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ON FAITH & MEDIA View Comments

The Box

By
John Mulderig
Source: Catholic News Service

Horror and science fiction writer Richard Matheson's 1970 short story "Button, Button"—already adapted for television as an episode of "The Twilight Zone" in the mid-1980s—comes to the big screen as "The Box" (Warner Bros.).

But writer-director Richard Kelly's intelligently challenging, if over-elaborate, reflection on ethical choices and consequences is suitable only for spiritually well-grounded adult viewers, since the latter stages of this evolving parable include actions that would be blatantly unacceptable in a more realistic context.

Slightly updated to Christmastime of the U.S. bicentennial year, this is the tale of Norma (Cameron Diaz) and Arthur (James Marsden) Lewis, happily married suburbanites in Richmond, Va., and their preteen son Walter (Sam Oz Stone).

With teacher Norma facing budget cuts at her school, and NASA engineer Arthur uncertain of his future, cash is short, and the planned surgery to repair Norma's foot, deformed by a doctor's malpractice years before, may have to be postponed.

Suddenly, though, the arrival of a mysterious package on their doorstep, and the subsequent visit of one Arlington Steward (a haunting Frank Langella)—the equally mysterious, and horrifically disfigured stranger who left it there—present the couple with a stark temptation.
The package contains a simple-looking device, a wooden box with a glass dome enclosing a red button. If either Norma or Arthur pushes the button, Steward explains, two things will happen: Someone unknown to them will die, and they will receive a tax-free payment of $1 million. They have 24 hours to decide what to do.

As the sometimes improbable plot unfolds, we learn that Steward's unsettling appearance (most of the left side of his face has been reduced to raw tissue) is the result of burns sustained in a lightning strike, an event that also put him in touch with those he calls his "employers," unspecified beings—perhaps extraterrestrial, perhaps heavenly in a different sense—who use him as their agent in testing human morality.

Amid an increasingly eerie atmosphere, meanwhile, Norma and Arthur are caught up in a surreal conspiracy reminiscent of the one surrounding Mia Farrow's character in "Rosemary's Baby." Against this background, the shifting forces of fundamental decency, momentary impetuosity, human interdependence and the inexorable demands of justice are pitted in a mostly intriguing drama, though one that requires careful discernment.

The film contains mature themes, complex moral issues, a few uses of profanity and a couple of sexual references. The USCCB Office for Film & Broadcasting classification is L— limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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