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ON FAITH & MEDIA View Comments

Did You Hear About the Morgans?

By
John Mulderig
Source: Catholic News Service

Not for the first time on screen, blue-state sophisticates discover the joys of red-state down-home living in the pleasant, if largely predictable, romantic comedy "Did You Hear About the Morgans?" (Columbia/Relativity). In this case though, their enforced retreat to the wilds of the High Plains also gives dyed-in-the-wool New Yorkers Paul (Hugh Grant) and Meryl (Sarah Jessica Parker) Morgan the chance to reassess their recently strained union.

Hotshot real estate agent Meryl has shown high-powered lawyer Paul the door for being unfaithful to her during a West Coast business trip. Paul deeply regrets his one-time-only mistake. But his efforts to reunite go nowhere until the separated, though not yet divorced, pair is thrown back together when they accidentally witness the contract killing of an arms dealer who was one of Meryl's clients.

With their lives in danger—the murderer (Michael Kelly) got a look at them, too, and Meryl's face is on ads all over town—the couple has no choice but to enter the witness protection program which abruptly relocates them to the one-gas-station town of Ray, Wyo. Once there, they're sheltered, and shielded, by no-nonsense local sheriff and federal marshal Clay Wheeler (Sam Elliott) and his gun-toting wife, Emma (Mary Steenburgen).

As Paul and Meryl find out what a starry sky looks like outside a planetarium and learn just how much fun the annual rodeo dance can be, they have an opportunity to reconnect and overcome Meryl's recent but deep-seated mistrust. Particularly effective is a scene in which they recall the nontraditional wedding vows they exchanged; hers drawn from a Shakespearean sonnet, his self-written, and only slightly marred by one of the script's few resorts to vaguely sexual humor.

While, as part of her urban persona, Meryl identifies herself as an agnostic, there's little conviction behind the declaration, and it's further undercut when, in the scene referenced above, Paul acknowledges his belief in, and prayer to, the God she doubts.

Though writer-director Marc Lawrence's fish-out-of-water tale necessarily features extensive discussion of the negative effects of infidelity, and also includes considerable talk about the spouses' efforts to conceive, these topics are dealt with in a restrained way, and genuinely objectionable material is mostly absent. Off-color language, for instance, is pretty well restricted to a single use of the S-word and a British slang exclamation drawn from Paul when he fires a rifle for the first time.

As a result, this unabashed celebration of marital love and family life—the straightforward values underlying the comedy are embodied by Clay and Emma's long-standing mutual dedication, which Paul and Meryl eventually seek to emulate—is probably acceptable for older teens, despite the elements listed below.

The film contains adultery and infertility themes, off-screen marital lovemaking, a few mildly sexual jokes and at least one crude and one crass term. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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