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ON FAITH & MEDIA View Comments

Pandorum

By
Kurt Jensen
Source: Catholic News Service

Hypersleep is tough on movie characters, and even more brutal on science-fiction plots.

In "Pandorum" (Overture), a complex and deeply cliched horror excursion, director Christian Alvart and screenwriter Travis Milloy have astronauts Lt. Payton (Dennis Quaid) and Cpl. Bower (Ben Foster), awaken from an eight-year hypersleep—six years longer than they were supposed to have had before resuming their shift—to find that they can't recall their spaceship's mission.

On top of that, their dark and very noisy craft, the Elysium, which appears to be twice as immense as the one in Mel Brooks' spoof "Spaceballs," has a balky power plant that needs a reset, plus an infestation of pesky mutants who have somehow mastered ninja fighting.

As the intrepid Bower, radioing his progress to Payton, snakes his way to the power plant while coming across a few terrified crew members and a heaping helping of surly mutants, in between a lot of psychobabble, we learn the Elysium's mission: It's a sort of Noah's Ark designed to take Earth life forms to another hospitable planet when Earth was about to go kaboom.

But treachery from an earlier crew driven mad by the aftereffects of hypersleep (called Pandorum, you see) was afoot during the past eight years, and the pale, blobby mutants somehow evolved and are skittering about.

Just as this tired mix of devices borrowed from other films has run its course, the saga is partly redeemed by a surprising double-twist ending, making the whole trip—well, at least the moviegoers', anyway—appear somehow worthwhile. Strong language is the only objectionable element; the action violence is what you'd expect from kung-fu mutants, and there are some knife fights as well.

The film contains at least one rough term, occasional profane and crass language and some martial arts and knife violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R— restricted; under 17 requires accompanying parent or adult guardian.
______________________________

Jensen is a guest reviewer for the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Hilary of Arles: It’s been said that youth is wasted on the young. In some ways, that was true for today’s saint. 
<p>Born in France in the early fifth century, Hilary came from an aristocratic family. In the course of his education he encountered his relative, Honoratus, who encouraged the young man to join him in the monastic life. Hilary did so. He continued to follow in the footsteps of Honoratus as bishop. Hilary was only 29 when he was chosen bishop of Arles. </p><p>The new, youthful bishop undertook the role with confidence. He did manual labor to earn money for the poor. He sold sacred vessels to ransom captives. He became a magnificent orator. He traveled everywhere on foot, always wearing simple clothing. </p><p>That was the bright side. Hilary encountered difficulty in his relationships with other bishops over whom he had some jurisdiction. He unilaterally deposed one bishop. He selected another bishop to replace one who was very ill–but, to complicate matters, did not die! Pope St. Leo the Great kept Hilary a bishop but stripped him of some of his powers. </p><p>Hilary died at 49. He was a man of talent and piety who, in due time, had learned how to be a bishop.</p> American Catholic Blog True freedom lies in the ability to align one’s actions freely with the truth, so as to achieve authentic human happiness both now and in the life to come. Jesus promised, “If you continue in my word, you are truly my disciples, and you will know the truth, and the truth will make you free” (John 8:31–32).

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