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ON FAITH & MEDIA View Comments

Whiteout

By
John Mulderig
Source: Catholic News Service


Kate Beckinsale stars in a scene from the movie "Whiteout."
Logic is among the casualties in the Antarctic murder mystery "Whiteout" (Warner Bros.).
 
Director Dominic Sena's often grisly adaptation of Greg Rucka's 1998 graphic novel follows the exploits of federal marshal Carrie Stetko (Kate Beckinsale). Burdened by a troubled past—about which we learn only gradually by way of flashbacks—Carrie has been posted to the U.S. base at the bottom of the world at her own request, partly as an escape, partly as a self-imposed penance.
 
Her work among the researchers there—whose idea of off-duty fun includes hard drinking and brief jaunts outside in the altogether—is entirely routine until a ravaged corpse inexplicably turns up on the frozen wastes in a spot far removed from any of the multinational facilities. An examination by Carrie's colleague, friend and—so the dialogue seems to imply—former lover, Dr. John Fury (Tom Skerritt), points to murder.
 
After the killer claims more victims, Carrie is joined in the hunt by self-identified U.N. official Robert Pryce (Gabriel Macht). But his sudden appearance on the scene—not long after the murderer, his identity obscured by winter clothes and goggles, has been terrorizing Carrie with an ice pick—makes her suspicious.
 
Carrie's perplexity about whom to trust, all the more acute because of the experience that drove her to the South Pole in the first place, maintains the dramatic tension, and a couple of snow-blinded confrontations with the resourceful perp are reasonably suspenseful. But the incompetent climactic plot twist, which leaves any number of questions unanswered, makes for a lackluster final impression.
 
The film contains frequent gory images, a brief streaking scene with full male nudity, partial female shower nudity, suicide, a few uses of profanity, and occasional rough and crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.

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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Leopold Mandic: Western Christians who are working for greater dialogue with Orthodox Christians may be reaping the fruits of Father Leopold’s prayers.
<p>A native of Croatia, Leopold joined the Capuchin Franciscans and was ordained several years later in spite of several health problems. He could not speak loudly enough to preach publicly. For many years he also suffered from severe arthritis, poor eyesight and a stomach ailment.
</p><p>Leopold taught patrology, the study of the Church Fathers, to the clerics of his province for several years, but he is best known for his work in the confessional, where he sometimes spent 13-15 hours a day. Several bishops sought out his spiritual advice.
</p><p>Leopold’s dream was to go to the Orthodox Christians and work for the reunion of Roman Catholicism and Orthodoxy. His health never permitted it. Leopold often renewed his vow to go to the Eastern Christians; the cause of unity was constantly in his prayers.
</p><p>At a time when Pope Pius XII said that the greatest sin of our time is "to have lost all sense of sin," Leopold had a profound sense of sin and an even firmer sense of God’s grace awaiting human cooperation.
</p><p>Leopold, who lived most of his life in Padua, died on July 30, 1942, and was canonized in 1982.</p> American Catholic Blog Good parenthood is a blend of yes and no. Knowing when to say no and enforce it leads to more yeses. No doesn’t shrink a child’s world; it expands it.

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