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ON FAITH & MEDIA View Comments

Extract

By
John Mulderig
Source: Catholic News Service


Jason Bateman and Mila Kunis star in a scene from the movie "Extract."
"Extract" (Miramax), writer-director Mike Judge's comic portrait of a personally and professionally beleaguered entrepreneur, boasts some undeniably clever dialogue, and its story line moves toward a generally moral wrap-up. But the antic proceedings also showcase skewed marital values, with adultery treated as fodder for laughs.
 
Successful self-made businessman Joel (Jason Bateman), whose company produces flavor extract for cooking, is burdened with a factory full of squabbling employees. When their quarrels lead to an industrial accident that wounds good ol' boy Step (Clifton Collins Jr.) in a particularly sensitive area, Joel and his No. 2, Brian (J.K. Simmons), fear that the fallout could spoil a pending deal to sell the concern.
 
At home, Joel is contending with wife Suzie's (Kristen Wiig) recent lack of interest in joining him in the bedroom, a development that has left him not only frustrated, but drawn to Cindy (Mila Kunis), an attractive newcomer to his workforce.
 
Joel confides his troubles to his best friend Dean (Ben Affleck), the bartender at a local sports lounge. Dean comes up with a convoluted scheme to have a young gigolo named Brad (Dustin Milligan) seduce Suzie so that Joel can stray with Cindy guilt-free. With his mind muddled by a combination of alcohol and a sedative Dean gave him to calm his nerves, Joel agrees.
 
He repents the next morning, but the plan is already in motion.
 
Further complicating matters, as some early scenes have shown the audience, the ostensibly sympathetic Cindy is, in reality, a ruthless con artist whose arrival at the plant is part of a plot to manipulate Step into suing Joel, so that she can make off with the injured man's award money.
 
While the tale concludes on a note of forgiveness and reconciliation, and most of the sinful behavior is shown to be emotionally damaging, in at least one instance Judge's script gives infidelity a pass. It also includes a recurring gag about the name of a punk band that, although meant to satirize the musicians themselves, is both obscene and extremely sacrilegious.
 
The film contains adultery, a repeated blasphemous joke, much sexual humor, some profanity and rough language, and frequent crude and crass terms. The USCCB Office for Film & Broadcasting classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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All Saints: The earliest certain observance of a feast in honor of all the saints is an early fourth-century commemoration of "all the martyrs." In the early seventh century, after successive waves of invaders plundered the catacombs, Pope Boniface IV gathered up some 28 wagonloads of bones and reinterred them beneath the Pantheon, a Roman temple dedicated to all the gods. The pope rededicated the shrine as a Christian church. According to Venerable Bede, the pope intended "that the memory of all the saints might in the future be honored in the place which had formerly been dedicated to the worship not of gods but of demons" (<i>On the Calculation of Time</i>). 
<p>But the rededication of the Pantheon, like the earlier commemoration of all the martyrs, occurred in May. Many Eastern Churches still honor all the saints in the spring, either during the Easter season or immediately after Pentecost. </p><p>How the Western Church came to celebrate this feast, now recognized as a solemnity, in November is a puzzle to historians. The Anglo-Saxon theologian Alcuin observed the feast on November 1 in 800, as did his friend Arno, Bishop of Salzburg. Rome finally adopted that date in the ninth century.</p> American Catholic Blog Touch can be an act of kindness when someone is dying. If you visit a sick person and find that you are at a loss for words, reach out and touch her hand.

 
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