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ON FAITH & MEDIA View Comments

Legion

By
John Mulderig
Source: Catholic News Service

"Come, ye children, hearken unto me: I will teach you the fear of the Lord."

This verse from the King James Version's translation of Psalm 34 opens—and is intended to set the tone for—the theologically skewed apocalyptic horror outing "Legion" (Screen Gems). But, as the next hour-and-a-half of screen time makes abundantly clear, director and co-writer (with Peter Schink) Scott Stewart's feature debut portrays the fear of the Lord in a very different manner than either the psalmist or the writers of Scripture in general.

Rather than the reverential submission due to a mighty but benevolent God, the emotion aimed at here seems to be the kind of frenzy which an all-powerful heaven-dwelling terrorist might produce. Thus the script takes for its premise that God has despaired of humanity's future and has unleashed hordes of demonic angels—not to mention pestilential swarms of insects—to destroy civilization and wipe out Earth's entire population.

But the archangel Michael (Paul Bettany) rebels against this petulant plan.

Knowing that Charlie (Adrianne Palicki), the lone waitress at a remote roadside cafe in the Mojave Desert, is pregnant (though unmarried) with a child who alone can save humanity, Michael sets out to defend the place against the repeated attacks of his fellow angels—who have, by now, taken possession of crowds of human beings, transforming them into zombielike killing machines—long enough for her to give birth.

And just when is Charlie's due date? Dec. 25, naturally.

Michael enlists the help of the eatery's owners, religious skeptic Bob (Dennis Quaid) and Bible believer Percy (Charles S. Dutton), Bob's gentle son Jeep (Lucas Black)—who humbly nurses a forlorn, all-accepting love for Charlie—and just-passing-through customer Kyle (Tyrese Gibson).

What follows is a long, grim slog that intersperses relentless, though only occasionally gory, violence with metaphysical mush. Despite a brief passage of dialogue about Charlie's experience in an abortion mill that can be read as conveying a pro-life message, the wearisome proceedings overall leave viewers feeling as besieged as the characters in that lonesome greasy spoon.

The film contains convoluted religious themes; constant, though mostly nongraphic, violence; an out-of-wedlock pregnancy; a couple of uses of profanity; much rough language (including at least 25 uses of the F-word); and some crude and crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Mary Magdalene de' Pazzi: Mystical ecstasy is the elevation of the spirit to God in such a way that the person is aware of this union with God while both internal and external senses are detached from the sensible world. Mary Magdalene de' Pazzi was so generously given this special gift of God that she is called the "ecstatic saint." 
<p>She was born into a noble family in Florence in 1566. The normal course would have been for Catherine de' Pazzi to have married wealth and enjoyed comfort, but she chose to follow her own path. At nine she learned to meditate from the family confessor. She made her first Communion at the then-early age of 10 and made a vow of virginity one month later. When 16, she entered the Carmelite convent in Florence because she could receive Communion daily there. </p><p>Catherine had taken the name Mary Magdalene and had been a novice for a year when she became critically ill. Death seemed near so her superiors let her make her profession of vows from a cot in the chapel in a private ceremony. Immediately after, she fell into an ecstasy that lasted about two hours. This was repeated after Communion on the following 40 mornings. These ecstasies were rich experiences of union with God and contained marvelous insights into divine truths. </p><p>As a safeguard against deception and to preserve the revelations, her confessor asked Mary Magdalene to dictate her experiences to sister secretaries. Over the next six years, five large volumes were filled. The first three books record ecstasies from May of 1584 through Pentecost week the following year. This week was a preparation for a severe five-year trial. The fourth book records that trial and the fifth is a collection of letters concerning reform and renewal. Another book, <i>Admonitions</i>, is a collection of her sayings arising from her experiences in the formation of women religious. </p><p>The extraordinary was ordinary for this saint. She read the thoughts of others and predicted future events. During her lifetime, she appeared to several persons in distant places and cured a number of sick people. </p><p>It would be easy to dwell on the ecstasies and pretend that Mary Magdalene only had spiritual highs. This is far from true. It seems that God permitted her this special closeness to prepare her for the five years of desolation that followed when she experienced spiritual dryness. She was plunged into a state of darkness in which she saw nothing but what was horrible in herself and all around her. She had violent temptations and endured great physical suffering. She died in 1607 at 41, and was canonized in 1669.</p> American Catholic Blog Let us never tire, therefore, of seeking the Lord—of letting ourselves be sought by him—of tending over our relationship with him in silence and prayerful listening. Let us keep our gaze fixed on him, the center of time and history; let us make room for his presence within us.

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