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ON FAITH & MEDIA View Comments

The Twilight Saga: New Moon

By
John Mulderig
Source: Catholic News Service

There is something at once reassuring and sad in the fervor with which its target audience of tween and teen girls will undoubtedly greet the lovelorn Gothic romance sequel The Twilight Saga: New Moon (Summit), at least to judge by the squealingly delighted reaction of such viewers at a recent preview screening.

Their enthusiasm is reassuring because this latest chapter in the love story of well-mannered vampire Edward Cullen (Robert Pattinson) and mortal high school student Bella Swan (Kristen Stewart) is—like its 2008 predecessor Twilight—remarkable for the innocence of their interaction. (Edward fears that temptations of the flesh, if indulged beyond the occasional kiss, might give way to temptations of the blood.)

What makes it sad is the thought of how rare the portrayal of such a restrained relationship has become, even in entertainment aimed at the young. And then, of course, there's the fact that it takes an occult contrivance to compel and enforce the couple's chastity.

Though behaving themselves when together, in fact, Edward and Bella spend most of their time apart in director Chris Weitz's adaptation of the second book in Stephenie Meyer's best-selling series of young-adult novels. That's because, early on, Bella has a slight accident involving a bit of bleeding that sends the less controlled members of the undead clan with which Edward lives, especially the ever-predatory Jasper (Jackson Rathbone), into a dangerous frenzy.

Appalled, Edward feigns a change of heart, breaks off their relationship, and disappears. Disconsolate Bella eventually turns to her American Indian friend Jacob Black (Taylor Lautner) for solace. But, in addition to wanting to be more than mere pals, Jacob has a supernatural secret of his own: He's inherited the gene that turns some members of his tribe, when provoked, into werewolves.

And who are the werewolves' mortal enemies? Why, vampires, naturally. So, as the picturesque proceeding sweep from the misty Northwest of Bella's hometown of Forks, Wash., to the sunny hills of Tuscany, the sighing, gazing and moping are interrupted by some intermittent violence as outsized battles flare between superhuman opponents.

Along the way, Bella's pleas to be transformed into a blood-sucker—thereby resolving her dilemma and allowing her to remain with Edward forever—lead to a hazy discussion about the possible loss of her soul. Edward, we learn, believes that all his kind, no matter how courtly, are damned, though precisely what that means Melissa Rosenberg's script never tarries long enough to explore or explain. There's also a brief exchange about the origins of Jacob's problem that echoes, presumably for humorous effect, the debate about the origins of homosexual orientation.

The film contains considerable action violence, a vague sexual reference and at least one mildly crass term. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Joseph Calasanz: 
		<p>From Aragon, where he was born in 1556, to Rome, where he died 92 years later, fortune alternately smiled and frowned on the work of Joseph Calasanz. A priest with university training in canon law and theology, respected for his wisdom and administrative expertise, he put aside his career because he was deeply concerned with the need for education of poor children.</p>
		<p>When he was unable to get other institutes to undertake this apostolate at Rome, he and several companions personally provided a free school for deprived children. So overwhelming was the response that there was a constant need for larger facilities to house their effort. Soon Pope Clement VIII gave support to the school, and this aid continued under Pope Paul V. Other schools were opened; other men were attracted to the work and in 1621 the community (for so the teachers lived) was recognized as a religious community, the Clerks Regular of Religious Schools (Piarists or Scolopi). Not long after, Joseph was appointed superior for life.</p>
		<p>A combination of various prejudices and political ambition and maneuvering caused the institute much turmoil. Some did not favor educating the poor, for education would leave the poor dissatisfied with their lowly tasks for society! Others were shocked that some of the Piarists were sent for instruction to Galileo (a friend of Joseph) as superior, thus dividing the members into opposite camps. Repeatedly investigated by papal commissions, Joseph was demoted; when the struggle within the institute persisted, the Piarists were suppressed. Only after Joseph’s death were they formally recognized as a religious community.</p>
American Catholic Blog The Church’s motherhood is a spiritual reality that profoundly affects the lives of believers. In fact, the famous convert to Catholicism Cardinal John Henry Newman once said that it was through his reading and encounter with the Church of the Fathers that “I found my spiritual Mother.”

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