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ON FAITH & MEDIA View Comments

Where the Wild Things Are

By
John Mulderig
Source: Catholic News Service


Actor Max Records as Max looks at James Gandolfini in character as Carol in a scene from "Where the Wild Things Are."
Though it's based on a children's book, and though objectionable elements are minimal, the intriguing fantasy Where the Wild Things Are (Warner Bros.), which combines live action, puppetry and computer-generated animation, is hardly a film for kids.

Instead, director and co-writer (with Dave Eggers) Spike Jonze's subtle adaptation of Maurice Sendak's classic tale—winner of the prestigious Caldecott Medal in 1964, the year after its first publication—is a wistful adult meditation on the interior struggles of youth.

Those battles are fought out within the mind and heart of Max (newcomer Max Records in a compelling performance), a rambunctious but lonely suburban 9-year-old whose excess energy is devoted to scaring his dog, pelting his older sister's friends with snowballs and generally driving his divorced mother (Catherine Keener) up the wall.
Yet Max is also vulnerable, as he shows when Mom seemingly neglects him in favor of some quiet time with her boyfriend (Mark Ruffalo). Volatile Max's gentle pleas for attention quickly give way to a tantrum, and the resulting confrontation ends with him running away from home.

At this point, mundane reality is overtaken by the logic of dreams as Max—dressed in his favorite outfit, a fuzzy wolf costume, and seemingly undaunted by the fact that it's nighttime—enters a nearby wood, discovers an empty sailboat and promptly sets off across a vast body of water. After an arduous journey, he arrives at a mysterious island where bright bonfires mark the abode of the titular Wild Things.

This close-knit but emotionally unstable community of giants features a variety of personalities, each of whom reflects either some aspect of Max's real circumstances or of his unsettled psychological state.

Affectionate but easily offended Carol (voice of James Gandolfini), for instance, mirrors Max's yearning for love and security, while loner K.W. (voice of Lauren Ambrose)—who wavers between belonging to the group and spending time outside it, much to Carol's sorrow, since he secretly pines for her—represents both Max's adolescent sister, who seems to be abandoning their once-close relationship as she matures, and his own aspirations for independence.

There's a melancholy tone to the proceedings as we witness Max symbolically working through his Freudian conflicts via the constant squabbling and alternatively creative and destructive behavior of the Wild Things. Early on, Max is crowned their king on the strength of some fibs about his prowess. But his ready assurance that his rule will make everyone happy looks increasingly rash, since his every action manages to alienate one or another of his new subjects.

Though youngsters addicted to gadgets and demanding distraction will likely be bored, this delicate portrait of the fears and joys of growing up is calculated to charm viewers willing to invest the necessary concentration.

"Where the Wild Things Are" will be shown on both Imax and conventional screens.
The film contains occasional menace and a few mild oaths. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

****
 Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog Our Lord has a very special love for the chaste. His own mother and St. Joseph and St. John, the beloved disciple, were chaste. We desire to be chaste because we belong to Jesus Christ, Son of the Living God. We want to be chaste because of the work we do as coworkers of Christ. Our chastity must be so pure that it draws the most impure to the Sacred Heart of Christ.

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