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Faith in Fiction View Comments
By Mitch Finley

FOR RON HANSEN, being Catholic and writing fiction go hand in hand. “Catholicism continually asks the big theological questions about good and evil and forces believers to accept a confessional rather than therapeutic role—that is, I have to focus on the things I’ve done or failed to do, not brood over or nurse the things that have been done to me,” he says.

“Catholicism encourages frankness about our sin-ridden natures rather than the sentimentality that flinches from descriptions of wrongs and ugliness. Flannery O’Connor said the Catholic writer should be ‘hotly in pursuit of the real.’ And that’s exactly what the finest fiction endeavors to do.”

Many of Hansen’s novels carry a Catholic theme: Mariette in Ecstasy(HarperCollins, 1991) is the story of a young woman who enters a monastery and becomes a mystic in ways that many readers—Catholics and others—find mind-blowing.

In a book review for The New York Times, Pulitzer Prize-winning critic Michiko Kakutani described the book as “a slim, luminous novel that burns a laser-bright picture into the reader’s imagination, forcing one to reassess the relationship between madness and divine possession, gullibility and faith, sexual rapture and religious ecstasy. ... Though considerable space is devoted in this novel to Roman Catholic beliefs and liturgy, one need hardly be familiar with that church’s teachings to be moved and amazed by this fable. With Mariette in Ecstasy, Mr. Hansen has written an astonishingly deft and provocative novel.”

Hansen brings a deeply rooted Catholic imagination to his work, finding holy in the ordinary, sacred in the secular. The Assassination of Jesse James by the Coward Robert Ford(Alfred A. Knopf, 1983), which parallels the theme of sibling rivalry between Cain and Abel, was such a well-told story that it became a widely praised movie, starring Brad Pitt, in 2007. Having written both the novel and the screenplay, Hansen was invited to visit the film set in Canada a few times, where he met director Andrew Dominik and some of the actors, including Pitt, whom he advised on the character of Jesse James.

“I have a photo of the two of us together,” Hansen remarks wryly, “but I had to promise not to let it be published anywhere.”

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Mitch Finley lives and writes in Spokane, Wash., with his spouse of 37 years, Kathy, a university teacher, licensed counselor and author. Together, they are the parents of three grown sons. He is the author of more than 30 books on Catholic themes.

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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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