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ON FAITH & MEDIA View Comments

Sherlock Holmes

By
John Mulderig
Source: Catholic News Service


Jude Law and Robert Downey Jr. star in a scene from the movie "Sherlock Holmes."
The game's afoot once more in "Sherlock Holmes" (Warner Bros.). But, though vigorous, this latest addition to the chronicles of perhaps the world's most iconic sleuth—who first figured in a series of novels and short stories published between 1887 and 1927 by Sir Arthur Conan Doyle—is also frequently violent.

In fact, as envisioned by director Guy Ritchie, and slyly personified by Robert Downey Jr., this brawny Sherlock slugs his way through several bone-crunching square-offs across Victorian London on the way to solving his latest case.

Accompanied by his perennial sidekick, Dr. Watson (Jude Law), Holmes is on the trail of notorious Satan-worshipping aristocrat Lord Blackwood (Mark Strong). But the investigation would seem to have reached a satisfactory conclusion within minutes of the opening credits when—after the pair interrupt Blackwood as he's about to perform his latest ritual murder—the errant peer is safely incarcerated and duly sentenced to be hanged.

Inviting Holmes to visit him in jail on the eve of his execution, however, Blackwood predicts that he will rise from the dead, inspiring a wave of public panic that will have global political implications. And it soon appears as though Blackwood has made good on his threat when a graveyard watchman swears he saw the seemingly resurrected nobleman walk out of his tomb.

Though the mystery of Blackwood's return is eventually teased out in typical Holmesian fashion, the initial idea of a black-magic resurrection may not sit well with some adult viewers and—taken together with its purely rationalistic solution—might be confusing for some more youthful ones.

But Michael Robert Johnson, Anthony Peckham and Simon Kinberg's collaborative script certainly makes no attempt to compromise Christian claims. And the logical deconstruction of Blackwood's scheme can be read as showing the inability of the powers of darkness—or of those trying to draw on them—to imitate God's supreme miracle.

A further complication for Catholic audiences concerns Blackwood's membership in a Masonic-style secret society dedicated to cultivating occult powers. Some of the members of this conventicle who oppose Blackwood argue that, unlike their misguided associate, they use such dark gifts to achieve good ends—an assertion, needless to say, wholly contrary to church teaching.

Heightening the tension of the central chase are subplots involving Mary Morstan (Kelly Reilly), the young lady for whom Watson has fallen and for whose sake he plans to abandon his work with Holmes and break up their bachelor household—a goal Holmes does his wily best to sabotage—and femme fatale Irene Adler (Rachel McAdams), an adept criminal who plays both sides of the law and who has bested and befuddled Holmes in the past.

The film contains considerable action violence, occult themes, satanic activity, brief irreverence, a sexual situation and a few sexual references and jokes. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.





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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog Teaching by example forms a durable base from which to form character. It is the base, but alone it won’t raise the kind of person you want. Being a moral adult is fundamental to teaching children morals. But it is not sufficient, in and of itself.

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