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ON FAITH & MEDIA View Comments

Bandslam

By
John Mulderig
Source: Catholic News Service


Tim Jo, Alyson and Charlie Saxon star in a scene from the movie "Bandslam."
Residents of Lodi, N.J., will likely be pleased with the plot of "Bandslam" (Summit/Walden); the citizens of Cincinnati not so much. That's because the teenage hero of this genial comedy with music finds social success in the former burg after being bullied and harassed by his peers in the latter, the Queen City.
 
When his divorced mother, Karen (Lisa Kudrow), relocates east, friendless high school student Will (Gaelan Connell) sees the chance for a fresh start with a new image. Even his fondest hopes are surpassed, though, when popular, attractive cheerleader-type Charlotte (Alyson Michalka) befriends him, initially drafting him to work at the day care center where she volunteers.
 
Discovering that Will possesses an encyclopedic knowledge of pop music, Charlotte makes him the manager of the floundering rock group she fronts as lead singer. They're preparing for the titular competition, where they hope to best the formidable band led by Charlotte's ex-boyfriend, Ben (Scott Porter).
 
As Will—with a swiftness only possible on the big screen—transforms both himself and his new proteges, his confidence gets a further boost from his blossoming romance with bookish goth Sa5m (Vanessa Hudgens). (The 5, she explains, is silent.)
 
Naturally there are complications, and the youthful cast, which generally delivers the comic and musical material with aplomb, is less adept at navigating the dramatic passages.
 
These more downbeat scenes deal with a few mature topics, such as the fatal consequences of a long-ago drunk-driving accident. But the nearest thing to edgy material is a running gag about the group's drummer, Basher (Ryan Donawho), who declares his preference for "older chicks," and becomes mildly infatuated with Karen.
 
The script, co-written by director Todd Graff and Josh A. Cagan, makes it abundantly clear that this comic fancy will lead to nothing.
 
Despite its classification, "Bandslam" is unlikely to interest very young viewers. But this exuberant salute to clique-defying friendship is free of anything unsuitable for the tween-and-up audience at whom it's aimed.
 
The USCCB Office for Film & Broadcasting classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

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Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

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Rejoice with a friend who is transitioning from the highs and lows of daily employment.

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