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ON FAITH & MEDIA View Comments

Cloudy With a Chance of Meatballs

By
John P. McCarthy
Source: Catholic News Service


A character named Flint Lockwood, voiced by Bill Hader, is seen in the animated movie "Cloudy with a Chance of Meatballs."
A whimsical animated fantasy that warns against overindulgence and extols the virtues of persistence and ingenuity, "Cloudy With a Chance of Meatballs" (Columbia) is uniquely suited to watching in 3-D. Its abundance of bright, eye-popping effects makes donning those cumbersome glasses worthwhile, and the overall message is salubrious enough to recommend seeing it in conventional theaters as well.

Co-writers and directors Chris Miller and Phil Lord lay out a smorgasbord of dazzling visuals that proves entertaining if not always appetizing. Because the colorful picture serves as a reminder that gluttony is a cardinal sin, moviegoers would be well advised to go easy at the concession stand before taking their seats.

Loosely based on the children's book by Judi and Ron Barrett, first published in 1978, the plot centers on a young inventor named Flint Lockwood (voiced by Bill Hader of "Saturday Night Live") who has been ridiculed his entire life for creating numerous odd and unworkable devices. His fortunes change one day when he fashions a machine that makes food fall from the sky.

His handiwork, albeit partly accidental, gives the citizens of his economically depressed hometown of Swallow Falls, located on a remote Atlantic island, a break from their steady diet of sardines. The first storm of cheeseburgers is merely the beginning.

Flint finds a kindred spirit in rookie weather reporter Sam Sparks (voice of Anna Faris), assigned to cover the bizarre climactic phenomenon for a national television network. Sam has chosen to conceal her formidable intellect in order to get ahead professionally. But Flint encourages her to be herself, even giving her a makeover that turns her back into a nerd.

Their date inside a mountain of gelatin is one of the movie's highlights, and a relatively peaceful interlude before conditions spiral out of control.

Citizens become omnivorous, feasting on sirloin steaks, ice cream and anything else they feel like ordering up from Flint. The rapacious mayor seeks to capitalize on the situation by turning the town -- renamed Chewandswallow -- into a tourist mecca. He becomes obese in the process.

Eventually, Flint's machine goes haywire and starts supersizing food, resulting in a gigantic maelstrom that spews spaghetti and meatballs in red sauce. Supported by their respective sidekicks -- a pet monkey and a multitalented cameraman -- Flint and Sam must engage in derring-do if they hope to save the world. Amid the action, Flint's relationship with his old-fashioned father (voice of James Caan) is revived.

It's disappointing that, while the problem of what do with the excess food arises, there's never any mention of using the surplus to feed the poor. On a more positive thematic note, there is an implicit lesson about the dangers of tampering with nature and an over-dependence on science.

Even so, Flint's character may boost respect for responsible scientific learning among young people and foster the spirit of invention. Above all, one hopes this cautionary tale could promote healthier eating habits.

The film contains considerable cartoon violence, some rude expressions, a scatological reference and a few moderately scary action sequences. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

John McCarthy is a guest reviewer for the U.S. Conference of Catholic Bishops' Office for Film & Broadcasting.


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Jacopone da Todi: Jacomo, or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna. 
<p>His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life. </p><p>He divided his possessions among the poor and entered the Secular Franciscan Order (once known as the Third Order). Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or "Crazy Jim," by his former associates. The name became dear to him. </p><p>After 10 years of such humiliation, Jacopone asked to be a member of the Order of Friars Minor(First Order). Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile he was writing popular hymns in the vernacular. </p><p>Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals, though, opposed Celestine’s successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping "because Love is not loved." During this time he wrote the famous Latin hymn, <i>Stabat Mater</i>. </p><p>On Christmas Eve in 1306 Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed "Sister Death" with one of his favorite songs. It is said that he finished the song and died as the priest intoned the Gloria from the midnight Mass at Christmas. From the time of his death, Brother Jacopone has been venerated as a saint.</p> American Catholic Blog By immersing our lives in the rhythm of the season, charity can flood our souls and fill us with the happiness for which we were created. We awake Christmas morning prepared to celebrate the birth of our Savior not as a memory but as a profound experience of God’s redemptive love.

 
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