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ON FAITH & MEDIA View Comments

The Twilight Saga: New Moon

By
John Mulderig
Source: Catholic News Service

There is something at once reassuring and sad in the fervor with which its target audience of tween and teen girls will undoubtedly greet the lovelorn Gothic romance sequel The Twilight Saga: New Moon (Summit), at least to judge by the squealingly delighted reaction of such viewers at a recent preview screening.

Their enthusiasm is reassuring because this latest chapter in the love story of well-mannered vampire Edward Cullen (Robert Pattinson) and mortal high school student Bella Swan (Kristen Stewart) is—like its 2008 predecessor Twilight—remarkable for the innocence of their interaction. (Edward fears that temptations of the flesh, if indulged beyond the occasional kiss, might give way to temptations of the blood.)

What makes it sad is the thought of how rare the portrayal of such a restrained relationship has become, even in entertainment aimed at the young. And then, of course, there's the fact that it takes an occult contrivance to compel and enforce the couple's chastity.

Though behaving themselves when together, in fact, Edward and Bella spend most of their time apart in director Chris Weitz's adaptation of the second book in Stephenie Meyer's best-selling series of young-adult novels. That's because, early on, Bella has a slight accident involving a bit of bleeding that sends the less controlled members of the undead clan with which Edward lives, especially the ever-predatory Jasper (Jackson Rathbone), into a dangerous frenzy.

Appalled, Edward feigns a change of heart, breaks off their relationship, and disappears. Disconsolate Bella eventually turns to her American Indian friend Jacob Black (Taylor Lautner) for solace. But, in addition to wanting to be more than mere pals, Jacob has a supernatural secret of his own: He's inherited the gene that turns some members of his tribe, when provoked, into werewolves.

And who are the werewolves' mortal enemies? Why, vampires, naturally. So, as the picturesque proceeding sweep from the misty Northwest of Bella's hometown of Forks, Wash., to the sunny hills of Tuscany, the sighing, gazing and moping are interrupted by some intermittent violence as outsized battles flare between superhuman opponents.

Along the way, Bella's pleas to be transformed into a blood-sucker—thereby resolving her dilemma and allowing her to remain with Edward forever—lead to a hazy discussion about the possible loss of her soul. Edward, we learn, believes that all his kind, no matter how courtly, are damned, though precisely what that means Melissa Rosenberg's script never tarries long enough to explore or explain. There's also a brief exchange about the origins of Jacob's problem that echoes, presumably for humorous effect, the debate about the origins of homosexual orientation.

The film contains considerable action violence, a vague sexual reference and at least one mildly crass term. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Dominic of Silos: It’s not the founder of the Dominicans we honor today, but there’s a poignant story that connects both Dominics. 
<p>Our saint today, Dominic of Silos, was born in Spain around the year 1000 into a peasant family. As a young boy he spent time in the fields, where he welcomed the solitude. He became a Benedictine priest and served in numerous leadership positions. Following a dispute with the king over property, Dominic and two other monks were exiled. They established a new monastery in what at first seemed an unpromising location. Under Dominic’s leadership, however, it became one of the most famous houses in Spain. Many healings were reported there. </p><p>About 100 years after Dominic’s death, a young woman made a pilgrimage to his tomb. There Dominic of Silos appeared to her and assured her that she would bear another son. The woman was Joan of Aza, and the son she bore grew up to be the "other" Dominic—the one who founded the Dominicans. </p><p>For many years thereafter, the staff used by St. Dominic of Silos was brought to the royal palace whenever a queen of Spain was in labor. That practice ended in 1931.</p> American Catholic Blog In a short time we will celebrate the fact that God has come to us so that we can be with him now and forever. The birth of the Son fulfills God’s longing to speak to us as one friend speaks to another.

 
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