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ON FAITH & MEDIA View Comments

Pandorum

By
Kurt Jensen
Source: Catholic News Service

Hypersleep is tough on movie characters, and even more brutal on science-fiction plots.

In "Pandorum" (Overture), a complex and deeply cliched horror excursion, director Christian Alvart and screenwriter Travis Milloy have astronauts Lt. Payton (Dennis Quaid) and Cpl. Bower (Ben Foster), awaken from an eight-year hypersleep—six years longer than they were supposed to have had before resuming their shift—to find that they can't recall their spaceship's mission.

On top of that, their dark and very noisy craft, the Elysium, which appears to be twice as immense as the one in Mel Brooks' spoof "Spaceballs," has a balky power plant that needs a reset, plus an infestation of pesky mutants who have somehow mastered ninja fighting.

As the intrepid Bower, radioing his progress to Payton, snakes his way to the power plant while coming across a few terrified crew members and a heaping helping of surly mutants, in between a lot of psychobabble, we learn the Elysium's mission: It's a sort of Noah's Ark designed to take Earth life forms to another hospitable planet when Earth was about to go kaboom.

But treachery from an earlier crew driven mad by the aftereffects of hypersleep (called Pandorum, you see) was afoot during the past eight years, and the pale, blobby mutants somehow evolved and are skittering about.

Just as this tired mix of devices borrowed from other films has run its course, the saga is partly redeemed by a surprising double-twist ending, making the whole trip—well, at least the moviegoers', anyway—appear somehow worthwhile. Strong language is the only objectionable element; the action violence is what you'd expect from kung-fu mutants, and there are some knife fights as well.

The film contains at least one rough term, occasional profane and crass language and some martial arts and knife violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R— restricted; under 17 requires accompanying parent or adult guardian.
______________________________

Jensen is a guest reviewer for the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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