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ON FAITH & MEDIA View Comments

Inglourious Basterds

By
John Mulderig
Source: Catholic News Service


Brad Pitt stars in a scene from the movie "Inglourious Basterds."
“Inglourious Basterds" is a provocative World War II fantasy requiring careful moral assessment from viewers well-educated in Catholic teaching and able to withstand its occasional episodes of graphic bloodletting. In between those incidents, writer-director Quentin Tarentino weaves a suspenseful, though somewhat lurid, alternate history of a tragic epoch.
 
The opening scenes introduce us to Col. Hans Landa (Christoph Waltz), a keenly intelligent Nazi officer completely dedicated to his work of hunting down Jewish families in the countryside of recently occupied France. After interrogating and threatening the Catholic farmer who has been concealing them on his isolated property, Landa has his men slaughter the fugitive Dreyfus family, though daughter Shosanna (Melanie Laurent) manages to escape.
 
In an initially unrelated story line, following the U.S. entry into the conflict, hard-bitten Southerner Lt. Aldo Raine (Brad Pitt) organizes a group of Jewish-American commandoes for a ruthless behind-the-lines campaign designed to terrify ordinary German soldiers. Their methods include beating uncooperative prisoners to death with a baseball bat, scalping corpses and carving a swastika into the forehead of anyone they choose to leave alive.
 
1944 finds Shosanna in Paris, passing as a gentile cinema owner. When a German war film is slated to have its gala premiere at her theater, she sets in motion a plot to assassinate Nazi propaganda chief Joseph Goebbels (Sylvester Groth) and the other key party leaders who plan to attend.
 
Unbeknownst to Shosanna, Raine and his followers are conspiring to accomplish the same thing through collaboration with a German film star turned Allied agent, Bridget von Hammersmark (Diane Kruger).Transferred to Paris to supervise security in the capital as the Allies close in, Landa is in a position to threaten both schemes.
 
As the direct perpetrators of an inhuman tyranny, Goebbels and his ilk would have made fair targets, since they bore personal guilt for the regime's bloody crimes, and their lives were obstacles to the restoration of the common good.
 
But the American band's systematic brutality toward low-ranking enemy soldiers, especially prisoners, is far less easily justified, and can only be accepted within a genre far removed from reality and on the supposition that all Teutonic combatants were, to some degree at least, Holocaust enablers.
 
The film (from Weinstein/Universal) contains strong violent content, including torture and mutilation, complex moral issues, a few uses of profanity, and much rough and some crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog In prayer we discover what we already have. You start where you are and you deepen what you already have and you realize that you are already there. We already have everything, but we don’t know it and we don’t experience it.

 
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