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ON FAITH & MEDIA View Comments

The Lovely Bones

By
John Mulderig
Source: Catholic News Service


Saoirse Ronan stars in a scene from the movie "The Lovely Bones."
Although intriguing for a number of reasons, not least its affirmation of an afterlife, the screen version of Alice Sebold's best-selling 2002 novel "The Lovely Bones" (Paramount)—primarily a somber drama centering on the murder of a child in suburban Pennsylvania in the early 1970s—eventually becomes scattershot as it attempts to blend disparate genres.

Narrating events from beyond the grave, and recounting the crime perpetrated against her by neighborhood psychopath and loner George Harvey (a squirm-provoking Stanley Tucci) is once-ebullient 14-year-old Susie Salmon (Saoirse Ronan). While the lead-up to Susie's fatal encounter with Harvey is unsettling, and strongly suggests a sexual motive, viewers are spared all but the gruesome aftermath as the killer bathes away the abundant, telltale blood.

Since her death, Susie's unresolved rage and desire for revenge have left her trapped in a picturesque purgatory that the script—penned by director Peter Jackson with Fran Walsh and Philippa Boyens—refers to as "the In-Between."

Also preventing Susie's progress to the higher reaches of this visually rich, though theologically vague Elysium is her ongoing attachment to the family she left behind. Thus she watches helplessly as her devastated father Jack (Mark Wahlberg) becomes obsessed with solving her slaying, thereby obtaining the redress the local police, led by Detective Len Fenerman (Michael Imperioli), seem unable to secure.

With the passage of a few years, Susie's sensitive but determined younger sister Lindsey (Rose McIver) joins her father in the hunt, and the scenes of their sporadic pursuit of Harvey—one of them resulting, unexpectedly, in a painfully violent confrontation—pull the film off in the direction of a cat-and-mouse suspense yarn. As encouraged by Susie's distant yearnings, their refusal to let Harvey go unpunished also suggests a morality tale about the limits of human justice and the dangers of fixation.

Unable to cope with her husband's mania, Susie's equally distraught mother Abigail (Rachel Weisz) departs for a stint as a California fruit picker. Abigail's exit opens the way for the appearance of boozy but sensible Grandma Lynn (Susan Sarandon), whose chain-smoking, martini-guzzling and thoroughly inept methods of housekeeping, intended for comic relief, create another distracting shift in tone.

The film contains themes of perversion and crime, gory images, scenes of harsh violence, brief nongraphic marital lovemaking, at least one use of profanity and of the F-word and a few crude and crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.



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Francesco Antonio Fasani: Born in Lucera (southeast Italy), Francesco entered the Conventual Franciscans in 1695. After his ordination 10 years later, he taught philosophy to younger friars, served as guardian of his friary and later became provincial. When his term of office ended, Francesco became master of novices and finally pastor in his hometown. 
<p>In his various ministries, he was loving, devout and penitential. He was a sought-after confessor and preacher. One witness at the canonical hearings regarding Francesco’s holiness testified, "In his preaching he spoke in a familiar way, filled as he was with the love of God and neighbor; fired by the Spirit, he made use of the words and deed of Holy Scripture, stirring his listeners and moving them to do penance." Francesco showed himself a loyal friend of the poor, never hesitating to seek from benefactors what was needed. </p><p>At his death in Lucera, children ran through the streets and cried out, "The saint is dead! The saint is dead!" Francesco was canonized in 1986.</p> American Catholic Blog As people of faith, we wake up with a purpose. We have a sense of mission, and this gives our lives enduring meaning. We can share with confidence the Word of God, no matter what circumstances we find ourselves in. There are no chance encounters!

 
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