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ON FAITH & MEDIA View Comments

The Spy Next Door

By
John Mulderig
Source: Catholic News Service


George Lopez and Jackie Chan star in a scene from the movie "The Spy Next Door."
Though generally good-hearted, and clearly aimed at family audiences, "The Spy Next Door" (Lionsgate/Relativity) -- a thin martial-arts comedy showcasing genre veteran Jackie Chan—includes scenes of hand-to-hand combat that make it unsuitable for the smallest viewers, while brief interludes of mildly risque humor further restrict its appropriate audience.

Chan plays Bob Ho, an international spy posing as a mild-mannered pen salesman. Bob is intent on retiring and living a normal life, but his plans to marry his girlfriend—and next-door neighbor—Gillian (Amber Valletta) are on hold because of the hostility of the divorcee's three kids: 14-year-old Farren (Madeline Carroll), preteen Ian (Will Shadley) and 5-year-old Nora (an endearing Alina Foley).

Taken in by Bob's cover story, the siblings have decided he's a crashing bore.

So when Gillian is called out of town by a family emergency, Bob volunteers to baby-sit, seeing this as the perfect opportunity to get to know the youngsters and win them over.

But Bob's domestic talents don't come close to his adroit secret-agent skills, leading to scenes of housekeeping mayhem reminiscent of an old "I Love Lucy" episode. And things go further awry when Bob's new charges unwittingly become entangled in his pursuit of Poldark (Magnus Scheving), a Russian master criminal bent on cornering the international petroleum market.

Country singer Billy Ray Cyrus and comedian George Lopez turn up as Bob's CIA colleagues.

As directed by Brian Levant, the sketchy material is mostly free of worrisome content, and charts its central character's self-sacrificing efforts to protect his temporary wards, both physically and emotionally.

But Ian, although only 12, is portrayed as an aspiring ladies' man who at one point approaches a girl many years his senior with the supposedly humorous pickup line, "If I said you had a beautiful body, would you hold it against me?" Similarly, Farren is shown to have a fondness for short skirts and a bare midriff, fashion choices resolutely vetoed by both Gillian and Bob.

An exchange between Bob and Farren leads him to assure her that families are made up of emotional bonds, not ties of blood, a favorite Hollywood sentiment that's legitimate enough in many situations, but potentially subject to misinterpretation within the context of contemporary cultural debates.

The film contains considerable, though nongraphic, martial-arts violence, acceptability of divorce, some vaguely sexual humor and at least one crude term. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. Motion Picture Association of America rating, PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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