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ON FAITH & MEDIA View Comments

The Road

By
John Mulderig
Source: Catholic News Service

The theological ambiguity underlying "The Road" (Dimension) is highlighted by a scene set in a ruined church.

As the two main characters in this moving but relentlessly grim post-apocalyptic drama take shelter in the abandoned sanctuary, alert viewers will note that, although its artwork is in shreds and its altar has been displaced, a cross-shaped window shines above the wayfarers with a light virtually absent from every other environment they—and we with them—have encountered.

That's about as much hope as this dystopian tale holds out in chronicling the desperate journey through a devastated America of a father, identified only as The Man (a mesmerizing Viggo Mortensen) and his son, called only The Boy (fine newcomer Kodi Smit-McPhee).

Traveling on foot along what's left of the interstate highway system, some years after the unspecified cataclysm that destroyed both the ecology and civilization, the pair encounter marauding cannibals, crafty thieves and a few shell-shocked survivors—most notably The Old Man (Robert Duvall), an aged, nearly blind prophet figure pondering the meaning or unmeaning of it all—on their way to what they hope will be a marginally better life along the coast.

Occupying the pitted no-man's-land between a Samuel Beckett play and "The Road Warrior," director John Hillcoat's adaptation of Cormac McCarthy's Pulitzer Prize-winning novel is a stark examination of one man's efforts to preserve, and pass on, humane values—to "carry the fire," as Joe Penhall's script terms it—a labor in which he is refreshed only by the instinctive goodness of his youthful companion.

Yet, in the excess of his love, the father indulges in a quasi-idolatrous exultation of the boy that, like the borderline-blasphemous sentiments expressed by other characters, would be completely unacceptable in a less extreme context.

The film contains complex moral and theological issues, grisly images, cannibalism and suicide themes, rear and brief partial nudity, a few uses of profanity and occasional rough and crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

******
John Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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