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ON FAITH & MEDIA View Comments

Funny People

By
John Mulderig
Source: Catholic News Service


'FUNNY PEOPLE'—Leslie Mann and Adam Sandler star in a scene from the movie "Funny People."
With its thick crust of raunchy humor and ostensibly misguided sexual attitudes, "Funny People" (Universal) makes inappropriate viewing for all but the heartiest moviegoers.
 
Mature Catholics, well-grounded in their faith and willing to endure a barrage of vulgarity, may nonetheless discern in writer-director Judd Apatow's seriocomic tale a moving affirmation of moral courage, marital fidelity and the pursuit, however halting, of a meaningful, committed life.
 
During the 1994 Northridge earthquake in California, Apatow narrowly escaped death when the chimney of his house collapsed on his bedroom.
 
His reflection on that experience, and on the renewed appreciation for life that followed, provided the premise for this overlong but generally effective character study, which opens with comedian George Simmons (Adam Sandler) being told by his doctor that he has a rare form of leukemia and, in all likelihood, only a short time to live.
 
Though hugely successful as both a stand-up performer and a Hollywood star, George is a lonely, isolated man, alienated from his family and unable to bond emotionally with any of the fame-obsessed fans he easily seduces. A succession of unchallenging parts in puerile projects has also left him jaded.
 
So when he crosses paths with comedy novice Ira Wright (Seth Rogen)—whose youthful struggles remind him of his own early career—George offers Ira the multifaceted job of professional assistant, joke writer and sidekick. Entrusting him with the secret of his illness, George also expects Ira to serve as his companion, accompanying him on visits to the doctor and talking to him until he can fall asleep at night.
 
As George reassesses his life, and embarks on the course of experimental medication that offers his one slim hope of survival, he and his new protege bond. But their budding friendship, and George's aspirations to become a better person, are both put to the test by George's reunion with his now-married ex-girlfriend, Laura (Leslie Mann, Apatow's real-life spouse), the one woman he ever really loved.
 
Sandler is pitch-perfect throughout, projecting his character's cynicism and vulnerability with equal deftness. And Rogen is his match as the drama's unlikely moral compass.
 
Though hardly free of flaws—he unapologetically double-crosses one of his two friendly but competitive roommates (Jonah Hill and Jason Schwartzman)—Ira's fundamental decency circumscribes his hero-worship for George. His sexual restraint, displayed in his troubled relationship with fellow comic Daisy (Aubrey Plaza), undercuts the film's surface-level machismo, as does George's frank acknowledgment of the emptiness of his past conquests.
 
The film contains brief graphic nonmarital sexual activity, adultery, upper female nudity, pervasive rough and crude language, and a half-dozen uses of profanity. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; persons under 17 years of age requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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