Skip Navigation Links
Catholic News
Special Reports
Google Plus
RSS Feeds
ON FAITH & MEDIA View Comments


John Mulderig
Source: Catholic News Service

The stylish world of mid-1960s Rome provides the backdrop for the glossy but morally shallow musical drama "Nine" (Weinstein).

Director Rob Marshall's adaptation of Arthur L. Kopit and Maury Yeston's 1982 Broadway hit—itself an homage to Federico Fellini's classic autobiographical fantasy "8 1/2," released in 1963—is, like both its sources, the portrait of a man in creative and personal meltdown.

World-weary, yet as much a prey as ever to his own relentless desires, Fellini stand-in Guido Contini (Daniel Day-Lewis), although a celebrated film director addressed as "Maestro" by virtually everyone he meets, is on the rebound, when we first see him, from two flops. Worse, he has yet to write a word of the script for his latest work—grandly entitled "Italia"—despite the fact that it's about to go into production.

As Guido scrambles to conceal his artistic dry spell, he also struggles to maintain the tangled relationships that complicate his private life. These include his marriage to much put-upon former actress Luisa (Marion Cotillard), his longstanding affair with sultry but unstable Carla (Penelope Cruz), his on-again, off-again tie to favorite leading lady and muse Claudia (Nicole Kidman) and his friendship with sensible costume designer and confidante Lilli (Judi Dench).

Also thrown into the emotional mix are the ghost of Guido's loving earth-mother Mamma (Sophia Loren) and—very much alive and kicking—flirtatious visiting Vogue journalist Stephanie (Kate Hudson).

Despite the occasional acknowledgment of the damage wrought by Guido's philandering, as penned by Michael Tolkin and the late Anthony Minghella, "Nine"—which mostly treats adultery as a symptom of sophistication—amounts to a celebration of its hero's long and busy sexual career.

As established in an extended flashback, this carnal chase dates back at least to the day when, as a boy, he led a party of his peers down to the local beach to ogle a willing display of flesh put on by the town prostitute Saraghina (Stacy Ferguson, aka Black Eyed Peas vocalist Fergie).

This escapade earns him a rebuke from Mamma and a caning by a priest (read: agent of the overly powerful, sexually repressive Catholic Church). Moving from the tyrannical to the hypocritical, as an adult, Guido encounters far friendlier cleric Don Mario (Michele Alhaique), who blithely assures him that, although the church condemns his films, the clergy all love them.

Rounding things off by demonstrating the church's irrelevance, Don Mario's boss, a star-struck cardinal (Remo Remotti) whom Guido presents with a photo of Claudia signed in lipstick, can offer the maestro some poetic advice—"The imagination is God's garden," he observes—but, as for answers or solutions, he has none to give.

The film contains a pervasive negative portrayal of Catholicism, brief nongraphic adulterous sexual activity, recurrent adultery theme, partial upper female and rear nudity, a couple of uses of profanity and a few crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops. More reviews are available online at

Search reviews at

Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus

Francis of Assisi: Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit and without a sense of self-importance. 
<p>Serious illness brought the young Francis to see the emptiness of his frolicking life as leader of Assisi's youth. Prayer—lengthy and difficult—led him to a self-emptying like that of Christ, climaxed by embracing a leper he met on the road. It symbolized his complete obedience to what he had heard in prayer: "Francis! Everything you have loved and desired in the flesh it is your duty to despise and hate, if you wish to know my will. And when you have begun this, all that now seems sweet and lovely to you will become intolerable and bitter, but all that you used to avoid will turn itself to great sweetness and exceeding joy." </p><p>From the cross in the neglected field-chapel of San Damiano, Christ told him, "Francis, go out and build up my house, for it is nearly falling down." Francis became the totally poor and humble workman. </p><p>He must have suspected a deeper meaning to "build up my house." But he would have been content to be for the rest of his life the poor "nothing" man actually putting brick on brick in abandoned chapels. He gave up all his possessions, piling even his clothes before his earthly father (who was demanding restitution for Francis' "gifts" to the poor) so that he would be totally free to say, "Our Father in heaven." He was, for a time, considered to be a religious fanatic, begging from door to door when he could not get money for his work, evokng sadness or disgust to the hearts of his former friends, ridicule from the unthinking. </p><p>But genuineness will tell. A few people began to realize that this man was actually trying to be Christian. He really believed what Jesus said: "Announce the kingdom! Possess no gold or silver or copper in your purses, no traveling bag, no sandals, no staff" (Luke 9:1-3). </p><p>Francis' first rule for his followers was a collection of texts from the Gospels. He had no idea of founding an order, but once it began he protected it and accepted all the legal structures needed to support it. His devotion and loyalty to the Church were absolute and highly exemplary at a time when various movements of reform tended to break the Church's unity. </p><p>He was torn between a life devoted entirely to prayer and a life of active preaching of the Good News. He decided in favor of the latter, but always returned to solitude when he could. He wanted to be a missionary in Syria or in Africa, but was prevented by shipwreck and illness in both cases. He did try to convert the sultan of Egypt during the Fifth Crusade. </p><p>During the last years of his relatively short life (he died at 44), he was half blind and seriously ill. Two years before his death, he received the stigmata, the real and painful wounds of Christ in his hands, feet and side. </p><p>On his deathbed, he said over and over again the last addition to his Canticle of the Sun, "Be praised, O Lord, for our Sister Death." He sang Psalm 141, and at the end asked his superior to have his clothes removed when the last hour came and for permission to expire lying naked on the earth, in imitation of his Lord.</p> American Catholic Blog The joy of the Gospel is not just any joy. It consists in knowing one is welcomed and loved by God…. And so we are able to open our eyes again, to overcome sadness and mourning to strike up a new song. And this true joy remains even amid trial, even amid suffering, for it is not a superficial joy: it permeates the depths of the person who entrusts himself to the Lord and confides in him.

Stumble Virtue Vice and the Space Between

Respect Life Sunday
Catholic Greetings and encourage you to support local and national efforts to protect and defend human life from conception to natural death.

St. Theodora
Though she was born in France, we honor Mother Theodore Guerin as an American saint.

The Holy Guardian Angels
Guardian angels represent us before God, watch over us always, aid our prayer, and present our souls to God at death.

St. Thérèse of Lisieux
Remember this 19th-century saint, known and revered as the Little Flower, with a Catholic Greetings e-card.

St. Francis and Brother Wolf
People around the world find their spirituality enhanced through studying the life of this humble man.

Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic

An Site from the Franciscans and Franciscan Media Copyright © 1996 - 2015