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ON FAITH & MEDIA View Comments

The Road

By
John Mulderig
Source: Catholic News Service

The theological ambiguity underlying "The Road" (Dimension) is highlighted by a scene set in a ruined church.

As the two main characters in this moving but relentlessly grim post-apocalyptic drama take shelter in the abandoned sanctuary, alert viewers will note that, although its artwork is in shreds and its altar has been displaced, a cross-shaped window shines above the wayfarers with a light virtually absent from every other environment they—and we with them—have encountered.

That's about as much hope as this dystopian tale holds out in chronicling the desperate journey through a devastated America of a father, identified only as The Man (a mesmerizing Viggo Mortensen) and his son, called only The Boy (fine newcomer Kodi Smit-McPhee).

Traveling on foot along what's left of the interstate highway system, some years after the unspecified cataclysm that destroyed both the ecology and civilization, the pair encounter marauding cannibals, crafty thieves and a few shell-shocked survivors—most notably The Old Man (Robert Duvall), an aged, nearly blind prophet figure pondering the meaning or unmeaning of it all—on their way to what they hope will be a marginally better life along the coast.

Occupying the pitted no-man's-land between a Samuel Beckett play and "The Road Warrior," director John Hillcoat's adaptation of Cormac McCarthy's Pulitzer Prize-winning novel is a stark examination of one man's efforts to preserve, and pass on, humane values—to "carry the fire," as Joe Penhall's script terms it—a labor in which he is refreshed only by the instinctive goodness of his youthful companion.

Yet, in the excess of his love, the father indulges in a quasi-idolatrous exultation of the boy that, like the borderline-blasphemous sentiments expressed by other characters, would be completely unacceptable in a less extreme context.

The film contains complex moral and theological issues, grisly images, cannibalism and suicide themes, rear and brief partial nudity, a few uses of profanity and occasional rough and crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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