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ON FAITH & MEDIA View Comments

The Twilight Saga: New Moon

By
John Mulderig
Source: Catholic News Service

There is something at once reassuring and sad in the fervor with which its target audience of tween and teen girls will undoubtedly greet the lovelorn Gothic romance sequel The Twilight Saga: New Moon (Summit), at least to judge by the squealingly delighted reaction of such viewers at a recent preview screening.

Their enthusiasm is reassuring because this latest chapter in the love story of well-mannered vampire Edward Cullen (Robert Pattinson) and mortal high school student Bella Swan (Kristen Stewart) is—like its 2008 predecessor Twilight—remarkable for the innocence of their interaction. (Edward fears that temptations of the flesh, if indulged beyond the occasional kiss, might give way to temptations of the blood.)

What makes it sad is the thought of how rare the portrayal of such a restrained relationship has become, even in entertainment aimed at the young. And then, of course, there's the fact that it takes an occult contrivance to compel and enforce the couple's chastity.

Though behaving themselves when together, in fact, Edward and Bella spend most of their time apart in director Chris Weitz's adaptation of the second book in Stephenie Meyer's best-selling series of young-adult novels. That's because, early on, Bella has a slight accident involving a bit of bleeding that sends the less controlled members of the undead clan with which Edward lives, especially the ever-predatory Jasper (Jackson Rathbone), into a dangerous frenzy.

Appalled, Edward feigns a change of heart, breaks off their relationship, and disappears. Disconsolate Bella eventually turns to her American Indian friend Jacob Black (Taylor Lautner) for solace. But, in addition to wanting to be more than mere pals, Jacob has a supernatural secret of his own: He's inherited the gene that turns some members of his tribe, when provoked, into werewolves.

And who are the werewolves' mortal enemies? Why, vampires, naturally. So, as the picturesque proceeding sweep from the misty Northwest of Bella's hometown of Forks, Wash., to the sunny hills of Tuscany, the sighing, gazing and moping are interrupted by some intermittent violence as outsized battles flare between superhuman opponents.

Along the way, Bella's pleas to be transformed into a blood-sucker—thereby resolving her dilemma and allowing her to remain with Edward forever—lead to a hazy discussion about the possible loss of her soul. Edward, we learn, believes that all his kind, no matter how courtly, are damned, though precisely what that means Melissa Rosenberg's script never tarries long enough to explore or explain. There's also a brief exchange about the origins of Jacob's problem that echoes, presumably for humorous effect, the debate about the origins of homosexual orientation.

The film contains considerable action violence, a vague sexual reference and at least one mildly crass term. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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