ON FAITH & MEDIA | Last Mimzy, The

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Last Mimzy, The

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Source: Catholic News Service

Mostly engaging science-fiction fantasy about a young brother and sister (Chris O'Neil and Rhiannon Leigh Wryn) who find a mysterious box filled with strange objects (including the titular toy rabbit) sent from the future that gradually sets them on a path that will save humanity, while their parents (Joely Richardson and Timothy Hutton) and science teacher (Rainn Wilson) marvel at the kids' newly found intelligence as well as the strange cosmic happenings that start to occur. New Line Cinema founder Bob Shaye returns to his filmmaking roots for the first time since 1990 and proves a capable director, though the narrative -- adapted from Lewis Padgett's short story -- is an odd blend of New Age mysticism and Eastern mumbo jumbo -- albeit with an admirable pro-environment message -- but will hold the interest of kids and even their parents. A single use of a crude word, some mildly crass expressions, mild innuendo and an implied premarital situation. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise.
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p>

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