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ON FAITH & MEDIA View Comments

Zombieland

By
John Mulderig
Source: Catholic News Service

"Zombieland" (Columbia/Relativity) is a wryly amusing but at times wildly gruesome genre satire that combines elements of a road movie, a buddy flick and a romantic comedy.

Set in a ruined world where hordes of cannibal zombies prey on the few remaining humans, screenwriters Rhett Reese and Paul Wernick's post-apocalyptic tale tracks the odd-couple adventures of a phobia-plagued slacker known as Columbus (Jesse Eisenberg) and a fearless gunslinger called Tallahassee (Woody Harrelson).

As these unlikely monikers suggest, one of the script's conceits is that, in an environment where everyone is on the move in search of safety and where too much trust is dangerous, people identify themselves by place names rather than personal ones.

Despite their conflicting personalities and divergent survival techniques—Columbus has an elaborate set of rules for evading the predators, while Tallahassee actively seeks them out and mows them down with abandon—the pair forms an uneasy alliance. But their partnership is repeatedly strained after they cross paths with sisters Wichita (Emma Stone) and Little Rock (Abigail Breslin), whose own success at withstanding zombie attacks is not based on being the innocents they initially seem.

Though this is anything but family-friendly cinema, adults with a high tolerance for graphic nastiness and casually dispensed foul language may discern some honorable values behind the uproarious, corpse-ridden proceedings of director Ruben Fleischer's feature debut.

Thus, inspired by a touching nostalgia for more innocent times, Columbus longs to return to his parents, though he also regrets the shallowness of his past relationship with them. Moved by a similar impulse, Wichita and Little Rock dream of revisiting a California amusement park where they often enjoyed themselves in happier days.

The characters also display a beleaguered yearning for solidarity, whether expressed through the friendship that eventually bonds all four or through the gently caring romance that develops between Columbus and Wichita.

The film contains much gory violence, including cannibalism, partial upper female nudity, drug use, a few profanities, frequent crude and crass language, and an obscene gesture. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; Under 17 requires accompanying parent or adult guardian.

***
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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