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A Healing Art View Comments
By Sue Stanton

BLESSED JOHN PAUL II, a poet, actor, and playwright, had a great appreciation for human artistry. In his 1999 Letter to Artists, he wrote: “The more conscious they are of their ‘gift,’ [artists] are led all the more to see themselves and the whole of creation with eyes able to contemplate and give thanks, and to raise to God a hymn of praise. This is the only way for them to come to a full understanding of themselves, their vocation, and their mission” (#1).

For Catholic visual artist and Franciscan associate Jo Myers-Walker, the late pope’s explanation of the difficult life of an artist has helped her understand the sorrows and joys of the only way of life she has ever known.

“When I was in the fifth grade,” Jo says, “my mother let me paint my bedroom, but little did we know that such a thing, fairly boring for most young girls, would forever change my life.” Paint opened for her the door to a world most of us only dream of, a life grounded in pursuing visual art.

“I began by painting trees that went around the room on two of the walls. I put flowers and vines along the floorboards. I felt I needed to have beauty around me. My parents realized right away that there was something inside me that needed to be expressed. I guess that was when I began to think of myself as an artist.”

Many years later, art and Franciscan spirituality are central for Jo. “For me, painting those walls was the beginning of finding beauty and a sense of peace,” Jo explains from her studio in Gilbert, Iowa, a town with fewer than 2,000 residents.

Using a great variety of media, she conducts classes there. From watercolor painting to woodworking, from “slumping” (molding plastic or clay) to bookmaking, from creating delicious meals to painting with food—yes, with food—Jo’s creative passions ignited as soon as she picked up that paintbrush many years ago.

“I loved to climb trees,” Jo remembers, “and I climbed them to get above the chaos. Because I needed to reflect, I could look at the world closely from up there. Artists are observers. They see the detail in everything. You can’t help it.”

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A world traveler, Sue Stanton worked for 30 years as an RN, including 10 years in the mental health field. She and her husband have two children. Besides her freelance writing, she has authored six faith-based books for children and adults.

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Michael Giedroyc: A life of physical pain and mental torment didn’t prevent Michael Giedroyc from achieving holiness. 
<p>Born near Vilnius, Lithuania, Michael suffered from physical and permanent handicaps from birth. He was a dwarf who had the use of only one foot. Because of his delicate physical condition, his formal education was frequently interrupted. But over time, Michael showed special skills at metalwork. Working with bronze and silver, he created sacred vessels, including chalices.</p><p>He traveled to Kraków, Poland, where he joined the Augustinians. He received permission to live the life of a hermit in a cell adjoining the monastery. There Michael spent his days in prayer, fasted and abstained from all meat and lived to an old age. Though he knew the meaning of suffering throughout his years, his rich spiritual life brought him consolation. Michael’s long life ended in 1485 in Kraków.</p><p>Five hundred years later, Pope John Paul II visited the city and spoke to the faculty of the Pontifical Academy of Theology. The 15th century in Kraków, the pope said, was “the century of saints.” Among those he cited was Blessed Michael Giedroyc.</p> American Catholic Blog The French novelist Leon Bloy once said that there is only one tragedy in life: not to be a saint. It may be that God permits some suffering as the only way to wake someone from a dream of self-sufficiency and illusory happiness.

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