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ON FAITH & MEDIA View Comments

The Princess and the Frog

By
John Mulderig
Source: Catholic News Service

"The Frog Prince," a fairy tale that was already generations old when the Brothers Grimm committed it to writing in the early 19th century, gets a clever new twist in "The Princess and the Frog" (Disney). But this snappy variation on an ancient theme—any more specific description would constitute a spoiler—is just one inviting element in what is, overall, an enchanting animated musical.

Eschewing computer technology in favor of traditional hand-drawn artwork, directors and co-writers (with Rob Edwards) John Musker and Ron Clements skillfully conjure up the New Orleans of the 1920s, complete with brassy jazz, Mississippi steamboats and a partially authentic, though sanitized, version of the social and racial divisions of the time.

At once subject to those divides, yet defying them—probably to an unrealistic degree—are best-friends-since-childhood Charlotte (voice of Jennifer Cody) and Tiana (voice of Anika Noni Rose).

Charlotte, the spoiled, headstrong but nonetheless endearing daughter of wealthy white patriarch Big Daddy (voice of John Goodman) can afford dreams of splendor, and has long had her heart set on marrying a prince. African-American Tiana—whose mother Eudora (voice of Oprah Winfrey) is Charlotte's seamstress—has the more modest goal of fulfilling late father James' (voice of Terrence Howard) wish to open an elegant waterfront restaurant.

Through diligent drudgery, Tiana has come close to earning the requisite money, and Charlotte's cherished desire looks likely to be fulfilled as well when handsome, jazz-addicted playboy Prince Naveen of Maldonia (voice of Bruno Campos) arrives in the Crescent City.

But a shape-shifting spell cast by scheming voodoo sorcerer Dr. Facilier (voice of Keith David) complicates all their lives, leading to a journey to the bayou and the remote lair of its 179-year-old queen, Mama Odie (voice of Jenifer Lewis), whose good magic may undo the hex. Along the way, we meet two more vivid characters: sweet-natured, trumpet-playing alligator Louis (voice of Michael-Leon Wooley) and gap-toothed Cajun firefly Ray (voice of Jim Cummings).

As this lavish romance unfolds, enhanced by bouncy tunes from veteran pop star and film composer Randy Newman, hard-working Tiana and lazy, carefree Naveen—initially at Hepburn-Tracy loggerheads—eventually come to exercise a positive, balancing influence on each other. And the script, which emphasizes the value of love over material wealth throughout, reaches a resolution highlighting the transformative power of marital commitment.

Though images of fire-breathing masks and evil sprites may scare some tots, "The Princess and the Frog" otherwise provides quality entertainment for all ages.

The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences. All ages admitted.

*********
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Joachim and Anne: In the Scriptures, Matthew and Luke furnish a legal family history of Jesus, tracing ancestry to show that Jesus is the culmination of great promises. Not only is his mother’s family neglected, we also know nothing factual about them except that they existed. Even the names <i>Joachim</i> and <i>Anne</i> come from a legendary source written more than a century after Jesus died. 
<p>The heroism and holiness of these people, however, is inferred from the whole family atmosphere around Mary in the Scriptures. Whether we rely on the legends about Mary’s childhood or make guesses from the information in the Bible, we see in her a fulfillment of many generations of prayerful persons, herself steeped in the religious traditions of her people. </p><p>The strong character of Mary in making decisions, her continuous practice of prayer, her devotion to the laws of her faith, her steadiness at moments of crisis, and her devotion to her relatives—all indicate a close-knit, loving family that looked forward to the next generation even while retaining the best of the past. </p><p>Joachim and Anne—whether these are their real names or not—represent that entire quiet series of generations who faithfully perform their duties, practice their faith and establish an atmosphere for the coming of the Messiah, but remain obscure.</p> American Catholic Blog My hope is that my children reach beyond me in character. I don’t want to be their moral ceiling. That makes me responsible to guide and discipline them in directions I don’t always follow. And above all, to show them mercy for their human frailty, as I ask them to show me that same mercy for mine.

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