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A Healing Art View Comments
By Sue Stanton

BLESSED JOHN PAUL II, a poet, actor, and playwright, had a great appreciation for human artistry. In his 1999 Letter to Artists, he wrote: “The more conscious they are of their ‘gift,’ [artists] are led all the more to see themselves and the whole of creation with eyes able to contemplate and give thanks, and to raise to God a hymn of praise. This is the only way for them to come to a full understanding of themselves, their vocation, and their mission” (#1).

For Catholic visual artist and Franciscan associate Jo Myers-Walker, the late pope’s explanation of the difficult life of an artist has helped her understand the sorrows and joys of the only way of life she has ever known.

“When I was in the fifth grade,” Jo says, “my mother let me paint my bedroom, but little did we know that such a thing, fairly boring for most young girls, would forever change my life.” Paint opened for her the door to a world most of us only dream of, a life grounded in pursuing visual art.

“I began by painting trees that went around the room on two of the walls. I put flowers and vines along the floorboards. I felt I needed to have beauty around me. My parents realized right away that there was something inside me that needed to be expressed. I guess that was when I began to think of myself as an artist.”

Many years later, art and Franciscan spirituality are central for Jo. “For me, painting those walls was the beginning of finding beauty and a sense of peace,” Jo explains from her studio in Gilbert, Iowa, a town with fewer than 2,000 residents.

Using a great variety of media, she conducts classes there. From watercolor painting to woodworking, from “slumping” (molding plastic or clay) to bookmaking, from creating delicious meals to painting with food—yes, with food—Jo’s creative passions ignited as soon as she picked up that paintbrush many years ago.

“I loved to climb trees,” Jo remembers, “and I climbed them to get above the chaos. Because I needed to reflect, I could look at the world closely from up there. Artists are observers. They see the detail in everything. You can’t help it.”

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A world traveler, Sue Stanton worked for 30 years as an RN, including 10 years in the mental health field. She and her husband have two children. Besides her freelance writing, she has authored six faith-based books for children and adults.

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Our Lady of Sorrows: For a while there were two feasts in honor of the Sorrowful Mother: one going back to the 15th century, the other to the 17th century. For a while both were celebrated by the universal Church: one on the Friday before Palm Sunday, the other in September. 
<p>The principal biblical references to Mary's sorrows are in Luke 2:35 and John 19:26-27. The Lucan passage is Simeon's prediction about a sword piercing Mary's soul; the Johannine passage relates Jesus' words to Mary and to the beloved disciple. </p><p>Many early Church writers interpret the sword as Mary's sorrows, especially as she saw Jesus die on the cross. Thus, the two passages are brought together as prediction and fulfillment. </p><p>St. Ambrose (December7) in particular sees Mary as a sorrowful yet powerful figure at the cross. Mary stood fearlessly at the cross while others fled. Mary looked on her Son's wounds with pity, but saw in them the salvation of the world. As Jesus hung on the cross, Mary did not fear to be killed but offered herself to her persecutors.</p> American Catholic Blog For mercy is an indispensable dimension of love; it is as it were love’s second name. —Blessed John Paul II

 
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