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ON FAITH & MEDIA View Comments

The Book of Eli

By
John P. McCarthy
Source: Catholic News Service

More contemplative and lyrical than advertised, the first big action movie of 2010 incorporates religious faith and Judeo-Christian principles to a surprising degree.

Directed by twin brothers Albert and Allen Hughes, "The Book of Eli" (Warner Bros.) prompts the question whether, assuming a minimum level of respect, the attempt to integrate religion and Scripture into a mass-appeal film is by itself laudable.

"The Book of Eli" exhibits sufficient reverence for the Bible, and yet its coarse language and violence—though not excessive when compared to many films of this ilk—could fuel the opinion that Hollywood should avoid all sacred texts. It does not endorse aggression as a means to redemption, however.

While dabbing them with morbid humor, the Hughes brothers don't prolong the fight sequences, nor are the proceedings saturated in blood. The mayhem is balanced by frequent meditative passages. Moreover, next to the bleak depictions of humankind's future that abound at the multiplex (last year's adaptation of Cormac McCarthy's novel "The Road" springs to mind) their vision is decidedly optimistic. Centering on a prophetic hero driven by faith and hope, "The Book of Eli" has more in common with the 2007 Will Smith vehicle "I Am Legend."

The character of Eli, portrayed by the always-convincing Denzel Washington, descends from the strong, mysterious strangers Clint Eastwood played in the so-called spaghetti Westerns of Sergio Leone, as well as from the spiritually potent protagonists in numerous Asian martial-arts films. In the near future, following a climactic disaster that precipitated "the last war," Eli has spent 30 years traversing the blighted landscape of the western United States carrying the only extant copy of The King James Bible.

Books were burned and libraries pillaged in the aftermath of the vaguely described apocalypse. Now, with survival a Herculean challenge, he skillfully defends himself and his precious cargo using a machete, bow-and-arrow, and gun. His belief that he's shielded by God appears to be well-founded after he arrives at a dusty town run by Carnegie (Gary Oldman), whose marauding minions are charged with bringing him every book they can find.

Carnegie's power derives from controlling the water supply, but he's convinced his dominion over the surviving population will grow if he wields the words of the Bible. His blind, common-law wife, Claudia (Jennifer Beals), has a daughter, Solara (Mila Kunis), who eventually hits the road with Eli, becoming a disciple of sorts.

How authentically Christian is Eli's religiosity? Not only does he safeguard and transport the Bible, he reads it daily and quotes from it often. He also prays—most notably at the end of the film, when he gives thanks to God and confesses the sins he committed as the Good Book's chosen courier. The most explicit expression of Christian doctrine comes when Eli tells Solara what he's learned from his in-depth study of Scripture, namely, "Do more for others than you do for yourself."

The film contains intermittent strong violence including gun- and swordplay and a killing intended to be merciful, much rough language, some crude language, and brief sexual innuendo. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.


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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The people who know God well—the hermits, the prayerful people, those who risk everything to find God—always meet a lover, not a dictator. God is never found to be an abusive father or a manipulative mother, but a lover who is more than we dared hope for.

 
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