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ON FAITH & MEDIA View Comments

Surrogates

By
John Mulderig
Source: Catholic News Service


Bruce Willis stars in a scene from the movie "Surrogates."
"Life, only better." So runs the advertising slogan of the conglomerate whose technological breakthrough—the development of a race of ideal-looking robotic alter egos remote-controlled by their human owners' thoughts—provides the premise for the futuristic thriller "Surrogates" (Touchstone).

This generally intriguing cautionary tale begins with a series of flashbacks showing us the profound, and seemingly positive, social changes brought about by the use of these mechanical avatars. As more and more people opt to remain in the safety of their homes and live their lives vicariously through their surrogates, for example, the crime rate dwindles to nothing.

So law enforcement authorities are shocked when the college-aged son of the man who invented surrogacy—the wheelchair-bound scientist is played, at different ages, by James Francis Ginty and James Cromwell—is murdered. Adding to their bewilderment is the fact that the young man died because his surrogate was destroyed, something that was thought to be impossible.

Assigned to investigate the high-profile case, Boston-based FBI agents Greer (Bruce Willis) and Peters (Radha Mitchell) gradually uncover a conspiracy that appears to involve the above-mentioned corporation, the Army, and even a group of anti-surrogate activists whose dreadlocked leader calls himself the Prophet (Ving Rhames).

Off the job, Greer mourns for his little son, who was killed in an auto accident, and longs to reconnect with his wife Maggie (Rosamund Pike). But Maggie—whose grief has caused her to become addicted to prescription pills—refuses to interact with him except via her surrogate, fearing that Greer will reject her if he sees the graying, ravaged figure she has become.

Director Jonathan Mostow's adaptation of Robert Venditti's graphic novel The Surrogates dramatizes the perils of contemporary technology, especially its potential to cut us off from human contact and from the world of nature. Through Greer and Maggie's troubles, John Brancato and Michael Ferris' script also explores the spiritual values undergirding a successful marriage.

The film contains considerable action violence, drug use, brief sexual situations, a couple of uses of profanity and a few crude and crass terms. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.
____________________________
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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