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Pirate Radio

By

Source: Catholic News Service

"Pirate Radio" (Focus) is an energetic but sexually freewheeling ensemble comedy set in mid-1960s Britain. As written and directed by Richard Curtis, this fact-based frolic's potentially buoyant celebration of music and camaraderie is torpedoed by its implicit acceptance of all manner of bedroom shenanigans.

After being expelled from school, rebellious teen Carl (Tom Sturridge) is sent by his glamorous mother, Elenore (January Jones), to live with Quentin (Bill Nighy), a friend from her past who has converted an oil tanker anchored in the North Sea into an offshore radio station broadcasting the rock 'n' roll music that the government-sponsored BBC will not.
(While Quentin's operation is fictional, several such facilities did exist at the time.)

As Quentin's staff of eccentric disc jockeys—including, most prominently, a shaggy-haired American expatriate known as the Count (Philip Seymour Hoffman) and his celebrated native rival Gavin (Rhys Ifans)—battles uptight bureaucrat Dormandy's (Kenneth Branagh) efforts to shut them down, Carl wins the record spinners' acceptance and pursues romance with fetching shipboard visitor Marianne (Talulah Riley).

With characters slipping into and out of each other's cabins, and boatloads of groupies being brought from shore on a regular basis for casual sex, physical combinations range from the premarital—Carl's determination to lose his virginity is aided and applauded by his new friends -- to the multiple, as we see one DJ happily slipping off with two enthusiastic female fans.

Even the ship's lesbian cook, Felicity (Katherine Parkinson), eventually finds a partner, much to her fellow characters' delight.

The film contains a benign view of casual, group and gay sex and of drug and condom use, brief rear nudity, a pornographic image, some irreverent and sexual humor, a couple of profanities and at least 20 uses of the F-word. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.

*****
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Th&eacute;r&egrave;se of Lisieux: "I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul." These are the words of Thérèse of the Child Jesus, a Carmelite nun called the "Little Flower," who lived a cloistered life of obscurity in the convent of Lisieux, France. (In French-speaking areas, she is known as Thérèse of Lisieux.) And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, <i>The Story of a Soul</i>, is read and loved throughout the world. Thérèse Martin entered the convent at the age of 15 and died in 1897 at the age of 24. She was canonized in 1925, and two years later she and St. Francis Xavier were declared co-patrons of the missions. 
<p>Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. But Thérèse possessed that holy insight that redeems the time, however dull that time may be. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent "to save souls and pray for priests." And shortly before she died, she wrote: "I want to spend my heaven doing good on earth." </p><p>On October 19, 1997, Saint John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized, in light of her holiness and the influence on the Church of her teaching on spirituality. Her parents, Louis and Zélie were beatified in 2008.</p> American Catholic Blog How glorious, how holy and wonderful it is to have a Father in Heaven.

 
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