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ON FAITH & MEDIA View Comments

Love Happens

By
John Mulderig
Source: Catholic News Service

Serious but overly slick, "Love Happens" (Universal) is a study of personal loss and recovery within a strictly secular context. Despite a complex performance from its star, Aaron Eckhart, and the admirably mature relationship at the heart of the plot, this romantic drama ultimately proves too timid, and too circumscribed by Hollywood conventions, for its own good.

Eckhart plays widowed self-help writer and guru Dr. Burke Ryan. Since the death of his wife in an auto accident three years ago, Burke has dedicated himself to guiding others through the necessary stages of grief and on toward emotional resolution.

As the film opens, Burke reluctantly returns, for the first time, to his wife's hometown of Seattle, where his driven but caring manager Lane (Dan Fogler) has arranged for the successful author—whose book bears the suspiciously pat title "A-Okay"— to give a weeklong seminar.

Between enthusiastically coaching attendees to be open about their feelings, Burke retires to the privacy of his hotel room to brood and down vodka. Though his bitter father-in-law Silver (Martin Sheen)—whose sudden appearance in a line of autograph seekers comes as an unwelcome surprise to Burke—dismisses him as a hypocrite, as subtly portrayed by Eckhart, Burke comes across instead as a caregiver genuinely dedicated to his work, but unable, as yet, to follow his own advice.

After Burke literally bumps into Eloise (Jennifer Aniston), a local florist working on an arrangement in the hotel hallway, the two share an awkward, nearly silent dinner date. The redemptive bond that eventually develops—despite this less-than-promising start—is refreshingly chaste, though perhaps for negative reasons, since Burke is still repressing himself and Eloise is on the rebound from a characteristically self-destructive affair with a philandering musician.

Whatever their motives for restraint, as Eloise encourages Burke to confront his past, and he wears away at her defenses, the groundwork is laid for a lasting, friendship-based affinity.

But, except through a moving performance by John Carroll Lynch as Walter, a hesitant seminar participant coming to grips with the death of his young son, director and co-writer (with Mike Thompson) Brandon Camp seems content, in his feature debut, to skirt the shores of bereavement, rather than sound its depths.

Thus, at one point, Burke gazes longingly at a video of his wife but fails to break down in a way that might be unsettlingly—but more memorably—realistic. And some late-reel shenanigans that see Burke sneaking into his in-laws' house are both shopworn and incongruous.

Catholic viewers, of course, will be struck by the inadequacy of Burke's New Age-tinted rhetoric as a substitute for faith in the promise of the Resurrection. And that may be another reason for the script's excessive caution. As St. Thomas Aquinas taught: "From nature springs the fear of death; from grace springs audacity."

The film contains a half-dozen uses of profanity, occasional crude and crass language, a few sexual jokes and an obscene gesture. The USCCB Office for Film & Broadcasting classification is A-III—adults. The Motion Picture Association of America rating is PG-13 —parents strongly cautioned. Some material may be inappropriate for children under 13.

 Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Angela Merici: Angela has the double distinction of founding the first teaching congregation of women in the Church and what is now called a “secular institute” of religious women. 
<p>As a young woman she became a member of the Third Order of St. Francis (now known as the Secular Franciscan Order), and lived a life of great austerity, wishing, like St. Francis, to own nothing, not even a bed. Early in life she was appalled at the ignorance among poorer children, whose parents could not or would not teach them the elements of religion. Angela’s charming manner and good looks complemented her natural qualities of leadership. Others joined her in giving regular instruction to the little girls of their neighborhood. </p><p>She was invited to live with a family in Brescia (where, she had been told in a vision, she would one day found a religious community). Her work continued and became well known. She became the center of a group of people with similar ideals. </p><p>She eagerly took the opportunity for a trip to the Holy Land. When they had gotten as far as Crete, she was struck with blindness. Her friends wanted to return home, but she insisted on going through with the pilgrimage, and visited the sacred shrines with as much devotion and enthusiasm as if she had her sight. On the way back, while praying before a crucifix, her sight was restored at the same place where it had been lost. </p><p>At 57, she organized a group of 12 girls to help her in catechetical work. Four years later the group had increased to 28. She formed them into the Company of St. Ursula (patroness of medieval universities and venerated as a leader of women) for the purpose of re-Christianizing family life through solid Christian education of future wives and mothers. The members continued to live at home, had no special habit and took no formal vows, though the early Rule prescribed the practice of virginity, poverty and obedience. The idea of a teaching congregation of women was new and took time to develop. The community thus existed as a “secular institute” until some years after Angela’s death.</p> American Catholic Blog I hear far more people discuss the presence of evil in their lives than they do the supreme power of grace. God is bigger than evil!

 
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