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ON FAITH & MEDIA View Comments

Nine

By
John Mulderig
Source: Catholic News Service

The stylish world of mid-1960s Rome provides the backdrop for the glossy but morally shallow musical drama "Nine" (Weinstein).

Director Rob Marshall's adaptation of Arthur L. Kopit and Maury Yeston's 1982 Broadway hit—itself an homage to Federico Fellini's classic autobiographical fantasy "8 1/2," released in 1963—is, like both its sources, the portrait of a man in creative and personal meltdown.

World-weary, yet as much a prey as ever to his own relentless desires, Fellini stand-in Guido Contini (Daniel Day-Lewis), although a celebrated film director addressed as "Maestro" by virtually everyone he meets, is on the rebound, when we first see him, from two flops. Worse, he has yet to write a word of the script for his latest work—grandly entitled "Italia"—despite the fact that it's about to go into production.

As Guido scrambles to conceal his artistic dry spell, he also struggles to maintain the tangled relationships that complicate his private life. These include his marriage to much put-upon former actress Luisa (Marion Cotillard), his longstanding affair with sultry but unstable Carla (Penelope Cruz), his on-again, off-again tie to favorite leading lady and muse Claudia (Nicole Kidman) and his friendship with sensible costume designer and confidante Lilli (Judi Dench).

Also thrown into the emotional mix are the ghost of Guido's loving earth-mother Mamma (Sophia Loren) and—very much alive and kicking—flirtatious visiting Vogue journalist Stephanie (Kate Hudson).

Despite the occasional acknowledgment of the damage wrought by Guido's philandering, as penned by Michael Tolkin and the late Anthony Minghella, "Nine"—which mostly treats adultery as a symptom of sophistication—amounts to a celebration of its hero's long and busy sexual career.

As established in an extended flashback, this carnal chase dates back at least to the day when, as a boy, he led a party of his peers down to the local beach to ogle a willing display of flesh put on by the town prostitute Saraghina (Stacy Ferguson, aka Black Eyed Peas vocalist Fergie).

This escapade earns him a rebuke from Mamma and a caning by a priest (read: agent of the overly powerful, sexually repressive Catholic Church). Moving from the tyrannical to the hypocritical, as an adult, Guido encounters far friendlier cleric Don Mario (Michele Alhaique), who blithely assures him that, although the church condemns his films, the clergy all love them.

Rounding things off by demonstrating the church's irrelevance, Don Mario's boss, a star-struck cardinal (Remo Remotti) whom Guido presents with a photo of Claudia signed in lipstick, can offer the maestro some poetic advice—"The imagination is God's garden," he observes—but, as for answers or solutions, he has none to give.

The film contains a pervasive negative portrayal of Catholicism, brief nongraphic adulterous sexual activity, recurrent adultery theme, partial upper female and rear nudity, a couple of uses of profanity and a few crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops. More reviews are available online at www.usccb.org/movies.




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Louis of France: At his coronation as king of France, Louis IX bound himself by oath to behave as God’s anointed, as the father of his people and feudal lord of the King of Peace. Other kings had done the same, of course. Louis was different in that he actually interpreted his kingly duties in the light of faith. After the violence of two previous reigns, he brought peace and justice. 
<p>He was crowned king at 12, at his father’s death. His mother, Blanche of Castile, ruled during his minority. When he was 19 and his bride 12, he was married to Marguerite of Provence. It was a loving marriage, though not without challenge. They had 11 children. </p><p>Louis “took the cross” for a Crusade when he was 30. His army seized Damietta ini Egypt but not long after, weakened by dysentery and without support, they were surrounded and captured. Louis obtained the release of the army by giving up the city of Damietta in addition to paying a ransom. He stayed in Syria four years. </p><p>He deserves credit for extending justice in civil administration. His regulations for royal officials became the first of a series of reform laws. He replaced trial by battle with a form of examination of witnesses and encouraged the use of written records in court. </p><p>Louis was always respectful of the papacy, but defended royal interests against the popes and refused to acknowledge Innocent IV’s sentence against Emperor Frederick II. </p><p>Louis was devoted to his people, founding hospitals, visiting the sick and, like his patron St. Francis (October 4), caring even for people with leprosy. (He is one of the patrons of the Secular Franciscan Order.) Louis united France—lords and townsfolk, peasants and priests and knights—by the force of his personality and holiness. For many years the nation was at peace. </p><p>Every day Louis had 13 special guests from among the poor to eat with him, and a large number of poor were served meals near his palace. During Advent and Lent, all who presented themselves were given a meal, and Louis often served them in person. He kept lists of needy people, whom he regularly relieved, in every province of his dominion. </p><p>Disturbed by new Muslim advances in Syria, he led another crusade in 1267, at the age of 41. His crusade was diverted to Tunis for his brother’s sake. The army was decimated by disease within a month, and Louis himself died on foreign soil at the age of 44. He was canonized 27 years later.</p> American Catholic Blog God passes through the thicket of the world, and wherever His glance falls He turns all things to beauty. <br />–St. John of the Cross

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