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ON FAITH & MEDIA View Comments

Daybreakers

By
John Mulderig
Source: Catholic News Service

A scrupulous vampire who eschews human blood for the less satisfying animal alternative? No, it's not Edward Cullen of the "Twilight" franchise; it's undead hematology researcher Edward Dalton (Ethan Hawke), hero of the potentially intriguing, but excessively violent, "Daybreakers" (Lionsgate).

Set in a futuristic world where a mysterious plague has transformed the vast majority of the population into blood-suckers, this latest addition to the hoary horror genre revolves around the global emergency provoked when the few remaining mortals can no longer supply the necessary nutriment to sustain their innumerable predators.

Sponsored by a conglomerate that harvests blood from comatose human captives—a sort of macabre version of Archer Daniels Midland—Edward is searching frantically for a viable alternative.

But, as food riots break out and starving "normal" vampires become maddened mutants undermining public safety, people-friendly Edward—already troubled by the ends-justify-the-means nature of his work—discovers that his corporation's CEO, Charles Bromley (Sam Neill), is more concerned about maintaining market share than preserving an endangered species, even one to which he himself once belonged.

An accidental encounter with a group of human fugitives led by Audrey Bennettt (Claudia Karvan) introduces Edward to an underground world of resistance fighters and to the mysterious figure of Lionel "Elvis" Cormac (Willem Dafoe), a unique being who may have unwittingly discovered an alternative—and far more sweeping—solution to the crisis.

Co-writers and directors Peter and Michael Spierig effectively conjure a society where everyday Draculas are the norm—subway stations are packed with nocturnal, fanged commuters, cafes dispense coffee flavored with blood and, being immortal, everyone smokes—and they use this environment to make satiric points about the dangers of corporate excess and environmental irresponsibility.

But the intermittently gory proceedings, which feature needlessly realistic splatter throughout, move toward a climactic scene of orgiastic bloodletting.

The film contains graphic gruesome violence, including decapitation, dismemberment and exploding bodies; upper female nudity; at least three uses of profanity; and some rough and crude language. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops. 




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Antonio Lucci: Antonio studied with and was a friend of St. Francesco Antonio Fasani, who after Antonio Lucci’s death testified at the diocesan hearings regarding the holiness of Lucci. 
<p>Born in Agnone in southern Italy, a city famous for manufacturing bells and copper crafts, he was given the name Angelo at Baptism. He attended the local school run by the Conventual Franciscans and joined them at the age of 16. Antonio completed his studies for the priesthood in Assisi, where he was ordained in 1705. Further studies led to a doctorate in theology and appointments as a teacher in Agnone, Ravello and Naples. He also served as guardian in Naples. </p><p>Elected minister provincial in 1718, the following year he was appointed professor at St. Bonaventure College in Rome, a position he held until Pope Benedict XIII chose him as bishop of Bovino (near Foggia) in 1729. The pope explained, "I have chosen as bishop of Bovino an eminent theologian and a great saint." </p><p>His 23 years as bishop were marked by visits to local parishes and a renewal of gospel living among the people of his diocese. He dedicated his episcopal income to works of education and charity. At the urging of the Conventual minister general, Bishop Lucci wrote a major book about the saints and blesseds in the first 200 years of the Conventual Franciscans. </p><p>He was beatified in 1989, three years after his friend Francesco Antonio Fasani was canonized.</p> American Catholic Blog Not too many people need academia to teach them the power of positives. That has been known since Adam and Eve. The soul of strong family life is wrapped throughout with positives—love, affection, praise, commitment. The more a child receives the positives, the less he gives the negatives.

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