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ON FAITH & MEDIA View Comments

Leap Year

By
John Mulderig
Source: Catholic News Service


Matthew Goode and Amy Adams star in a scene from the movie "Leap Year."
With its action set mostly in Ireland, the likable romantic comedy "Leap Year" (Universal/Spyglass) features background details of life on the Emerald Isle more akin to 1952's "The Quiet Man" than to the post-Celtic Tiger contemporary reality. But the film's central, opposites-attract relationship is old-fashioned in the best sense, with physical restraint on the part of its main characters allowing room for a dexterously acted, if somewhat formulaic, portrayal of their deepening emotional engagement.

Hating each other at first sight (and thus bound to fall for each other eventually) are controlling Boston real estate consultant Anna (Amy Adams)—who specializes in temporarily decorating empty apartments to make them more appealing to prospective buyers—and laidback Dingle Peninsula innkeeper Declan (Matthew Goode).

Anna's plans to surprise her commitment-shy live-in boyfriend Jeremy (Adam Scott) by following him to Dublin, where he's attending a cardiologists' convention—and where she hopes to take advantage of a Sadie-Hawkins-like national tradition allowing women to propose on Leap Day—have been derailed by the weather, stranding her in Declan's picturesque but out-of-the-way corner of the world with Feb. 29 looming.

So, despite their initial head-butting, Anna hires Declan, who doubles as the local taxi driver, to get her to the capital in his "classic" (read barely operative) auto.

Amid the adventures that follow, Anna learns to relax, and the outwardly unflappable, but repressed Declan gradually opens up about the emotional scars inflicted by a previous relationship. Perhaps, ironically, because of her existing commitment—such as it is—to the insufferably smug Jeremy, Anna and Declan resist giving way to their growing attraction, even during a stay at a roadside bed-and-breakfast where they must pretend to be married to gain admittance to the one room—and one bed—on offer.

Though they share the bed, and though he jokes about the transparency of the shower curtain that substitutes for a bathroom door, the pair go no further than the passionate kiss demanded of them by their hosts, over an after-dinner drink, as a token of their newlywed ardor.

As scripted by Deborah Kaplan and Harry Elfont, director Anand Tucker's Hibernian idyll—which includes two sympathetic if incidental priest characters—thus allows the couple's discovery of each others' endearing qualities to unfold at a natural pace and in circumstances that make it, despite the elements described below, probably acceptable for older teens.

The film contains implied cohabitation, some mildly sexual humor, at least two uses of profanity, one of the S-word and a few crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Peter Canisius: The energetic life of Peter Canisius should demolish any stereotypes we may have of the life of a saint as dull or routine. Peter lived his 76 years at a pace which must be considered heroic, even in our time of rapid change. A man blessed with many talents, Peter is an excellent example of the scriptural man who develops his talents for the sake of the Lord’s work. 
<p>He was one of the most important figures in the Catholic Reformation in Germany. His was such a key role that he has often been called the “second apostle of Germany” in that his life parallels the earlier work of Boniface (June 5). </p><p>Although Peter once accused himself of idleness in his youth, he could not have been idle too long, for at the age of 19 he received a master’s degree from the university at Cologne. Soon afterwards he met Peter Faber, the first disciple of Ignatius Loyola (July 31), who influenced Peter so much that he joined the recently formed Society of Jesus. </p><p>At this early age Peter had already taken up a practice he continued throughout his life—a process of study, reflection, prayer and writing. After his ordination in 1546, he became widely known for his editions of the writings of St. Cyril of Alexandria and St. Leo the Great. Besides this reflective literary bent, Peter had a zeal for the apostolate. He could often be found visiting the sick or prisoners, even when his assigned duties in other areas were more than enough to keep most people fully occupied. </p><p>In 1547 Peter attended several sessions of the Council of Trent, whose decrees he was later assigned to implement. After a brief teaching assignment at the Jesuit college at Messina, Peter was entrusted with the mission to Germany—from that point on his life’s work. He taught in several universities and was instrumental in establishing many colleges and seminaries. He wrote a catechism that explained the Catholic faith in a way which common people could understand—a great need of that age. </p><p>Renowned as a popular preacher, Peter packed churches with those eager to hear his eloquent proclamation of the gospel. He had great diplomatic ability, often serving as a reconciler between disputing factions. In his letters (filling eight volumes) one finds words of wisdom and counsel to people in all walks of life. At times he wrote unprecedented letters of criticism to leaders of the Church—yet always in the context of a loving, sympathetic concern. </p><p>At 70 Peter suffered a paralytic seizure, but he continued to preach and write with the aid of a secretary until his death in his hometown (Nijmegen, Netherlands) on December 21, 1597.</p> American Catholic Blog While we await the full and unending experience of God drawing near to us, we must continue to work in the vineyard. We must continue to make God’s love real in every condition and circumstance of our lives.

 
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