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ON FAITH & MEDIA View Comments

Zombieland

By
John Mulderig
Source: Catholic News Service

"Zombieland" (Columbia/Relativity) is a wryly amusing but at times wildly gruesome genre satire that combines elements of a road movie, a buddy flick and a romantic comedy.

Set in a ruined world where hordes of cannibal zombies prey on the few remaining humans, screenwriters Rhett Reese and Paul Wernick's post-apocalyptic tale tracks the odd-couple adventures of a phobia-plagued slacker known as Columbus (Jesse Eisenberg) and a fearless gunslinger called Tallahassee (Woody Harrelson).

As these unlikely monikers suggest, one of the script's conceits is that, in an environment where everyone is on the move in search of safety and where too much trust is dangerous, people identify themselves by place names rather than personal ones.

Despite their conflicting personalities and divergent survival techniques—Columbus has an elaborate set of rules for evading the predators, while Tallahassee actively seeks them out and mows them down with abandon—the pair forms an uneasy alliance. But their partnership is repeatedly strained after they cross paths with sisters Wichita (Emma Stone) and Little Rock (Abigail Breslin), whose own success at withstanding zombie attacks is not based on being the innocents they initially seem.

Though this is anything but family-friendly cinema, adults with a high tolerance for graphic nastiness and casually dispensed foul language may discern some honorable values behind the uproarious, corpse-ridden proceedings of director Ruben Fleischer's feature debut.

Thus, inspired by a touching nostalgia for more innocent times, Columbus longs to return to his parents, though he also regrets the shallowness of his past relationship with them. Moved by a similar impulse, Wichita and Little Rock dream of revisiting a California amusement park where they often enjoyed themselves in happier days.

The characters also display a beleaguered yearning for solidarity, whether expressed through the friendship that eventually bonds all four or through the gently caring romance that develops between Columbus and Wichita.

The film contains much gory violence, including cannibalism, partial upper female nudity, drug use, a few profanities, frequent crude and crass language, and an obscene gesture. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; Under 17 requires accompanying parent or adult guardian.

***
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Gabriel of Our Lady of Sorrows: Born in Italy into a large family and baptized Francis, he lost his mother when he was only four years old. He was educated by the Jesuits and, having been cured twice of serious illnesses, came to believe that God was calling him to the religious life. Young Francis wished to join the Jesuits but was turned down, probably because of his age, not yet 17. Following the death of a sister to cholera, his resolve to enter religious life became even stronger and he was accepted by the Passionists. Upon entering the novitiate he was given the name Gabriel of Our Lady of Sorrows.
<p>Ever popular and cheerful, Gabriel quickly was successful in his effort to be faithful in little things. His spirit of prayer, love for the poor, consideration of the feelings of others, exact observance of the Passionist Rule as well as his bodily penances—always subject to the will of his wise superiors— made a deep impression on everyone.
</p><p>His superiors had great expectations of Gabriel as he prepared for the priesthood, but after only four years of religious life symptoms of tuberculosis appeared. Ever obedient, he patiently bore the painful effects of the disease and the restrictions it required, seeking no special notice. He died peacefully on February 27, 1862, at age 24, having been an example to both young and old.
</p><p>Gabriel of Our Lady of Sorrows was canonized in 1920.</p> American Catholic Blog Life is not always happy, but our connections to others can create a simple and grace-filled quiet celebration of our own and others’ lives. These others are the presence of Christ in our lives.


 
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