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ON FAITH & MEDIA View Comments

Ponyo

By
John Mulderig
Source: Catholic News Service


This is a scene from the animated movie "Ponyo."
An unabashed celebration of the innocence and wonder of childhood, as well as of the imaginative possibilities that can endure well beyond it, "Ponyo" (Disney) is a treat for youthful spirits of every age. This enchanting English-language version of a Japanese animated fable, inspired by Hans Christian Anderson's "The Little Mermaid," was originally written and directed by Hayao Miyazaki, a recognized master of the genre.
 
As adapted by directors John Lasseter, Brad Lewis and Peter Sohn, the mythic tale is set in motion when a determined little goldfish named Ponyo (voice of Noah Cyrus, sister of actress-singer Miley Cyrus) decides to escape the underwater realm of her domineering father, Fujimoto (voice of Liam Neeson)—a half-human wizard embittered against his fellow human beings by their abuse of nature—to explore the world beyond.
 
Reaching shore, she comes under the protection of Sosuke (voice of the Jonas Brothers' younger sibling Frankie Jonas), a plucky, affectionate 5-year-old boy. With his father Koichi (voice of Matt Damon), a merchant sailor often away at sea, Sosuke is used to providing moral support to his lonely mother Lisa (voice of Tina Fey). He's also a favorite with the residents of the nursing home where Lisa works, a trio of them voiced by Cloris Leachman, Lily Tomlin and Betty White.
 
Sosuke and Ponyo bond immediately. But, with Fujimoto resolved to use his supernatural powers to reclaim his daughter, Sosuke's love for her will be put to the test in a series of adventures, both before and after Ponyo's mysterious transformation into a little girl.
 
Japanese cultural elements incorporated into the story—the script was adapted by Melissa Mathison—include brief scenes of Shinto prayer and the divine status of Ponyo's mother, Gran Mamare (voice of Cate Blanchett), identified in English as the "goddess of the sea."
 
But the underlying moral messages, such as the repeated admonition to judge by substance rather than appearance and a deftly delivered warning against environmental carelessness, are universal.
 
The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences; all ages admitted.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Francesco Antonio Fasani: Born in Lucera (southeast Italy), Francesco entered the Conventual Franciscans in 1695. After his ordination 10 years later, he taught philosophy to younger friars, served as guardian of his friary and later became provincial. When his term of office ended, Francesco became master of novices and finally pastor in his hometown. 
<p>In his various ministries, he was loving, devout and penitential. He was a sought-after confessor and preacher. One witness at the canonical hearings regarding Francesco’s holiness testified, "In his preaching he spoke in a familiar way, filled as he was with the love of God and neighbor; fired by the Spirit, he made use of the words and deed of Holy Scripture, stirring his listeners and moving them to do penance." Francesco showed himself a loyal friend of the poor, never hesitating to seek from benefactors what was needed. </p><p>At his death in Lucera, children ran through the streets and cried out, "The saint is dead! The saint is dead!" Francesco was canonized in 1986.</p> American Catholic Blog As people of faith, we wake up with a purpose. We have a sense of mission, and this gives our lives enduring meaning. We can share with confidence the Word of God, no matter what circumstances we find ourselves in. There are no chance encounters!

 
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