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ON FAITH & MEDIA View Comments

Extract

By
John Mulderig
Source: Catholic News Service


Jason Bateman and Mila Kunis star in a scene from the movie "Extract."
"Extract" (Miramax), writer-director Mike Judge's comic portrait of a personally and professionally beleaguered entrepreneur, boasts some undeniably clever dialogue, and its story line moves toward a generally moral wrap-up. But the antic proceedings also showcase skewed marital values, with adultery treated as fodder for laughs.
 
Successful self-made businessman Joel (Jason Bateman), whose company produces flavor extract for cooking, is burdened with a factory full of squabbling employees. When their quarrels lead to an industrial accident that wounds good ol' boy Step (Clifton Collins Jr.) in a particularly sensitive area, Joel and his No. 2, Brian (J.K. Simmons), fear that the fallout could spoil a pending deal to sell the concern.
 
At home, Joel is contending with wife Suzie's (Kristen Wiig) recent lack of interest in joining him in the bedroom, a development that has left him not only frustrated, but drawn to Cindy (Mila Kunis), an attractive newcomer to his workforce.
 
Joel confides his troubles to his best friend Dean (Ben Affleck), the bartender at a local sports lounge. Dean comes up with a convoluted scheme to have a young gigolo named Brad (Dustin Milligan) seduce Suzie so that Joel can stray with Cindy guilt-free. With his mind muddled by a combination of alcohol and a sedative Dean gave him to calm his nerves, Joel agrees.
 
He repents the next morning, but the plan is already in motion.
 
Further complicating matters, as some early scenes have shown the audience, the ostensibly sympathetic Cindy is, in reality, a ruthless con artist whose arrival at the plant is part of a plot to manipulate Step into suing Joel, so that she can make off with the injured man's award money.
 
While the tale concludes on a note of forgiveness and reconciliation, and most of the sinful behavior is shown to be emotionally damaging, in at least one instance Judge's script gives infidelity a pass. It also includes a recurring gag about the name of a punk band that, although meant to satirize the musicians themselves, is both obscene and extremely sacrilegious.
 
The film contains adultery, a repeated blasphemous joke, much sexual humor, some profanity and rough language, and frequent crude and crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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