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ON FAITH & MEDIA View Comments

The Spy Next Door

By
John Mulderig
Source: Catholic News Service


George Lopez and Jackie Chan star in a scene from the movie "The Spy Next Door."
Though generally good-hearted, and clearly aimed at family audiences, "The Spy Next Door" (Lionsgate/Relativity) -- a thin martial-arts comedy showcasing genre veteran Jackie Chan—includes scenes of hand-to-hand combat that make it unsuitable for the smallest viewers, while brief interludes of mildly risque humor further restrict its appropriate audience.

Chan plays Bob Ho, an international spy posing as a mild-mannered pen salesman. Bob is intent on retiring and living a normal life, but his plans to marry his girlfriend—and next-door neighbor—Gillian (Amber Valletta) are on hold because of the hostility of the divorcee's three kids: 14-year-old Farren (Madeline Carroll), preteen Ian (Will Shadley) and 5-year-old Nora (an endearing Alina Foley).

Taken in by Bob's cover story, the siblings have decided he's a crashing bore.

So when Gillian is called out of town by a family emergency, Bob volunteers to baby-sit, seeing this as the perfect opportunity to get to know the youngsters and win them over.

But Bob's domestic talents don't come close to his adroit secret-agent skills, leading to scenes of housekeeping mayhem reminiscent of an old "I Love Lucy" episode. And things go further awry when Bob's new charges unwittingly become entangled in his pursuit of Poldark (Magnus Scheving), a Russian master criminal bent on cornering the international petroleum market.

Country singer Billy Ray Cyrus and comedian George Lopez turn up as Bob's CIA colleagues.

As directed by Brian Levant, the sketchy material is mostly free of worrisome content, and charts its central character's self-sacrificing efforts to protect his temporary wards, both physically and emotionally.

But Ian, although only 12, is portrayed as an aspiring ladies' man who at one point approaches a girl many years his senior with the supposedly humorous pickup line, "If I said you had a beautiful body, would you hold it against me?" Similarly, Farren is shown to have a fondness for short skirts and a bare midriff, fashion choices resolutely vetoed by both Gillian and Bob.

An exchange between Bob and Farren leads him to assure her that families are made up of emotional bonds, not ties of blood, a favorite Hollywood sentiment that's legitimate enough in many situations, but potentially subject to misinterpretation within the context of contemporary cultural debates.

The film contains considerable, though nongraphic, martial-arts violence, acceptability of divorce, some vaguely sexual humor and at least one crude term. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. Motion Picture Association of America rating, PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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