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ON FAITH & MEDIA View Comments

Cirque du Freak: The Vampire's Assistant

By
John Mulderig
Source: Catholic News Service


John C. Reilly stars in a scene from the movie "Cirque du Freak: The Vampire's Assistant."
In keeping with its unwieldy title, the gently ghoulish "Cirque du Freak: The Vampire's Assistant" (Universal) is an unfocused adventure tale that gets off to a stylish start, but bogs down in a meandering story line and overlong fight scenes.

Along the way, director and co-writer (with Brian Helgeland) Paul Weitz's adaptation of three novels in Darren Shan's "Cirque du Freak" series of children's books offers a bleak outlook on conventional family life.

Thus, strait-laced, small-town high school student Darren (newcomer Chris Massoglia)— whose rather macabre coming-of-age story provides the basic arc of the narrative—is saddled with overbearing parents (Don McManus and Colleen Camp) who demand that he keep his grades up in preparation for the rat-race future they have mapped out for him.

Darren's longtime best friend Steve (Josh Hutcherson), by contrast, is neglected by his widowed, alcoholic mother. As a result, he's a rebellious teen who constantly derides Darren for his timid conformity and challenges him to break the rules.

Spider-loving Darren and vampire-obsessed Steve share a taste for the outlandish, and both are bored with life in their bland burg. So when an unseen rider in a passing car— a black-and-violet Rolls Royce, no less—drops a flier at their feet advertising the one-night-only performance of the titular circus, they're thrilled.

One of the featured acts in this sideshow, along with beard-sprouting Madame Truska (Salma Hayek) and Japanese giant Mr. Tall (Ken Watanabe) is skilled spider trainer Larten Crepsley (a commanding John C. Reilly), whom Steve recognizes as a 200-year-old bloodsucker he's seen in an occult book.

Through a series of complications not worth unpacking, Crepsley—who turns out to belong to a race of human-friendly, plasma quaffers who anesthetize their victims and drink only a smidgen of blood at a time—becomes Darren's mentor after transforming the lad into a so-called "half vampire." (Unlike the full-blown variety, Darren can survive in daylight.)

Steve, though, ends up in the thrall of a group of homicidal vein-drainers known as the Vampaneze, which is unfortunate since they're locked in a centuries-old conflict with Crepsley and his softhearted ilk, making the two young pals, perforce, implacable enemies.

As the undead and their proteges throw each other around with Herculean force and inflict the occasional dagger wound, the tolerant circus folk—including Darren's new sidekick, Evra the Snake Boy (Patrick Fugit), and his love interest, Rebecca (Jessica Carlson)—provide the young demi-Dracula with an alternate family to match the alternative dad he's found in Crepsley, making, so the script would seem to imply, his journey to the dark side worthwhile.

After all, to paraphrase some heavy-handed moralizing Rebecca dispenses, "It's not what you are, it's who you are" that counts, Count.

The film contains considerable hand-to-hand and knife violence, some crude and crass language and a pornography reference. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
 Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Jerome: Most of the saints are remembered for some outstanding virtue or devotion which they practiced, but Jerome is frequently remembered for his bad temper! It is true that he had a very bad temper and could use a vitriolic pen, but his love for God and his Son Jesus Christ was extraordinarily intense; anyone who taught error was an enemy of God and truth, and St. Jerome went after him or her with his mighty and sometimes sarcastic pen. 
<p>He was above all a Scripture scholar, translating most of the Old Testament from the Hebrew. He also wrote commentaries which are a great source of scriptural inspiration for us today. He was an avid student, a thorough scholar, a prodigious letter-writer and a consultant to monk, bishop and pope. St. Augustine (August 28) said of him, "What Jerome is ignorant of, no mortal has ever known." </p><p>St. Jerome is particularly important for having made a translation of the Bible which came to be called the Vulgate. It is not the most critical edition of the Bible, but its acceptance by the Church was fortunate. As a modern scholar says, "No man before Jerome or among his contemporaries and very few men for many centuries afterwards were so well qualified to do the work." The Council of Trent called for a new and corrected edition of the Vulgate, and declared it the authentic text to be used in the Church. </p><p>In order to be able to do such work, Jerome prepared himself well. He was a master of Latin, Greek, Hebrew and Chaldaic. He began his studies at his birthplace, Stridon in Dalmatia (in the former Yugoslavia). After his preliminary education he went to Rome, the center of learning at that time, and thence to Trier, Germany, where the scholar was very much in evidence. He spent several years in each place, always trying to find the very best teachers. He once served as private secretary of Pope Damasus (December 11).</p><p>After these preparatory studies he traveled extensively in Palestine, marking each spot of Christ's life with an outpouring of devotion. Mystic that he was, he spent five years in the desert of Chalcis so that he might give himself up to prayer, penance and study. Finally he settled in Bethlehem, where he lived in the cave believed to have been the birthplace of Christ. On September 30 in the year 420, Jerome died in Bethlehem. The remains of his body now lie buried in the Basilica of St. Mary Major in Rome.</p> American Catholic Blog O fire of love! Was it not enough to gift us with creation in your image and likeness, and to create us anew to grace in your Son’s blood, without giving us yourself as food, the whole of divine being, the whole of God? What drove you? Nothing but your charity, mad with love as your are! –St. Catherine of Siena

 
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