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ON FAITH & MEDIA View Comments

The Informant!

By
John Mulderig
Source: Catholic News Service


Matt Damon stars in a scene from the movie "The Informant."
The late radio broadcaster Paul Harvey might have particularly appreciated director Steven Soderbergh's diverting comedy "The Informant!" (Warner Bros.) because—to echo Harvey's famous tagline—this fact-based tale is all about "the rest of the story."

As adapted from journalist Kurt Eichenwald's 2000 book, "The Informant (A True Story)," Scott Z. Burns' script recounts the unlikely adventures of up-and-coming agribusiness executive Mark Whitacre (Matt Damon).

A veteran researcher for conglomerate Archer Daniels Midland, as the film opens in the early 1990s, Whitaker is in charge of developing a new food additive called lysine. With the project stalled, Whitacre informs his colleagues that an insider at one of ADM's Japanese competitors has contacted him, offering, for the right payoff, to reveal the identity of the corporate spy who has been sabotaging the program.

To Whitacre's surprise -- his subsequent behavior raises the possibility that he has concocted the entire incident -- ADM's top brass invites the FBI to investigate, and Special Agent Brian Shepard (Scott Bakula) is assigned to place a bug on Whitacre's home phone.

Cajoled by his wife Ginger (Melanie Lynskey), Whitacre takes advantage of Shepard's presence to turn whistleblower, revealing that ADM has been involved in an international scheme to fix the price of lysine.

Supervised by Shepard and fellow agent Bob Herndon (Joel McHale), Whitacre goes undercover. But his eccentric delusions -- he dubs himself Agent 0014 on the grounds that he is "twice as smart as 007" -- continually complicate the investigation, while his reluctance to tell the whole truth leads to a series of jaw-dropping revelations.

Large-scale, real-life fraud may seem an incongruous subject for humor, and the film's treatment of both corporate and individual misdeeds may strike some as frivolous. Others may be put off by the fact that Whitacre's exaggerated self-image is at least in part attributable to bipolar disease. Yet the tone is never mean-spirited or condescending.

In fact, by his intense performance, both onscreen and via well-written stream-of-consciousness voiceovers that detail Whitacre's off-kilter outlook on life, Damon creates a curiously sympathetic egomaniac. And Lynskey shows equal dedication as longsuffering Ginger, who stands by her man but also applies moral pressure when it's most needed, making for a marriage that succeeds against the odds.

The film contains a few uses of profanity and some rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.

Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog Teaching by example forms a durable base from which to form character. It is the base, but alone it won’t raise the kind of person you want. Being a moral adult is fundamental to teaching children morals. But it is not sufficient, in and of itself.

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