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ON FAITH & MEDIA View Comments

Shorts

By
John Mulderig
Source: Catholic News Service


Rebel Rodriguez, Trevor Gagnon and Leo Howard star in a scene from the movie "Shorts."
The old admonition to be careful what you wish for provides the basic theme of the clever children's fantasy "Shorts" (Warner Bros.).
 
Writer-director Robert Rodriguez's lively yarn, which generally makes for appealing family entertainment, also carries messages about the dangers of power and the isolating effects of contemporary technology.
 
Told in a series of nonsequential episodes, this is primarily the story of "Toe" Thompson (Jimmy Bennett), a much-bullied 11-year-old in a suburban town dominated by Black Box Industries, manufacturers of a popular, cutting-edge gadget that does virtually everything imaginable.
 
Toe's main persecutor, schoolmate Helvetica (terrific newcomer Jolie Vanier), is the daughter of the company's driven CEO, Mr. Black (James Spader). Since, like almost everyone else in the area, Toe's unnamed parents (Jon Cryer and Leslie Mann) work for Black Box, there's little chance of curbing Helvetica's fondness for ordering her thuggish followers to stuff Toe headfirst into the nearest garbage can.
 
Toe's fortunes seem to be transformed when he comes into possession of a rainbow-colored rock that grants the wishes of anyone holding it. But his fantasy fulfillment soon goes awry, as does that of each subsequent character that gets hold of the stone as—by a series of accidents—it passes through the community, wreaking chaos on young and old alike.
 
Mom and Dad Thompson, for instance—who text each other rather than having a face-to-face conversation, even when they're in the same room together—request a closer relationship, and end up as Siamese twins. And Toe's older sister, Stacey (Kat Dennings), idly wishes that her boyfriend would grow up, with unfortunately literal results.
 
In a plot point that some parents may find unpleasant, germ-fearing Black Box research scientist Dr. Noseworthy (William H. Macy) inadvertently creates a giant mucus monster as the result of the unhygienic habits of his aptly nicknamed son Nose (Jake Short).
 
Some of the perilous special effects, such as a swarm of predatory crocodiles, may overwhelm the most sensitive viewers. But for the most part, this combination of outlandish adventure and cautionary tale is unobjectionable, portraying the evils of selfishness and unbridled ambition, and urging audience members of all generations to put down their hand-held gizmos, switch off their video games, and have a look around.
 
The film contains occasional menace and mildly gross humor. The USCCB Office for Film & Broadcasting classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested; some material may not be suitable for children.
 
- - -
 
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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