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ON FAITH & MEDIA View Comments

Surrogates

By
John Mulderig
Source: Catholic News Service


Bruce Willis stars in a scene from the movie "Surrogates."
"Life, only better." So runs the advertising slogan of the conglomerate whose technological breakthrough—the development of a race of ideal-looking robotic alter egos remote-controlled by their human owners' thoughts—provides the premise for the futuristic thriller "Surrogates" (Touchstone).

This generally intriguing cautionary tale begins with a series of flashbacks showing us the profound, and seemingly positive, social changes brought about by the use of these mechanical avatars. As more and more people opt to remain in the safety of their homes and live their lives vicariously through their surrogates, for example, the crime rate dwindles to nothing.

So law enforcement authorities are shocked when the college-aged son of the man who invented surrogacy—the wheelchair-bound scientist is played, at different ages, by James Francis Ginty and James Cromwell—is murdered. Adding to their bewilderment is the fact that the young man died because his surrogate was destroyed, something that was thought to be impossible.

Assigned to investigate the high-profile case, Boston-based FBI agents Greer (Bruce Willis) and Peters (Radha Mitchell) gradually uncover a conspiracy that appears to involve the above-mentioned corporation, the Army, and even a group of anti-surrogate activists whose dreadlocked leader calls himself the Prophet (Ving Rhames).

Off the job, Greer mourns for his little son, who was killed in an auto accident, and longs to reconnect with his wife Maggie (Rosamund Pike). But Maggie—whose grief has caused her to become addicted to prescription pills—refuses to interact with him except via her surrogate, fearing that Greer will reject her if he sees the graying, ravaged figure she has become.

Director Jonathan Mostow's adaptation of Robert Venditti's graphic novel The Surrogates dramatizes the perils of contemporary technology, especially its potential to cut us off from human contact and from the world of nature. Through Greer and Maggie's troubles, John Brancato and Michael Ferris' script also explores the spiritual values undergirding a successful marriage.

The film contains considerable action violence, drug use, brief sexual situations, a couple of uses of profanity and a few crude and crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
____________________________
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Mary Ann of Jesus of Paredes: Mary Ann grew close to God and his people during her short life. 
<p>The youngest of eight, Mary Ann was born in Quito, Ecuador, which had been brought under Spanish control in 1534. She joined the Secular Franciscans and led a life of prayer and penance at home, leaving her parents’ house only to go to church and to perform some work of charity. She established in Quito a clinic and a school for Africans and indigenous Americans. When a plague broke out, she nursed the sick and died shortly thereafter.</p><p>She was canonized by Pope Pius XII in 1950.</p> American Catholic Blog At times Scripture holds a mirror up to our face and we don’t like what we see. The Word is truth, and sometimes the truth is painful. But so is antiseptic on a wound. Scripture challenges us only to heal us and call us to growth. No pain, no gain.


 
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