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ON FAITH & MEDIA View Comments

The Road

By
John Mulderig
Source: Catholic News Service

The theological ambiguity underlying "The Road" (Dimension) is highlighted by a scene set in a ruined church.

As the two main characters in this moving but relentlessly grim post-apocalyptic drama take shelter in the abandoned sanctuary, alert viewers will note that, although its artwork is in shreds and its altar has been displaced, a cross-shaped window shines above the wayfarers with a light virtually absent from every other environment they—and we with them—have encountered.

That's about as much hope as this dystopian tale holds out in chronicling the desperate journey through a devastated America of a father, identified only as The Man (a mesmerizing Viggo Mortensen) and his son, called only The Boy (fine newcomer Kodi Smit-McPhee).

Traveling on foot along what's left of the interstate highway system, some years after the unspecified cataclysm that destroyed both the ecology and civilization, the pair encounter marauding cannibals, crafty thieves and a few shell-shocked survivors—most notably The Old Man (Robert Duvall), an aged, nearly blind prophet figure pondering the meaning or unmeaning of it all—on their way to what they hope will be a marginally better life along the coast.

Occupying the pitted no-man's-land between a Samuel Beckett play and "The Road Warrior," director John Hillcoat's adaptation of Cormac McCarthy's Pulitzer Prize-winning novel is a stark examination of one man's efforts to preserve, and pass on, humane values—to "carry the fire," as Joe Penhall's script terms it—a labor in which he is refreshed only by the instinctive goodness of his youthful companion.

Yet, in the excess of his love, the father indulges in a quasi-idolatrous exultation of the boy that, like the borderline-blasphemous sentiments expressed by other characters, would be completely unacceptable in a less extreme context.

The film contains complex moral and theological issues, grisly images, cannibalism and suicide themes, rear and brief partial nudity, a few uses of profanity and occasional rough and crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Hilarion: Despite his best efforts to live in prayer and solitude, today’s saint found it difficult to achieve his deepest desire. People were naturally drawn to Hilarion as a source of spiritual wisdom and peace. He had reached such fame by the time of his death that his body had to be secretly removed so that a shrine would not be built in his honor. Instead, he was buried in his home village. 
<p>St. Hilarion the Great, as he is sometimes called, was born in Palestine. After his conversion to Christianity he spent some time with St. Anthony of Egypt, another holy man drawn to solitude. Hilarion lived a life of hardship and simplicity in the desert, where he also experienced spiritual dryness that included temptations to despair. At the same time, miracles were attributed to him. </p><p>As his fame grew, a small group of disciples wanted to follow Hilarion. He began a series of journeys to find a place where he could live away from the world. He finally settled on Cyprus, where he died in 371 at about age 80. </p><p>Hilarion is celebrated as the founder of monasticism in Palestine. Much of his fame flows from the biography of him written by St. Jerome.</p> American Catholic Blog Therefore if any thought agitates you, this agitation never comes from God, who gives you peace, being the Spirit of Peace, but from the devil.

 
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