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ON FAITH & MEDIA View Comments

A Christmas Carol

By
John Mulderig
Source: Catholic News Service


Ebenezer Scrooge, voiced by Jim Carrey, in the animated movie "A Christmas Carol."
Acclaimed on its publication and so popular since that it has never gone out of print, Charles Dickens' classic 1843 novella "A Christmas Carol" also has provided the basis for innumerable stage and screen adaptations.

The latest, a lavish and well-crafted 3-D animated version from Disney, though free of objectionable content, does feature images and special effects likely to disturb sensitive youngsters.

As faithfully retold by writer-director Robert Zemeckis, this is the familiar story of miserly misanthrope Ebenezer Scrooge (voice of Jim Carrey), who notoriously regards Christmas as a "humbug."

After spending the eve of the holiday making his much-put-upon clerk Bob Cratchit (voice of Gary Oldman) miserable, and rebuffing the cheerful invitation of his nephew, Fred (voice of Colin Firth), to a celebratory family dinner, Scrooge retires to his dreary mansion for a supper of cheap gruel. But his routine is interrupted by the tortured specter of his late business partner, Jacob Marley (also voiced by Oldman).

Chained to heavy money chests symbolic of the greediness that marked his life, and condemned to wander in eternal restlessness, Marley—a grimly decaying animated corpse— warns Scrooge that he is headed for a similar doom, and that he will soon be visited by three spirits who will try to persuade him to change his ways.

These, of course, are the ghosts of Christmas Past, Present and Yet to Come, all three voiced by Carrey.

The first, who appears as a flickering candle, returns Scrooge to the scene of his lonely childhood and his apprenticeship under fun-loving Mr. Fezziwig (voice of Bob Hoskins), during which he fell in love with gentle Belle (voice of Robin Wright Penn). As the sprite also forces Scrooge to recall, however, their romance was eventually ruined by his idolatrous love of money.

The Ghost of Christmas Present, a jolly, thriving figure, gives Scrooge a "heavenly perspective" on current events, revealing the straitened circumstances in which Cratchit's meager salary leaves his family, especially his sickly, crippled, but ever-chipper son Tiny Tim (Oldman's voice as well), and the pitying mockery with which Scrooge is discussed by Fred and his guests.

With the approach of midnight, the Ghost of Christmas Present suddenly turns corpselike and is replaced by the last apparition, a black-robed, silent skeleton. The vision he conjures sees Scrooge chased for his life by a runaway horse-drawn hearse and forced to experience his own unmourned death.

Such eerie elements, though present in the original, make this unsuitable viewing for the most impressionable. But heartier family members of almost any age will be delighted by a sweeping survey of Victorian London, from its coziest firesides to its gloomiest graveyards.

As for the central conversion story, its Christian context is unabashedly detailed in the lyrics of carolers, in the lingering view of the ornamental cross above a city church and in the upbeat piety of Tiny Tim, whose jaunty prayer, "God bless us, every one," serves as the final line of novella and script alike.

"A Christmas Carol" will be shown on both Imax and conventional screens.

The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog Our Lord has a very special love for the chaste. His own mother and St. Joseph and St. John, the beloved disciple, were chaste. We desire to be chaste because we belong to Jesus Christ, Son of the Living God. We want to be chaste because of the work we do as coworkers of Christ. Our chastity must be so pure that it draws the most impure to the Sacred Heart of Christ.

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