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ON FAITH & MEDIA View Comments

A Christmas Carol

By
John Mulderig
Source: Catholic News Service


Ebenezer Scrooge, voiced by Jim Carrey, in the animated movie "A Christmas Carol."
Acclaimed on its publication and so popular since that it has never gone out of print, Charles Dickens' classic 1843 novella "A Christmas Carol" also has provided the basis for innumerable stage and screen adaptations.

The latest, a lavish and well-crafted 3-D animated version from Disney, though free of objectionable content, does feature images and special effects likely to disturb sensitive youngsters.

As faithfully retold by writer-director Robert Zemeckis, this is the familiar story of miserly misanthrope Ebenezer Scrooge (voice of Jim Carrey), who notoriously regards Christmas as a "humbug."

After spending the eve of the holiday making his much-put-upon clerk Bob Cratchit (voice of Gary Oldman) miserable, and rebuffing the cheerful invitation of his nephew, Fred (voice of Colin Firth), to a celebratory family dinner, Scrooge retires to his dreary mansion for a supper of cheap gruel. But his routine is interrupted by the tortured specter of his late business partner, Jacob Marley (also voiced by Oldman).

Chained to heavy money chests symbolic of the greediness that marked his life, and condemned to wander in eternal restlessness, Marley—a grimly decaying animated corpse— warns Scrooge that he is headed for a similar doom, and that he will soon be visited by three spirits who will try to persuade him to change his ways.

These, of course, are the ghosts of Christmas Past, Present and Yet to Come, all three voiced by Carrey.

The first, who appears as a flickering candle, returns Scrooge to the scene of his lonely childhood and his apprenticeship under fun-loving Mr. Fezziwig (voice of Bob Hoskins), during which he fell in love with gentle Belle (voice of Robin Wright Penn). As the sprite also forces Scrooge to recall, however, their romance was eventually ruined by his idolatrous love of money.

The Ghost of Christmas Present, a jolly, thriving figure, gives Scrooge a "heavenly perspective" on current events, revealing the straitened circumstances in which Cratchit's meager salary leaves his family, especially his sickly, crippled, but ever-chipper son Tiny Tim (Oldman's voice as well), and the pitying mockery with which Scrooge is discussed by Fred and his guests.

With the approach of midnight, the Ghost of Christmas Present suddenly turns corpselike and is replaced by the last apparition, a black-robed, silent skeleton. The vision he conjures sees Scrooge chased for his life by a runaway horse-drawn hearse and forced to experience his own unmourned death.

Such eerie elements, though present in the original, make this unsuitable viewing for the most impressionable. But heartier family members of almost any age will be delighted by a sweeping survey of Victorian London, from its coziest firesides to its gloomiest graveyards.

As for the central conversion story, its Christian context is unabashedly detailed in the lyrics of carolers, in the lingering view of the ornamental cross above a city church and in the upbeat piety of Tiny Tim, whose jaunty prayer, "God bless us, every one," serves as the final line of novella and script alike.

"A Christmas Carol" will be shown on both Imax and conventional screens.

The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Augustine of Canterbury: In the year 596, some 40 monks set out from Rome to evangelize the Anglo-Saxons in England. Leading the group was Augustine, the prior of their monastery in Rome. Hardly had he and his men reached Gaul (France) when they heard stories of the ferocity of the Anglo-Saxons and of the treacherous waters of the English Channel. Augustine returned to Rome and to the pope who had sent them—St. Gregory the Great (September 3 )—only to be assured by him that their fears were groundless. 
<p>Augustine again set out. This time the group crossed the English Channel and landed in the territory of Kent, ruled by King Ethelbert, a pagan married to a Christian, Bertha. Ethelbert received them kindly, set up a residence for them in Canterbury and within the year, on Pentecost Sunday, 597, was himself baptized. After being consecrated a bishop in France, Augustine returned to Canterbury, where he founded his see. He constructed a church and monastery near where the present cathedral, begun in 1070, now stands. As the faith spread, additional sees were established at London and Rochester. </p><p>Work was sometimes slow and Augustine did not always meet with success. Attempts to reconcile the Anglo-Saxon Christians with the original Briton Christians (who had been driven into western England by Anglo-Saxon invaders) ended in dismal failure. Augustine failed to convince the Britons to give up certain Celtic customs at variance with Rome and to forget their bitterness, helping him evangelize their Anglo-Saxon conquerors </p><p>Laboring patiently, Augustine wisely heeded the missionary principles—quite enlightened for the times—suggested by Pope Gregory the Great: purify rather than destroy pagan temples and customs; let pagan rites and festivals be transformed into Christian feasts; retain local customs as far as possible. The limited success Augustine achieved in England before his death in 605, a short eight years after he arrived in England, would eventually bear fruit long after in the conversion of England. Augustine of Canterbury can truly be called the “Apostle of England.”</p> American Catholic Blog A hero isn’t someone born with unconquerable strength and selflessness. Heroes are not formed in a cataclysmic instant. Heroism is developed over time, one decision after another, moment by moment, formed by a deliberate, chosen, and habitual response to life.

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