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ON FAITH & MEDIA View Comments

Cirque du Freak: The Vampire's Assistant

By
John Mulderig
Source: Catholic News Service


John C. Reilly stars in a scene from the movie "Cirque du Freak: The Vampire's Assistant."
In keeping with its unwieldy title, the gently ghoulish "Cirque du Freak: The Vampire's Assistant" (Universal) is an unfocused adventure tale that gets off to a stylish start, but bogs down in a meandering story line and overlong fight scenes.

Along the way, director and co-writer (with Brian Helgeland) Paul Weitz's adaptation of three novels in Darren Shan's "Cirque du Freak" series of children's books offers a bleak outlook on conventional family life.

Thus, strait-laced, small-town high school student Darren (newcomer Chris Massoglia)— whose rather macabre coming-of-age story provides the basic arc of the narrative—is saddled with overbearing parents (Don McManus and Colleen Camp) who demand that he keep his grades up in preparation for the rat-race future they have mapped out for him.

Darren's longtime best friend Steve (Josh Hutcherson), by contrast, is neglected by his widowed, alcoholic mother. As a result, he's a rebellious teen who constantly derides Darren for his timid conformity and challenges him to break the rules.

Spider-loving Darren and vampire-obsessed Steve share a taste for the outlandish, and both are bored with life in their bland burg. So when an unseen rider in a passing car— a black-and-violet Rolls Royce, no less—drops a flier at their feet advertising the one-night-only performance of the titular circus, they're thrilled.

One of the featured acts in this sideshow, along with beard-sprouting Madame Truska (Salma Hayek) and Japanese giant Mr. Tall (Ken Watanabe) is skilled spider trainer Larten Crepsley (a commanding John C. Reilly), whom Steve recognizes as a 200-year-old bloodsucker he's seen in an occult book.

Through a series of complications not worth unpacking, Crepsley—who turns out to belong to a race of human-friendly, plasma quaffers who anesthetize their victims and drink only a smidgen of blood at a time—becomes Darren's mentor after transforming the lad into a so-called "half vampire." (Unlike the full-blown variety, Darren can survive in daylight.)

Steve, though, ends up in the thrall of a group of homicidal vein-drainers known as the Vampaneze, which is unfortunate since they're locked in a centuries-old conflict with Crepsley and his softhearted ilk, making the two young pals, perforce, implacable enemies.

As the undead and their proteges throw each other around with Herculean force and inflict the occasional dagger wound, the tolerant circus folk—including Darren's new sidekick, Evra the Snake Boy (Patrick Fugit), and his love interest, Rebecca (Jessica Carlson)—provide the young demi-Dracula with an alternate family to match the alternative dad he's found in Crepsley, making, so the script would seem to imply, his journey to the dark side worthwhile.

After all, to paraphrase some heavy-handed moralizing Rebecca dispenses, "It's not what you are, it's who you are" that counts, Count.

The film contains considerable hand-to-hand and knife violence, some crude and crass language and a pornography reference. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
 Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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