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ON FAITH & MEDIA View Comments

Funny People

By
John Mulderig
Source: Catholic News Service


'FUNNY PEOPLE'—Leslie Mann and Adam Sandler star in a scene from the movie "Funny People."
With its thick crust of raunchy humor and ostensibly misguided sexual attitudes, "Funny People" (Universal) makes inappropriate viewing for all but the heartiest moviegoers.
 
Mature Catholics, well-grounded in their faith and willing to endure a barrage of vulgarity, may nonetheless discern in writer-director Judd Apatow's seriocomic tale a moving affirmation of moral courage, marital fidelity and the pursuit, however halting, of a meaningful, committed life.
 
During the 1994 Northridge earthquake in California, Apatow narrowly escaped death when the chimney of his house collapsed on his bedroom.
 
His reflection on that experience, and on the renewed appreciation for life that followed, provided the premise for this overlong but generally effective character study, which opens with comedian George Simmons (Adam Sandler) being told by his doctor that he has a rare form of leukemia and, in all likelihood, only a short time to live.
 
Though hugely successful as both a stand-up performer and a Hollywood star, George is a lonely, isolated man, alienated from his family and unable to bond emotionally with any of the fame-obsessed fans he easily seduces. A succession of unchallenging parts in puerile projects has also left him jaded.
 
So when he crosses paths with comedy novice Ira Wright (Seth Rogen)—whose youthful struggles remind him of his own early career—George offers Ira the multifaceted job of professional assistant, joke writer and sidekick. Entrusting him with the secret of his illness, George also expects Ira to serve as his companion, accompanying him on visits to the doctor and talking to him until he can fall asleep at night.
 
As George reassesses his life, and embarks on the course of experimental medication that offers his one slim hope of survival, he and his new protege bond. But their budding friendship, and George's aspirations to become a better person, are both put to the test by George's reunion with his now-married ex-girlfriend, Laura (Leslie Mann, Apatow's real-life spouse), the one woman he ever really loved.
 
Sandler is pitch-perfect throughout, projecting his character's cynicism and vulnerability with equal deftness. And Rogen is his match as the drama's unlikely moral compass.
 
Though hardly free of flaws—he unapologetically double-crosses one of his two friendly but competitive roommates (Jonah Hill and Jason Schwartzman)—Ira's fundamental decency circumscribes his hero-worship for George. His sexual restraint, displayed in his troubled relationship with fellow comic Daisy (Aubrey Plaza), undercuts the film's surface-level machismo, as does George's frank acknowledgment of the emptiness of his past conquests.
 
The film contains brief graphic nonmarital sexual activity, adultery, upper female nudity, pervasive rough and crude language, and a half-dozen uses of profanity. The USCCB Office for Film & Broadcasting classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted; persons under 17 years of age requires accompanying parent or adult guardian.
 
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Mulderig is on the staff of the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.




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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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