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ON FAITH & MEDIA View Comments

Love Happens

By
John Mulderig
Source: Catholic News Service

Serious but overly slick, "Love Happens" (Universal) is a study of personal loss and recovery within a strictly secular context. Despite a complex performance from its star, Aaron Eckhart, and the admirably mature relationship at the heart of the plot, this romantic drama ultimately proves too timid, and too circumscribed by Hollywood conventions, for its own good.

Eckhart plays widowed self-help writer and guru Dr. Burke Ryan. Since the death of his wife in an auto accident three years ago, Burke has dedicated himself to guiding others through the necessary stages of grief and on toward emotional resolution.

As the film opens, Burke reluctantly returns, for the first time, to his wife's hometown of Seattle, where his driven but caring manager Lane (Dan Fogler) has arranged for the successful author—whose book bears the suspiciously pat title "A-Okay"— to give a weeklong seminar.

Between enthusiastically coaching attendees to be open about their feelings, Burke retires to the privacy of his hotel room to brood and down vodka. Though his bitter father-in-law Silver (Martin Sheen)—whose sudden appearance in a line of autograph seekers comes as an unwelcome surprise to Burke—dismisses him as a hypocrite, as subtly portrayed by Eckhart, Burke comes across instead as a caregiver genuinely dedicated to his work, but unable, as yet, to follow his own advice.

After Burke literally bumps into Eloise (Jennifer Aniston), a local florist working on an arrangement in the hotel hallway, the two share an awkward, nearly silent dinner date. The redemptive bond that eventually develops—despite this less-than-promising start—is refreshingly chaste, though perhaps for negative reasons, since Burke is still repressing himself and Eloise is on the rebound from a characteristically self-destructive affair with a philandering musician.

Whatever their motives for restraint, as Eloise encourages Burke to confront his past, and he wears away at her defenses, the groundwork is laid for a lasting, friendship-based affinity.

But, except through a moving performance by John Carroll Lynch as Walter, a hesitant seminar participant coming to grips with the death of his young son, director and co-writer (with Mike Thompson) Brandon Camp seems content, in his feature debut, to skirt the shores of bereavement, rather than sound its depths.

Thus, at one point, Burke gazes longingly at a video of his wife but fails to break down in a way that might be unsettlingly—but more memorably—realistic. And some late-reel shenanigans that see Burke sneaking into his in-laws' house are both shopworn and incongruous.

Catholic viewers, of course, will be struck by the inadequacy of Burke's New Age-tinted rhetoric as a substitute for faith in the promise of the Resurrection. And that may be another reason for the script's excessive caution. As St. Thomas Aquinas taught: "From nature springs the fear of death; from grace springs audacity."

The film contains a half-dozen uses of profanity, occasional crude and crass language, a few sexual jokes and an obscene gesture. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13 —parents strongly cautioned. Some material may be inappropriate for children under 13.

 Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Lorenzo Ruiz and Companions: Lawrence (Lorenzo) was born in Manila of a Chinese father and a Filipino mother, both Christians. Thus he learned Chinese and Tagalog from them and Spanish from the Dominicans whom he served as altar boy and sacristan. He became a professional calligrapher, transcribing documents in beautiful penmanship. He was a full member of the Confraternity of the Holy Rosary under Dominican auspices. He married and had two sons and a daughter. 
<p>His life took an abrupt turn when he was accused of murder. Nothing further is known except the statement of two Dominicans that "he was sought by the authorities on account of a homicide to which he was present or which was attributed to him." </p><p>At that time three Dominican priests, Antonio Gonzalez, Guillermo Courtet and Miguel de Aozaraza, were about to sail to Japan in spite of a violent persecution there. With them was a Japanese priest, Vicente Shiwozuka de la Cruz, and a layman named Lazaro, a leper. Lorenzo, having taken asylum with them, was allowed to accompany them. But only when they were at sea did he learn that they were going to Japan. </p><p>They landed at Okinawa. Lorenzo could have gone on to Formosa, but, he reported, "I decided to stay with the Fathers, because the Spaniards would hang me there." In Japan they were soon found out, arrested and taken to Nagasaki. The site of wholesale bloodshed when the atomic bomb was dropped had known tragedy before. The 50,000 Catholics who once lived there were dispersed or killed by persecution. </p><p>They were subjected to an unspeakable kind of torture: After huge quantities of water were forced down their throats, they were made to lie down. Long boards were placed on their stomachs and guards then stepped on the ends of the boards, forcing the water to spurt violently from mouth, nose and ears. </p><p>The superior, Antonio, died after some days. Both the Japanese priest and Lazaro broke under torture, which included the insertion of bamboo needles under their fingernails. But both were brought back to courage by their companions. </p><p>In Lorenzo's moment of crisis, he asked the interpreter, "I would like to know if, by apostatizing, they will spare my life." The interpreter was noncommittal, but Lorenzo, in the ensuing hours, felt his faith grow strong. He became bold, even audacious, with his interrogators. </p><p>The five were put to death by being hanged upside down in pits. Boards fitted with semicircular holes were fitted around their waists and stones put on top to increase the pressure. They were tightly bound, to slow circulation and prevent a speedy death. They were allowed to hang for three days. By that time Lorenzo and Lazaro were dead. The three Dominican priests, still alive, were beheaded. </p><p>In 1987, Blessed John Paul II canonized these six and 10 others, Asians and Europeans, men and women, who spread the faith in the Philippines, Formosa and Japan. Lorenzo Ruiz is the first canonized Filipino martyr.</p> American Catholic Blog We don’t have to scrub off our sin so God can love us. Instead, when we allow God’s healing love to touch us, we want to leave sin behind. Growth starts in love, not in guilt.

 
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