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ON FAITH & MEDIA View Comments

Extract

By
John Mulderig
Source: Catholic News Service


Jason Bateman and Mila Kunis star in a scene from the movie "Extract."
"Extract" (Miramax), writer-director Mike Judge's comic portrait of a personally and professionally beleaguered entrepreneur, boasts some undeniably clever dialogue, and its story line moves toward a generally moral wrap-up. But the antic proceedings also showcase skewed marital values, with adultery treated as fodder for laughs.
 
Successful self-made businessman Joel (Jason Bateman), whose company produces flavor extract for cooking, is burdened with a factory full of squabbling employees. When their quarrels lead to an industrial accident that wounds good ol' boy Step (Clifton Collins Jr.) in a particularly sensitive area, Joel and his No. 2, Brian (J.K. Simmons), fear that the fallout could spoil a pending deal to sell the concern.
 
At home, Joel is contending with wife Suzie's (Kristen Wiig) recent lack of interest in joining him in the bedroom, a development that has left him not only frustrated, but drawn to Cindy (Mila Kunis), an attractive newcomer to his workforce.
 
Joel confides his troubles to his best friend Dean (Ben Affleck), the bartender at a local sports lounge. Dean comes up with a convoluted scheme to have a young gigolo named Brad (Dustin Milligan) seduce Suzie so that Joel can stray with Cindy guilt-free. With his mind muddled by a combination of alcohol and a sedative Dean gave him to calm his nerves, Joel agrees.
 
He repents the next morning, but the plan is already in motion.
 
Further complicating matters, as some early scenes have shown the audience, the ostensibly sympathetic Cindy is, in reality, a ruthless con artist whose arrival at the plant is part of a plot to manipulate Step into suing Joel, so that she can make off with the injured man's award money.
 
While the tale concludes on a note of forgiveness and reconciliation, and most of the sinful behavior is shown to be emotionally damaging, in at least one instance Judge's script gives infidelity a pass. It also includes a recurring gag about the name of a punk band that, although meant to satirize the musicians themselves, is both obscene and extremely sacrilegious.
 
The film contains adultery, a repeated blasphemous joke, much sexual humor, some profanity and rough language, and frequent crude and crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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