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ON FAITH & MEDIA View Comments

Inglourious Basterds

By
John Mulderig
Source: Catholic News Service


Brad Pitt stars in a scene from the movie "Inglourious Basterds."
“Inglourious Basterds" is a provocative World War II fantasy requiring careful moral assessment from viewers well-educated in Catholic teaching and able to withstand its occasional episodes of graphic bloodletting. In between those incidents, writer-director Quentin Tarentino weaves a suspenseful, though somewhat lurid, alternate history of a tragic epoch.
 
The opening scenes introduce us to Col. Hans Landa (Christoph Waltz), a keenly intelligent Nazi officer completely dedicated to his work of hunting down Jewish families in the countryside of recently occupied France. After interrogating and threatening the Catholic farmer who has been concealing them on his isolated property, Landa has his men slaughter the fugitive Dreyfus family, though daughter Shosanna (Melanie Laurent) manages to escape.
 
In an initially unrelated story line, following the U.S. entry into the conflict, hard-bitten Southerner Lt. Aldo Raine (Brad Pitt) organizes a group of Jewish-American commandoes for a ruthless behind-the-lines campaign designed to terrify ordinary German soldiers. Their methods include beating uncooperative prisoners to death with a baseball bat, scalping corpses and carving a swastika into the forehead of anyone they choose to leave alive.
 
1944 finds Shosanna in Paris, passing as a gentile cinema owner. When a German war film is slated to have its gala premiere at her theater, she sets in motion a plot to assassinate Nazi propaganda chief Joseph Goebbels (Sylvester Groth) and the other key party leaders who plan to attend.
 
Unbeknownst to Shosanna, Raine and his followers are conspiring to accomplish the same thing through collaboration with a German film star turned Allied agent, Bridget von Hammersmark (Diane Kruger).Transferred to Paris to supervise security in the capital as the Allies close in, Landa is in a position to threaten both schemes.
 
As the direct perpetrators of an inhuman tyranny, Goebbels and his ilk would have made fair targets, since they bore personal guilt for the regime's bloody crimes, and their lives were obstacles to the restoration of the common good.
 
But the American band's systematic brutality toward low-ranking enemy soldiers, especially prisoners, is far less easily justified, and can only be accepted within a genre far removed from reality and on the supposition that all Teutonic combatants were, to some degree at least, Holocaust enablers.
 
The film (from Weinstein/Universal) contains strong violent content, including torture and mutilation, complex moral issues, a few uses of profanity, and much rough and some crude language. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; under 17 requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The people who know God well—the hermits, the prayerful people, those who risk everything to find God—always meet a lover, not a dictator. God is never found to be an abusive father or a manipulative mother, but a lover who is more than we dared hope for.

 
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