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ON FAITH & MEDIA View Comments

Leap Year

By
John Mulderig
Source: Catholic News Service


Matthew Goode and Amy Adams star in a scene from the movie "Leap Year."
With its action set mostly in Ireland, the likable romantic comedy "Leap Year" (Universal/Spyglass) features background details of life on the Emerald Isle more akin to 1952's "The Quiet Man" than to the post-Celtic Tiger contemporary reality. But the film's central, opposites-attract relationship is old-fashioned in the best sense, with physical restraint on the part of its main characters allowing room for a dexterously acted, if somewhat formulaic, portrayal of their deepening emotional engagement.

Hating each other at first sight (and thus bound to fall for each other eventually) are controlling Boston real estate consultant Anna (Amy Adams)—who specializes in temporarily decorating empty apartments to make them more appealing to prospective buyers—and laidback Dingle Peninsula innkeeper Declan (Matthew Goode).

Anna's plans to surprise her commitment-shy live-in boyfriend Jeremy (Adam Scott) by following him to Dublin, where he's attending a cardiologists' convention—and where she hopes to take advantage of a Sadie-Hawkins-like national tradition allowing women to propose on Leap Day—have been derailed by the weather, stranding her in Declan's picturesque but out-of-the-way corner of the world with Feb. 29 looming.

So, despite their initial head-butting, Anna hires Declan, who doubles as the local taxi driver, to get her to the capital in his "classic" (read barely operative) auto.

Amid the adventures that follow, Anna learns to relax, and the outwardly unflappable, but repressed Declan gradually opens up about the emotional scars inflicted by a previous relationship. Perhaps, ironically, because of her existing commitment—such as it is—to the insufferably smug Jeremy, Anna and Declan resist giving way to their growing attraction, even during a stay at a roadside bed-and-breakfast where they must pretend to be married to gain admittance to the one room—and one bed—on offer.

Though they share the bed, and though he jokes about the transparency of the shower curtain that substitutes for a bathroom door, the pair go no further than the passionate kiss demanded of them by their hosts, over an after-dinner drink, as a token of their newlywed ardor.

As scripted by Deborah Kaplan and Harry Elfont, director Anand Tucker's Hibernian idyll—which includes two sympathetic if incidental priest characters—thus allows the couple's discovery of each others' endearing qualities to unfold at a natural pace and in circumstances that make it, despite the elements described below, probably acceptable for older teens.

The film contains implied cohabitation, some mildly sexual humor, at least two uses of profanity, one of the S-word and a few crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Bernadette Soubirous: Bernadette Soubirous was born in 1844, the first child of an extremely poor miller in the town of Lourdes in southern France. The family was living in the basement of a dilapidated building when on February 11,1858, the Blessed Virgin Mary appeared to Bernadette in a cave above the banks of the Gave River near Lourdes. Bernadette, 14 years old, was known as a virtuous girl though a dull student who had not even made her first Holy Communion. In poor health, she had suffered from asthma from an early age. 
<p>There were 18 appearances in all, the final one occurring on the feast of Our Lady of Mt. Carmel, July 16. Although Bernadette's initial reports provoked skepticism, her daily visions of "the Lady" brought great crowds of the curious. The Lady, Bernadette explained, had instructed her to have a chapel built on the spot of the visions. There the people were to come to wash in and drink of the water of the spring that had welled up from the very spot where Bernadette had been instructed to dig. </p><p>According to Bernadette, the Lady of her visions was a girl of 16 or 17 who wore a white robe with a blue sash. Yellow roses covered her feet, a large rosary was on her right arm. In the vision on March 25 she told Bernadette, "I am the Immaculate Conception." It was only when the words were explained to her that Bernadette came to realize who the Lady was. </p><p>Few visions have ever undergone the scrutiny that these appearances of the Immaculate Virgin were subject to. Lourdes became one of the most popular Marian shrines in the world, attracting millions of visitors. Miracles were reported at the shrine and in the waters of the spring. After thorough investigation Church authorities confirmed the authenticity of the apparitions in 1862. </p><p>During her life Bernadette suffered much. She was hounded by the public as well as by civic officials until at last she was protected in a convent of nuns. Five years later she petitioned to enter the Sisters of Notre Dame. After a period of illness she was able to make the journey from Lourdes and enter the novitiate. But within four months of her arrival she was given the last rites of the Church and allowed to profess her vows. She recovered enough to become infirmarian and then sacristan, but chronic health problems persisted. She died on April 16, 1879, at the age of 35. </p><p>She was canonized in 1933.</p> American Catholic Blog In humility, a woman ultimately forgets 
herself; forgets both her shortcomings and accomplishments equally and 
strives to remain empty of self to make room for Jesus, just as Mary 
did.

 
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