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ON FAITH & MEDIA View Comments

Where the Wild Things Are

By
John Mulderig
Source: Catholic News Service


Actor Max Records as Max looks at James Gandolfini in character as Carol in a scene from "Where the Wild Things Are."
Though it's based on a children's book, and though objectionable elements are minimal, the intriguing fantasy Where the Wild Things Are (Warner Bros.), which combines live action, puppetry and computer-generated animation, is hardly a film for kids.

Instead, director and co-writer (with Dave Eggers) Spike Jonze's subtle adaptation of Maurice Sendak's classic tale—winner of the prestigious Caldecott Medal in 1964, the year after its first publication—is a wistful adult meditation on the interior struggles of youth.

Those battles are fought out within the mind and heart of Max (newcomer Max Records in a compelling performance), a rambunctious but lonely suburban 9-year-old whose excess energy is devoted to scaring his dog, pelting his older sister's friends with snowballs and generally driving his divorced mother (Catherine Keener) up the wall.
Yet Max is also vulnerable, as he shows when Mom seemingly neglects him in favor of some quiet time with her boyfriend (Mark Ruffalo). Volatile Max's gentle pleas for attention quickly give way to a tantrum, and the resulting confrontation ends with him running away from home.

At this point, mundane reality is overtaken by the logic of dreams as Max—dressed in his favorite outfit, a fuzzy wolf costume, and seemingly undaunted by the fact that it's nighttime—enters a nearby wood, discovers an empty sailboat and promptly sets off across a vast body of water. After an arduous journey, he arrives at a mysterious island where bright bonfires mark the abode of the titular Wild Things.

This close-knit but emotionally unstable community of giants features a variety of personalities, each of whom reflects either some aspect of Max's real circumstances or of his unsettled psychological state.

Affectionate but easily offended Carol (voice of James Gandolfini), for instance, mirrors Max's yearning for love and security, while loner K.W. (voice of Lauren Ambrose)—who wavers between belonging to the group and spending time outside it, much to Carol's sorrow, since he secretly pines for her—represents both Max's adolescent sister, who seems to be abandoning their once-close relationship as she matures, and his own aspirations for independence.

There's a melancholy tone to the proceedings as we witness Max symbolically working through his Freudian conflicts via the constant squabbling and alternatively creative and destructive behavior of the Wild Things. Early on, Max is crowned their king on the strength of some fibs about his prowess. But his ready assurance that his rule will make everyone happy looks increasingly rash, since his every action manages to alienate one or another of his new subjects.

Though youngsters addicted to gadgets and demanding distraction will likely be bored, this delicate portrait of the fears and joys of growing up is calculated to charm viewers willing to invest the necessary concentration.

"Where the Wild Things Are" will be shown on both Imax and conventional screens.
The film contains occasional menace and a few mild oaths. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

****
 Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Alphonsus Liguori: 
		<p>Moral theology, Vatican II said, should be more thoroughly nourished by Scripture, and show the nobility of the Christian vocation of the faithful and their obligation to bring forth fruit in charity for the life of the world. Alphonsus, declared patron of moral theologians by Pius XII in 1950, would rejoice in that statement.</p>
		<p>In his day, Alphonsus fought for the liberation of moral theology from the rigidity of Jansenism. His moral theology, which went through 60 editions in the century following him, concentrated on the practical and concrete problems of pastors and confessors. If a certain legalism and minimalism crept into moral theology, it should not be attributed to this model of moderation and gentleness.</p>
		<p>At the University of Naples he received, at the age of 16, a doctorate in both canon and civil law by acclamation, but she oon gave up the practice of law for apostolic activity. He was ordained a priest and concentrated his pastoral efforts on popular (parish) missions, hearing confessions, forming Christian groups. </p>
		<p>He founded the Redemptorist congregation in 1732. It was an association of priests and brothers living a common life, dedicated to the imitation of Christ, and working mainly in popular missions for peasants in rural areas. Almost as an omen of what was to come later, he found himself deserted, after a while, by all his original companions except one lay brother. But the congregation managed to survive and was formally approved 17 years later, though its troubles were not over. </p>
		<p>Alphonsus’ great pastoral reforms were in the pulpit and confessional—replacing the pompous oratory of the time with simplicity, and the rigorism of Jansenism with kindness. His great fame as a writer has somewhat eclipsed the fact that for 26 years he traveled up and down the Kingdom of Naples, preaching popular missions. </p>
		<p>He was made bishop (after trying to reject the honor) at 66 and at once instituted a thorough reform of his diocese. </p>
		<p>His greatest sorrow came toward the end of his life. The Redemptorists, precariously continuing after the suppression of the Jesuits in 1773, had difficulty in getting their Rule approved by the Kingdom of Naples. Alphonsus acceded to the condition that they possess no property in common, but a royal official, with the connivance of a high Redemptorist official, changed the Rule substantially. Alphonsus, old, crippled and with very bad sight, signed the document, unaware that he had been betrayed. The Redemptorists in the Papal States then put themselves under the pope, who withdrew those in Naples from the jurisdiction of Alphonsus. It was only after his death that the branches were united. </p>
		<p>At 71 he was afflicted with rheumatic pains which left incurable bending of his neck; until it was straightened a little, the pressure of his chin caused a raw wound on his chest. He suffered a final 18 months of “dark night” scruples, fears, temptations against every article of faith and every virtue, interspersed with intervals of light and relief, when ecstasies were frequent. </p>
		<p>Alphonsus is best known for his moral theology, but he also wrote well in the field of spiritual and dogmatic theology. His <i>Glories of Mary</i> is one of the great works on that subject, and his book <i>Visits to the Blessed Sacrament</i> went through 40 editions in his lifetime, greatly influencing the practice of this devotion in the Church.</p>
American Catholic Blog Those who want to participate more fully in salvation history are comforted by the fact that Jesus wants to walk with us in our suffering and wants to break bread to give us strength on our way.

 
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