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The Rite: The Story Behind the Film View Comments
By By Matt Wielgos and John Feister

Father Lucas (Anthony Hopkins, left) administers the Rite of Exorcism for Rosaria (Marta Gastini) as seminarian Michael Kovak (Colin O’Donoghue) apprehensively looks on.

This month The Rite opens at movie theaters across the United States. It’s the gripping tale of a San Jose, California, priest, Father Gary Thomas, who at his bishop’s request went to Rome to study exorcism.

Matt Baglio, an American journalist in Rome, wrote a book based on Father Gary’s story. The Rite: The Making of a Modern Exorcist was published in 2009 by Doubleday (with an audio version shortly thereafter by St. Anthony Messenger Press). The film is based on Baglio’s book.

Baglio, living in Rome, spent time with Father Gary during his exorcist training in 2005, while Father Gary was apprenticing with an Italian priest at over 80 exorcisms. In Italy, exorcism is a ritual that never really left the public eye.

St. Anthony Messenger interviewed Matt Baglio twice in recent years for our radio program, American Catholic Radio. Our most recent interview was last November, as the film was being completed. Radio producer Matt Wielgos, on his way to a pilgrimage in Assisi, talked to Baglio in Rome in a piazza over a cup of coffee.

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Matt Wielgos is manager of the media production department at St. Anthony Messenger Press (SAMP). He holds a B.A. in mass communications and theology from the Franciscan University, Steubenville, Ohio. John Feister is general editor of periodicals at St. Anthony Messenger Press.

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Augustine of Hippo: A Christian at 33, a priest at 36, a bishop at 41: Many people are familiar with the biographical sketch of Augustine of Hippo, sinner turned saint. But really to get to know the man is a rewarding experience. 
<p>There quickly surfaces the intensity with which he lived his life, whether his path led away from or toward God. The tears of his mother (August 27), the instructions of Ambrose (December 7) and, most of all, God himself speaking to him in the Scriptures redirected Augustine’s love of life to a life of love. </p><p>Having been so deeply immersed in creature-pride of life in his early days and having drunk deeply of its bitter dregs, it is not surprising that Augustine should have turned, with a holy fierceness, against the many demon-thrusts rampant in his day. His times were truly decadent—politically, socially, morally. He was both feared and loved, like the Master. The perennial criticism leveled against him: a fundamental rigorism. </p><p>In his day, he providentially fulfilled the office of prophet. Like Jeremiah and other greats, he was hard-pressed but could not keep quiet. “I say to myself, I will not mention him,/I will speak in his name no more./But then it becomes like fire burning in my heart,/imprisoned in my bones;/I grow weary holding it in,/I cannot endure it” (Jeremiah 20:9).</p> American Catholic Blog Silence is the ability to trust that God is acting, teaching, and using me—even before I perform or after my seeming failures. Silence is the necessary space around things that allows them to develop and flourish without my pushing. God takes it from there.

 
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