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ON FAITH & MEDIA View Comments

Inglourious Basterds

By
John Mulderig
Source: Catholic News Service


Brad Pitt stars in a scene from the movie "Inglourious Basterds."
“Inglourious Basterds" is a provocative World War II fantasy requiring careful moral assessment from viewers well-educated in Catholic teaching and able to withstand its occasional episodes of graphic bloodletting. In between those incidents, writer-director Quentin Tarentino weaves a suspenseful, though somewhat lurid, alternate history of a tragic epoch.
 
The opening scenes introduce us to Col. Hans Landa (Christoph Waltz), a keenly intelligent Nazi officer completely dedicated to his work of hunting down Jewish families in the countryside of recently occupied France. After interrogating and threatening the Catholic farmer who has been concealing them on his isolated property, Landa has his men slaughter the fugitive Dreyfus family, though daughter Shosanna (Melanie Laurent) manages to escape.
 
In an initially unrelated story line, following the U.S. entry into the conflict, hard-bitten Southerner Lt. Aldo Raine (Brad Pitt) organizes a group of Jewish-American commandoes for a ruthless behind-the-lines campaign designed to terrify ordinary German soldiers. Their methods include beating uncooperative prisoners to death with a baseball bat, scalping corpses and carving a swastika into the forehead of anyone they choose to leave alive.
 
1944 finds Shosanna in Paris, passing as a gentile cinema owner. When a German war film is slated to have its gala premiere at her theater, she sets in motion a plot to assassinate Nazi propaganda chief Joseph Goebbels (Sylvester Groth) and the other key party leaders who plan to attend.
 
Unbeknownst to Shosanna, Raine and his followers are conspiring to accomplish the same thing through collaboration with a German film star turned Allied agent, Bridget von Hammersmark (Diane Kruger).Transferred to Paris to supervise security in the capital as the Allies close in, Landa is in a position to threaten both schemes.
 
As the direct perpetrators of an inhuman tyranny, Goebbels and his ilk would have made fair targets, since they bore personal guilt for the regime's bloody crimes, and their lives were obstacles to the restoration of the common good.
 
But the American band's systematic brutality toward low-ranking enemy soldiers, especially prisoners, is far less easily justified, and can only be accepted within a genre far removed from reality and on the supposition that all Teutonic combatants were, to some degree at least, Holocaust enablers.
 
The film (from Weinstein/Universal) contains strong violent content, including torture and mutilation, complex moral issues, a few uses of profanity, and much rough and some crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Wolfgang of Regensburg: Wolfgang was born in Swabia, Germany, and was educated at a school located at the abbey of Reichenau. There he encountered Henry, a young noble who went on to become Archbishop of Trier. Meanwhile, Wolfgang remained in close contact with the archbishop, teaching in his cathedral school and supporting his efforts to reform the clergy. 
<p>At the death of the archbishop, Wolfgang chose to become a Benedictine monk and moved to an abbey in Einsiedeln, now part of Switzerland. Ordained a priest, he was appointed director of the monastery school there. Later he was sent to Hungary as a missionary, though his zeal and good will yielded limited results. </p><p>Emperor Otto II appointed him Bishop of Regensburg near Munich. He immediately initiated reform of the clergy and of religious life, preaching with vigor and effectiveness and always demonstrating special concern for the poor. He wore the habit of a monk and lived an austere life. </p><p>The draw to monastic life never left him, including the desire for a life of solitude. At one point he left his diocese so that he could devote himself to prayer, but his responsibilities as bishop called him back. </p><p>In 994 Wolfgang became ill while on a journey; he died in Puppingen near Linz, Austria. He was canonized in 1052. His feast day is celebrated widely in much of central Europe. </p> American Catholic Blog Keep your gaze always on our most beloved Jesus, asking him in the depths of his heart what he desires for you, and never deny him anything even if it means going strongly against the grain for you. –Blessed Maria Sagrario of St. Aloysius Gonzaga

 
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