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ON FAITH & MEDIA View Comments

Funny People

By
John Mulderig
Source: Catholic News Service


'FUNNY PEOPLE'—Leslie Mann and Adam Sandler star in a scene from the movie "Funny People."
With its thick crust of raunchy humor and ostensibly misguided sexual attitudes, "Funny People" (Universal) makes inappropriate viewing for all but the heartiest moviegoers.
 
Mature Catholics, well-grounded in their faith and willing to endure a barrage of vulgarity, may nonetheless discern in writer-director Judd Apatow's seriocomic tale a moving affirmation of moral courage, marital fidelity and the pursuit, however halting, of a meaningful, committed life.
 
During the 1994 Northridge earthquake in California, Apatow narrowly escaped death when the chimney of his house collapsed on his bedroom.
 
His reflection on that experience, and on the renewed appreciation for life that followed, provided the premise for this overlong but generally effective character study, which opens with comedian George Simmons (Adam Sandler) being told by his doctor that he has a rare form of leukemia and, in all likelihood, only a short time to live.
 
Though hugely successful as both a stand-up performer and a Hollywood star, George is a lonely, isolated man, alienated from his family and unable to bond emotionally with any of the fame-obsessed fans he easily seduces. A succession of unchallenging parts in puerile projects has also left him jaded.
 
So when he crosses paths with comedy novice Ira Wright (Seth Rogen)—whose youthful struggles remind him of his own early career—George offers Ira the multifaceted job of professional assistant, joke writer and sidekick. Entrusting him with the secret of his illness, George also expects Ira to serve as his companion, accompanying him on visits to the doctor and talking to him until he can fall asleep at night.
 
As George reassesses his life, and embarks on the course of experimental medication that offers his one slim hope of survival, he and his new protege bond. But their budding friendship, and George's aspirations to become a better person, are both put to the test by George's reunion with his now-married ex-girlfriend, Laura (Leslie Mann, Apatow's real-life spouse), the one woman he ever really loved.
 
Sandler is pitch-perfect throughout, projecting his character's cynicism and vulnerability with equal deftness. And Rogen is his match as the drama's unlikely moral compass.
 
Though hardly free of flaws—he unapologetically double-crosses one of his two friendly but competitive roommates (Jonah Hill and Jason Schwartzman)—Ira's fundamental decency circumscribes his hero-worship for George. His sexual restraint, displayed in his troubled relationship with fellow comic Daisy (Aubrey Plaza), undercuts the film's surface-level machismo, as does George's frank acknowledgment of the emptiness of his past conquests.
 
The film contains brief graphic nonmarital sexual activity, adultery, upper female nudity, pervasive rough and crude language, and a half-dozen uses of profanity. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; persons under 17 years of age requires accompanying parent or adult guardian.
 
- - -
 
Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.


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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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