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ON FAITH & MEDIA View Comments

Old Dogs

By
John Mulderig
Source: Catholic News Service


Robin Williams and John Travolta star in a scene from the movie "Old Dogs."
Though its back story is morally murky, the current proceedings in director Walt Becker's passable comedy "Old Dogs" (Disney) are mostly harmless. Still, a talented cast can do little with the thin, derivative script for this dizzy dad escapade penned by David Diamond and David Weissman.

As we learn in a series of flashbacks narrated with relish by his longtime business partner and best friend Charlie (John Travolta), seven years ago, unlucky-in-love sports marketing executive Dan (Robin Williams), while on the rebound from the breakup of his first marriage, became the tipsy groom in an ill-advised—and quickly annulled—second union with Vicki (Kelly Preston), a woman he had just met while bar-hopping through the South Beach neighborhood of Miami Beach, Fla.

Despite the swift quashing of their bond, Dan has continued to carry a torch ever since. So when Vicki responds to a letter he's written by proposing they meet, he assumes her aim is to revive their relationship. Instead, Vicki springs the news that Dan is the father of her twins, Zach (Conner Rayburn) and Emily (Ella Bleu Travolta, John and Kelly's real-life daughter).

With Vicki facing a two-week prison sentence for trespassing during an environmental protest, the kids need a temporary guardian and, by process of elimination, the reluctant, child-wary Dan becomes the only candidate. As Dan and Charlie try to concentrate on the career-capping business deal that just happens to be in the offing, Zach and Emily distract them with a combination of emotional pleas for attention and comic mishaps.

Though some of the gags, especially scenes featuring the side effects of mixed-up prescription pills, work well enough, the conversion tale that sees Dan forsaking all to prove his paternal dedication—and cranky professional bachelor Charlie turning out to be an old softie too—is entirely predictable.

One stage in Dan's transformation involves the final movie performance by the late comedian Bernie Mac, who appears as puppeteer Jimmy Lunchbox, an innovator whose technological breakthrough enables him to make Dan into a human puppet, thus loosening him up and controlling his movements during a costumed tea party with Emily.

An episode in which Dan and Charlie are mistaken for partners of a different sort and an exchange between Dan and Zach about where babies come from—though the latter, set in a bathroom stall Zach is noisily using, leads only to a befuddled Dan resorting to birds-and-bees talk—seem out of place in what was presumably conceived as a family-friendly offering timed for the holidays.

The film contains a drunken wedding, a few instances of vaguely sexual and mildly scatological humor, and some rough slapstick. The USCCB Office for Film & Broadcasting classification is A-II —adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

******
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

The Blessing of Family

 
CATHOLIC GREETINGS
Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

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Rejoice with a friend who is transitioning from the highs and lows of daily employment.

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