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ON FAITH & MEDIA View Comments

Ponyo

By
John Mulderig
Source: Catholic News Service


This is a scene from the animated movie "Ponyo."
An unabashed celebration of the innocence and wonder of childhood, as well as of the imaginative possibilities that can endure well beyond it, "Ponyo" (Disney) is a treat for youthful spirits of every age. This enchanting English-language version of a Japanese animated fable, inspired by Hans Christian Anderson's "The Little Mermaid," was originally written and directed by Hayao Miyazaki, a recognized master of the genre.
 
As adapted by directors John Lasseter, Brad Lewis and Peter Sohn, the mythic tale is set in motion when a determined little goldfish named Ponyo (voice of Noah Cyrus, sister of actress-singer Miley Cyrus) decides to escape the underwater realm of her domineering father, Fujimoto (voice of Liam Neeson)—a half-human wizard embittered against his fellow human beings by their abuse of nature—to explore the world beyond.
 
Reaching shore, she comes under the protection of Sosuke (voice of the Jonas Brothers' younger sibling Frankie Jonas), a plucky, affectionate 5-year-old boy. With his father Koichi (voice of Matt Damon), a merchant sailor often away at sea, Sosuke is used to providing moral support to his lonely mother Lisa (voice of Tina Fey). He's also a favorite with the residents of the nursing home where Lisa works, a trio of them voiced by Cloris Leachman, Lily Tomlin and Betty White.
 
Sosuke and Ponyo bond immediately. But, with Fujimoto resolved to use his supernatural powers to reclaim his daughter, Sosuke's love for her will be put to the test in a series of adventures, both before and after Ponyo's mysterious transformation into a little girl.
 
Japanese cultural elements incorporated into the story—the script was adapted by Melissa Mathison—include brief scenes of Shinto prayer and the divine status of Ponyo's mother, Gran Mamare (voice of Cate Blanchett), identified in English as the "goddess of the sea."
 
But the underlying moral messages, such as the repeated admonition to judge by substance rather than appearance and a deftly delivered warning against environmental carelessness, are universal.
 
The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences; all ages admitted.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Jerome Emiliani: A careless and irreligious soldier for the city-state of Venice, Jerome was captured in a skirmish at an outpost town and chained in a dungeon. In prison Jerome had a lot of time to think, and he gradually learned how to pray. When he escaped, he returned to Venice where he took charge of the education of his nephews—and began his own studies for the priesthood. 
<p>In the years after his ordination, events again called Jerome to a decision and a new lifestyle. Plague and famine swept northern Italy. Jerome began caring for the sick and feeding the hungry at his own expense. While serving the sick and the poor, he soon resolved to devote himself and his property solely to others, particularly to abandoned children. He founded three orphanages, a shelter for penitent prostitutes and a hospital. </p><p>Around 1532 Jerome and two other priests established a congregation, the Clerks Regular of Somasca, dedicated to the care of orphans and the education of youth. Jerome died in 1537 from a disease he caught while tending the sick. He was canonized in 1767. In 1928 Pius Xl named him the patron of orphans and abandoned children.</p> American Catholic Blog Jesus really cannot be merely a part of our life; he must be the center of our life. Unless we preserve some quiet time each day to sit at his feet, our action will become distraction, and we’ll be unhappy.

The Passion and the Cross Ronald Rolheiser

 
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