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ON FAITH & MEDIA View Comments

Did You Hear About the Morgans?

By
John Mulderig
Source: Catholic News Service

Not for the first time on screen, blue-state sophisticates discover the joys of red-state down-home living in the pleasant, if largely predictable, romantic comedy "Did You Hear About the Morgans?" (Columbia/Relativity). In this case though, their enforced retreat to the wilds of the High Plains also gives dyed-in-the-wool New Yorkers Paul (Hugh Grant) and Meryl (Sarah Jessica Parker) Morgan the chance to reassess their recently strained union.

Hotshot real estate agent Meryl has shown high-powered lawyer Paul the door for being unfaithful to her during a West Coast business trip. Paul deeply regrets his one-time-only mistake. But his efforts to reunite go nowhere until the separated, though not yet divorced, pair is thrown back together when they accidentally witness the contract killing of an arms dealer who was one of Meryl's clients.

With their lives in danger—the murderer (Michael Kelly) got a look at them, too, and Meryl's face is on ads all over town—the couple has no choice but to enter the witness protection program which abruptly relocates them to the one-gas-station town of Ray, Wyo. Once there, they're sheltered, and shielded, by no-nonsense local sheriff and federal marshal Clay Wheeler (Sam Elliott) and his gun-toting wife, Emma (Mary Steenburgen).

As Paul and Meryl find out what a starry sky looks like outside a planetarium and learn just how much fun the annual rodeo dance can be, they have an opportunity to reconnect and overcome Meryl's recent but deep-seated mistrust. Particularly effective is a scene in which they recall the nontraditional wedding vows they exchanged; hers drawn from a Shakespearean sonnet, his self-written, and only slightly marred by one of the script's few resorts to vaguely sexual humor.

While, as part of her urban persona, Meryl identifies herself as an agnostic, there's little conviction behind the declaration, and it's further undercut when, in the scene referenced above, Paul acknowledges his belief in, and prayer to, the God she doubts.

Though writer-director Marc Lawrence's fish-out-of-water tale necessarily features extensive discussion of the negative effects of infidelity, and also includes considerable talk about the spouses' efforts to conceive, these topics are dealt with in a restrained way, and genuinely objectionable material is mostly absent. Off-color language, for instance, is pretty well restricted to a single use of the S-word and a British slang exclamation drawn from Paul when he fires a rifle for the first time.

As a result, this unabashed celebration of marital love and family life—the straightforward values underlying the comedy are embodied by Clay and Emma's long-standing mutual dedication, which Paul and Meryl eventually seek to emulate—is probably acceptable for older teens, despite the elements listed below.

The film contains adultery and infertility themes, off-screen marital lovemaking, a few mildly sexual jokes and at least one crude and one crass term. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog Our Lord has a very special love for the chaste. His own mother and St. Joseph and St. John, the beloved disciple, were chaste. We desire to be chaste because we belong to Jesus Christ, Son of the Living God. We want to be chaste because of the work we do as coworkers of Christ. Our chastity must be so pure that it draws the most impure to the Sacred Heart of Christ.

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