despite a brief passage of dialogue about Charlie's experience in an abortion mill that can be read as conveying a pro-life message, the wearisome proceedings overall leave viewers feeling as besieged as the characters in that lonesome greasy spoon.

The film contains convoluted religious themes; constant, though mostly nongraphic, violence; an out-of-wedlock pregnancy; a couple of uses of profanity; much rough language (including at least 25 uses of the F-word); and some crude and crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The joy of the Lord is our strength. Therefore, each of us will accept a life of poverty in cheerful trust. We will offer cheerful obedience from our inward joy. We will minister to Christ in the distressing disguise of the poor with cheerful devotion. If our work is done with joy, we will have no reason to be unhappy.

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