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Up in the Air

John Mulderig
Source: Catholic News Service

Though a polished comic drama, "Up in the Air" (Paramount) also is an abortive conversion story with a morally ambivalent conclusion.

As soon as we're introduced to emotionally isolated, yet strangely contented, single businessman Ryan Bingham (a predictably deft George Clooney), we know he's ripe for change.

Ryan spends most of his life in chain hotels and airports as he travels from city to city firing employees on behalf of downsizing corporate clients. He also gives seminars in which he uses a backpack to symbolize the weighty burden, not only of material possessions, but of family and social connections as well.

But Ryan's rootless ways are threatened by his tech-savvy new colleague Natalie (Anna Kendrick), who wants their company to save expenses by terminating workers via the Internet, thus grounding Ryan permanently at the Tulsa, Okla., home office.

As Ryan takes Natalie on the road to demonstrate the futility of her scheme, he also reveals the combination of calm ruthlessness and insightful compassion that make him a master of his unusual craft. (Poignant scenes involving the distressed reactions of those being informed that their positions are "no longer available" were filmed using real workers recently laid off in Detroit and St. Louis.)

Another potential tear in Ryan's cocoon is achieved when his relationship with fellow executive wanderer Alex (Vera Farmiga), begun as a casual bedroom romp, gradually turns into something deeper. An invitation to his sister's wedding, meanwhile, also has Ryan reconsidering the value of family life.

Director and co-writer (with Sheldon Turner) Jason Reitman's screen version of Walter Kirn's novel is initially engaging and adroitly acted throughout. But the script winks at commitment-free encounters, while what appear at first to be the life-altering events of the plot turn out to be mere incidents with, the narrative suggests, little spiritual impact.

The film contains off-screen adulterous and nonmarital sexual activity, brief rear nudity, much sexual talk including lesbianism and masturbation references, a few uses of profanity and much rough and crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.

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Francesco Antonio Fasani: Born in Lucera (southeast Italy), Francesco entered the Conventual Franciscans in 1695. After his ordination 10 years later, he taught philosophy to younger friars, served as guardian of his friary and later became provincial. When his term of office ended, Francesco became master of novices and finally pastor in his hometown. 
<p>In his various ministries, he was loving, devout and penitential. He was a sought-after confessor and preacher. One witness at the canonical hearings regarding Francesco’s holiness testified, "In his preaching he spoke in a familiar way, filled as he was with the love of God and neighbor; fired by the Spirit, he made use of the words and deed of Holy Scripture, stirring his listeners and moving them to do penance." Francesco showed himself a loyal friend of the poor, never hesitating to seek from benefactors what was needed. </p><p>At his death in Lucera, children ran through the streets and cried out, "The saint is dead! The saint is dead!" Francesco was canonized in 1986.</p> American Catholic Blog Even in the innocence and devotion of my dog, I see a reminder from heaven to stay simple and devout! I call our funny little canine “a smile from heaven” because God uses him to make us laugh every single day, no matter what else is going on in our lives. Everywhere I look, it seems that God is sending me coded messages.

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