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ON FAITH & MEDIA View Comments

Pandorum

By
Kurt Jensen
Source: Catholic News Service

Hypersleep is tough on movie characters, and even more brutal on science-fiction plots.

In "Pandorum" (Overture), a complex and deeply cliched horror excursion, director Christian Alvart and screenwriter Travis Milloy have astronauts Lt. Payton (Dennis Quaid) and Cpl. Bower (Ben Foster), awaken from an eight-year hypersleep—six years longer than they were supposed to have had before resuming their shift—to find that they can't recall their spaceship's mission.

On top of that, their dark and very noisy craft, the Elysium, which appears to be twice as immense as the one in Mel Brooks' spoof "Spaceballs," has a balky power plant that needs a reset, plus an infestation of pesky mutants who have somehow mastered ninja fighting.

As the intrepid Bower, radioing his progress to Payton, snakes his way to the power plant while coming across a few terrified crew members and a heaping helping of surly mutants, in between a lot of psychobabble, we learn the Elysium's mission: It's a sort of Noah's Ark designed to take Earth life forms to another hospitable planet when Earth was about to go kaboom.

But treachery from an earlier crew driven mad by the aftereffects of hypersleep (called Pandorum, you see) was afoot during the past eight years, and the pale, blobby mutants somehow evolved and are skittering about.

Just as this tired mix of devices borrowed from other films has run its course, the saga is partly redeemed by a surprising double-twist ending, making the whole trip—well, at least the moviegoers', anyway—appear somehow worthwhile. Strong language is the only objectionable element; the action violence is what you'd expect from kung-fu mutants, and there are some knife fights as well.

The film contains at least one rough term, occasional profane and crass language and some martial arts and knife violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R— restricted; under 17 requires accompanying parent or adult guardian.
______________________________

Jensen is a guest reviewer for the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Jerome Emiliani: A careless and irreligious soldier for the city-state of Venice, Jerome was captured in a skirmish at an outpost town and chained in a dungeon. In prison Jerome had a lot of time to think, and he gradually learned how to pray. When he escaped, he returned to Venice where he took charge of the education of his nephews—and began his own studies for the priesthood. 
<p>In the years after his ordination, events again called Jerome to a decision and a new lifestyle. Plague and famine swept northern Italy. Jerome began caring for the sick and feeding the hungry at his own expense. While serving the sick and the poor, he soon resolved to devote himself and his property solely to others, particularly to abandoned children. He founded three orphanages, a shelter for penitent prostitutes and a hospital. </p><p>Around 1532 Jerome and two other priests established a congregation, the Clerks Regular of Somasca, dedicated to the care of orphans and the education of youth. Jerome died in 1537 from a disease he caught while tending the sick. He was canonized in 1767. In 1928 Pius Xl named him the patron of orphans and abandoned children.</p> American Catholic Blog Jesus really cannot be merely a part of our life; he must be the center of our life. Unless we preserve some quiet time each day to sit at his feet, our action will become distraction, and we’ll be unhappy.

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