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ON FAITH & MEDIA View Comments

District 9

By
John Mulderig
Source: Catholic News Service


Sharlto Copley stars in a scene from the movie "District 9."
"District 9" (TriStar) is an exceedingly violent yet powerful science fiction parable about the dangers of prejudice and societal indifference.
 
Set in an alternate version of contemporary South Africa two decades after the arrival in Johannesburg of an unwelcome race of human-size but insect-shaped aliens, director and co-writer (with Terri Tatchell) Neill Blomkamp's unflinchingly harsh feature debut has specific applications to the country of his birth—he now lives in Canada—but far broader implications about human nature in general.
 
As we learn from a series of mock-documentary broadcasts and interviews, the extraterrestrials, stranded on earth by a mechanical problem with their spacecraft, quickly became a source of social tension since—besides being repulsive by human standards—the "prawns," as they come to be called derisively, are perceived as unintelligent and feckless.
 
So they've been forcibly confined in the titular ghetto where makeshift shanties and lawless streets recall the townships of the apartheid era.
 
Bowing to public pressure to isolate the visitors even further, the government charges a conglomerate called Multi-National United with the task of relocating them to a vast concentration camp. Thanks to family connections, Wikus van der Merwe (Sharlto Copley), a timid, irksome MNU bureaucrat, is placed at the head of this operation. The only likable thing about Wikus is his idealistic love for his wife, Tania (Vanessa Haywood).
 
Backed by MNU's paramilitary forces, Wikus begins to carry out the technically legal evictions with a dismal combination of condescension and ruthlessness. But an accident with an unidentified chemical he finds in one of the shacks suddenly turns him into a fugitive from the system he previously served.
 
While on the run, Wikus, whose experiences as an outcast gradually transform his thinking, allies himself with an alien who has been given the human name Christopher Johnson (voice of Jason Cope).
 
Besides segregation and colonialism—the assignment of virtually interchangeable names to the aliens conjures up what it must have been like for native people to receive unwanted names in their conquerors' language—the drama can also be seen as a critique of the more recent problem of South African xenophobia toward migrant workers from other parts of the continent.
 
Scenes of the eventual showdown between some of the aliens and their human oppressors are so graphically bloody that they would normally warrant an "O" classification, especially in conjunction with the constant use of the F-word throughout the dialogue.
 
But for all its grittiness, this tale of physical and moral metamorphosis—propelled by Copley's intense performance—offers an incisive study of the need for universal solidarity and a portrait of marital love that at least some adult viewers may find valuable.
 
The film contains considerable gory violence, including brief torture, pervasive rough and some crude language, and a few sexual references. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted: under 17 requires accompanying parent or adult guardian.
 
- - -
 
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Mary Magdalene de' Pazzi: Mystical ecstasy is the elevation of the spirit to God in such a way that the person is aware of this union with God while both internal and external senses are detached from the sensible world. Mary Magdalene de' Pazzi was so generously given this special gift of God that she is called the "ecstatic saint." 
<p>She was born into a noble family in Florence in 1566. The normal course would have been for Catherine de' Pazzi to have married wealth and enjoyed comfort, but she chose to follow her own path. At nine she learned to meditate from the family confessor. She made her first Communion at the then-early age of 10 and made a vow of virginity one month later. When 16, she entered the Carmelite convent in Florence because she could receive Communion daily there. </p><p>Catherine had taken the name Mary Magdalene and had been a novice for a year when she became critically ill. Death seemed near so her superiors let her make her profession of vows from a cot in the chapel in a private ceremony. Immediately after, she fell into an ecstasy that lasted about two hours. This was repeated after Communion on the following 40 mornings. These ecstasies were rich experiences of union with God and contained marvelous insights into divine truths. </p><p>As a safeguard against deception and to preserve the revelations, her confessor asked Mary Magdalene to dictate her experiences to sister secretaries. Over the next six years, five large volumes were filled. The first three books record ecstasies from May of 1584 through Pentecost week the following year. This week was a preparation for a severe five-year trial. The fourth book records that trial and the fifth is a collection of letters concerning reform and renewal. Another book, <i>Admonitions</i>, is a collection of her sayings arising from her experiences in the formation of women religious. </p><p>The extraordinary was ordinary for this saint. She read the thoughts of others and predicted future events. During her lifetime, she appeared to several persons in distant places and cured a number of sick people. </p><p>It would be easy to dwell on the ecstasies and pretend that Mary Magdalene only had spiritual highs. This is far from true. It seems that God permitted her this special closeness to prepare her for the five years of desolation that followed when she experienced spiritual dryness. She was plunged into a state of darkness in which she saw nothing but what was horrible in herself and all around her. She had violent temptations and endured great physical suffering. She died in 1607 at 41, and was canonized in 1669.</p> American Catholic Blog Let us never tire, therefore, of seeking the Lord—of letting ourselves be sought by him—of tending over our relationship with him in silence and prayerful listening. Let us keep our gaze fixed on him, the center of time and history; let us make room for his presence within us.

Life's Great Questions

 
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Catholic Greetings e-cards help you connect with long-distance friends.

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Participate in welcoming those completing their Christian initiation, and recall your own commitment to the faith.

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