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ON FAITH & MEDIA View Comments

Whip It

By
John Mulderig
Source: Catholic News Service

The hard-edged world of women's roller derby provides the setting for the coming-of-age tale "Whip It" (Fox Searchlight). Rather than serving as a forum for feminist self-expression, as first-time director Drew Barrymore seems to intend, the rough and tumble of the showcased competition—with its skimpy outfits and bruising smackdowns calculated to delight boorish male fans—comes across as more exploitative than empowering.

Throwing herself into this ostensibly liberating underground sport is restless small-town Texas high school student Bliss Cavendar (Ellen Page). Since her strong-willed, socially ambitious mother Brooke's (Marcia Gay Harden) fondest wish for Bliss is that she become the queen of the local beauty pageant circuit, Bliss carefully conceals her new enthusiasm both from Mom and from her amiable but henpecked father Earl (Daniel Stern).

With the support of her best friend Pash (Alia Shawkat), and despite not having skated since she was a little girl, Bliss gains a spot on an Austin-based team known as the Hurl Scouts, becoming the protege of their captain, Maggie Mayhem (Kristen Wiig). As her skills improve and her star rises, Bliss—who now goes by the moniker Babe Ruthless— discovers romance, falling for derby fan and local rock singer Oliver (Landon Pigg) whom she meets at one of the Scouts' matches.

Barrymore's genre-blending debut—partly a sports drama and a romantic comedy as well as a chronicle of teen maturation—in which she plays Smashley Simpson, another of Bliss' colorfully nicknamed teammates, is buoyed by heartfelt performances from its principals.

But, though Shauna Cross' script, adapted from her own novel of the same title, has Bliss grapple with the negative consequences of premature freedom—and come to a better appreciation of her parents—it also, at least partially, glamorizes her irresponsible sexual experimentation.

The film contains nongraphic nonmarital underage sexual activity, brief partial nudity, underage drinking, occasional irreverence, a few uses of profanity, some sexual humor and references, about a dozen crude terms and much crass language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

______________________________
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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