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Barbara McCormick, 76, admired Elizabeth
Seton long before she was canonized.
Barbara heard about Elizabeth at
a Sisters of Charity high school in Albuquerque,
New Mexico, where she still
lives. When McCormick decided to
return to college at age 39, she “used
Elizabeth as my model and guide, balancing
my family, education and faith
life, as I envisioned her doing it those
many years before. During my 20 years
of teaching, she was my model and
support for all things.”
Now that the word “saint” has been
attached to Elizabeth Seton, some
Catholics might be conjuring up a
gauzy image of an ethereal woman.
But this country’s first native-born saint
shatters that stereotype. Elizabeth was
nothing if not intensely human, her holiness rooted in her wholeness.
In the details of her life as daughter,
wife, mother, widow and friend, we
discover a well-rounded woman who
knew how to love deeply and was
always a person for others, even in the
midst of trying situations.
A Selfless Spirit
Elizabeth was born in New York City on
August 28, 1774, to Richard Bayley and
Catherine Charlton Bayley, who died
when Elizabeth was three.
One of three daughters, Elizabeth,
or “your Betty” as she refers to herself
in letters to her father, admired
the work of her physician father. Dr.
Bayley attended to immigrants as they
disembarked from ships onto Staten
Island, and cared for New Yorkers when
yellow fever swept through the city,
killing 700 in four months in 1795.
Dr. Bayley’s selflessness was inherited
by his daughter. As a young mother and
wife, Elizabeth was among the orginal
members of the Society for the Relief
of Poor Widows with Small Children,
founded in 1797 by Isabella Marshall
Graham in New York. Elizabeth and her
friends Catherine Dupleix and Eliza
Sadler paid $3 a year in dues to help
support the work.
As treasurer, it fell to Elizabeth to
visit homes to assess the families’ situations.
In a letter to Julia Scott, she
tells of her own two boys “who were
taken sick this morning with symptoms
of the measles which are very
prevalent in our city.” She thanks Julia
for the money to aid the widows.
Even as Elizabeth deals with her own
sons’ illnesses, she comments that
“indeed I have many times this winter
called at a dozen homes in one morning
for a less sum than that you sent, for
you may be sure these measles cause
wants and sorrows which the society
cannot even half supply and in many
families the small pox and measles have
immediately succeeded each other.”
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Serving others—that’s what saints do.
But during the same years that she
was attending to widows and children,
Elizabeth was also living the life of a
socialite, as a member of Trinity Episcopal
Church, the church for New York’s
upper class, and a devotee of the theater,
popular novels and music.
In a letter to Julia, Elizabeth teases
that angels must exist because when
coming out of the theater with her sister
“we came out in a violent thunder
gust and got in our hack with carriages
before and behind and aside—the
coachmen quarrelling. First one wheel
would crack, then another...but my
Guardian Angel landed me safe in Wall
Street [where she and her young family
lived] without one single hysteric.”
And while we know she immersed
herself in religious books, like A Commentary
on the Book of Psalms, which she
received from her beloved Episcopalian
minister, Rev. John Henry Hobart, she
also notes in a letter to Eliza Sadler during
the same years that she loved The
Children of the Abbey, a gothic novel
that was a hit in America at the time.
“Indeed,” she wrote, “I could not name
more than half a dozen I would rather
read.”
Elizabeth was an accomplished
pianist, while her husband, William
Seton, who brought the first Stradivarius
violin to America, relaxed in the
evening by playing for and with his
young wife.
If music linked them while they were
together, Elizabeth’s letters kept them in
touch while her husband traveled on
business for his father’s merchant
import firm, the prestigious Seton, Maitland
and Company. Less than six
months after their marriage in 1794—when she was 19 and he 25—she sent
him this message in a letter: “Ah, my
dearest husband, how useless was your
charge that I should ‘think of you.’ That I never cease to do for one moment, and
my watery eyes bear witness to the effect
those thoughts have, for every time you
are mentioned they prove that I am a
poor little weak woman.”
If caring deeply for William made
her “weak” in her own eyes, that label
fell away quickly as she was challenged
in her early years of marriage to draw
upon an inner strength to see her
through crises that might have driven
truly “weak” women to despair.
Childbirth was always risky in the
late 18th and early 19th centuries, and
Elizabeth narrowly escaped death delivering
her third child, Richard, in 1798.
“My illness was so severe that both
mother and child were some hours in
a very doubtful situation,” she writes to
Julia. Elizabeth had just enough energy
to look down from her bed to watch as
her father, on his knees, “blew the
breath of life” into Richard’s lungs and
“by his skill and care” restored the baby.
No sooner had she recovered from
childbirth than she and William took
over the care of his six younger siblings,
since he was now responsible for
them after the elder Seton’s death.
(William’s father had been widowed
twice.) Imagine the adjustment for
Elizabeth, “who so dearly loves the
quiet and a small family” in taking on
these duties for several years with the
help of William’s sister, Rebecca.
In addition to caring for her own three children, one a newborn, Elizabeth
Seton became a mother to the six newly
orphaned Setons, ages seven to 17, caring
for their physical needs and teaching
them to read, write and sew. At
times the house emptied out while the
older Seton children were away at
school, but activity picked up when
they came home for holidays.
Even though she had help from
Rebecca and a housekeeper, Elizabeth
must have felt she had plunged into the
middle of a whirlwind of activity and
neediness. Having moved into a larger
home to accommodate the Seton clan,
she writes to Julia, “I cannot help longing
again for the rest I have never
known but in Wall Street.”
That coveted rest would elude her
as she helped William with the family
business. “My William has kept me
constantly employed in copying his
letters and assisting him to arrange his
papers, for he has not friend or confidante
on earth but his little wife.”
The business took its toll on her husband’s
health, already weakened by a
youthful bout with tuberculosis. With
the family business slipping, along with
William’s health, the couple arranged
a sea voyage to Italy in 1803.
Turning over the care of their four
youngest, including baby Rebecca, to
relatives, Elizabeth and William took
with them eight-year-old Anna Maria
(nicknamed “Annina”), and headed off
to Leghorn, where they would be welcomed
by Antonio Filicchi and family,
at whose counting house William had
interned.
As their ship entered the port at
Leghorn, the Setons were met by Italian
officials who denied them entry,
since their ship had departed from the
port of New York, where yellow fever
was raging. Despite the protests of the
Filicchis, the Setons were sent to a
lazaretto for quarantine, “an immense
prison bolted and barred.” There
William lay “on the old bricks without
fire, shivering and groaning, lifting his
dim and sorrowful eyes, with a fixed
gaze in my face while his tears ran on
his pillow without a word.”
Although they were eventually able
to leave the quarantine and visit Pisa for
a few days, it was to no avail. As Elizabeth’s
husband sobbed, “My dear wife
and little ones,” he died in her arms,
with their Annina nearby. By Italian
law, he was buried within 24 hours.
Elizabeth describes the ordeal in a
journal she kept for William’s sister
and her “soul sister,” Rebecca: “Oh, oh,
oh what a day. Close his eyes, lay him
out, ride a journey, be obliged to see a
dozen people in my room till night—and at night crowded with the whole
sense of my situation—O my Father,
and my God!”
William was not the first or the last
of several loved ones she would hold as
they journeyed into the next life. Two
years before William’s death, her father
had suddenly taken ill. The previous
day, he had called Elizabeth out “to
observe the different shades of the sun
on the clover field before the door and
repeatedly exclaimed, ‘In my life I never
saw anything so beautiful.’”
The next day, as he came in from
the wharf, his legs weakened and he
turned delirious. The night he died he
continually cried out to her phrases
like “all the horrors are coming, my
child, I feel them all,” before “he
became apparently perfectly easy, put
his hand in mine, turned on his side
and sobbed out the last of life without
the smallest struggle, groan or appearance
of pain.”
Losing her father, then her husband,
was devastating—but even more
wrenching, she would bury two
daughters. Both of them died after she
moved to Emmitsburg, Maryland, to
open a school and found the Sisters of
Charity. When her children were toddlers,
Elizabeth had described how “my
precious children stick to me like little
burrs”; in their later years she would
have given anything to keep them that
close.
Already bonded to Elizabeth after
William’s death in Italy, Annina, as oldest,
was her mother’s support during
widowhood and her move from New
York to her new life as religious “mother.”
After a failed romance, which Elizabeth
nurtured her through, Annina helped
with the young boarders in the school.
What a shock for Elizabeth to one day
notice Annina’s reddened cheeks, the
telltale sign that, just as her beloved
William had, she was being dragged
down by tuberculosis.
Annina’s death at age 17 was a role
reversal, the daughter comforting her
mother: “When in death’s agony her
quivering lips could with difficulty utter
one word, feeling a tear fall on her face,
she smiled and said with great effort
laugh, Mother, Jesus at intervals as she
could not put two words together.”
Annina’s death almost undid Elizabeth.
Her family, friends and spiritual
mentors feared for Elizabeth’s physical
and spiritual health. But she bounced
back, giving herself over to God, and
feeling Annina’s presence in her life to
help her go on.
When a few years later daughter
Rebecca developed a tumor in her hip,
which no doctors could cure, Elizabeth
sat with her “nine weeks, night and
day,” holding Beck to ease her pain
before she died at age 14.
Even as she was attending to her sick
daughters, Elizabeth worried about her
sons, William and Richard. Neither
seemed suited for business, though she
arranged for both to work in Italy with
Antonio Filicchi, who remained her
friend over the years after William’s
death.
The life young Will aspired to caused
her great worry: He wanted to join the United States Navy at a time when wars
were raging off the shores of the States,
and France and Italy were constantly in
an uproar.
But before her death, Will had settled
down, well established in the Navy,
“more and more pleased with the
choice of his profession which seems to
us so extraordinary.” Had she lived,
Elizabeth would have been grandmother
to his eight children.
Richard, Will’s younger brother, also
spent some time with Antonio Filicchi.
Filicchi’s letters assured Elizabeth that
Richard was “very satisfactory,” in
response to Elizabeth’s concerns in her
final years of life: “if my Richard does but
do well is my greatest anxiety.” Though
neither son was much of a letter-writer,
William had a better excuse since he
was away at sea.
To Richard she writes: “You can have
no idea of our anxiety to hear from
you—six, seven, eight months without
one line.” He did make it home to
see his mother before her death in 1821,
then followed his brother into the Navy
the next year as a captain’s clerk. A
year later he died on ship while nursing
the American consul to Liberia and
was buried at sea.
Even as Elizabeth fretted over her
sons, she found comfort in the companionship
of her only remaining daughter,
Catherine—variously nicknamed
Kitty, Kate, Kit or Jos (her middle name
was Josephine). In a note to her daughter
on her birthday in 1819, Elizabeth
wrote, “Whose birthday is this, my dear
Savior? It is my darling one’s, my child’s,
my friend’s, my only dear companion
left of all you once gave with bounteous
hand—the little relic of all my
worldly bliss.”
As Elizabeth was nearing death, a
huge concern was to prepare Catherine
to face life without her mother. The
Little Red Book of advice and spirituality
she wrote for Catherine was her
daughter’s keepsake for many years
after Elizabeth’s death.
Keeping a promise they made to
Elizabeth near her death, longtime
friends Robert Goodloe Harper and
Catherine Carroll Harper took Catherine
into their home after Elizabeth died.
Like her brother Richard, Catherine
never married. She became a Sister of
Mercy in 1846, devoting more than 40
years to working with prisoners in New
York as Mother Mary Catherine.
Although Catherine moved in with the
Harpers, several offers to take in the
soon-to-be-orphaned child came from
relatives and friends, including Julia
Scott. It was in letters to friends like
Julia, Catherine Dupleix, Eliza Sadler
and Antonio Filicchi that Elizabeth
would share the ups and downs of her
life, from early marriage until near
death.
Julia and Elizabeth had much in
common. Probably a family friend of
the Bayleys in New York, Julia was
about 10 years older than Elizabeth.
After Julia’s husband died in 1798, a
foreshadowing of Elizabeth’s own widowhood,
she moved to Philadelphia,
remaining a lifelong friend through
her letters, sharing details of the joys
and sorrows of daily life.
To Julia in 1801, Elizabeth writes
about her father’s death: “The night
before my father’s death Kit lay all night
in a fever at my breast and Richard on
his mattress at my feet vomiting violently.”
Once settled in Emmitsburg, she
kept in touch with Catherine, writing,
“Kitty is only less than an angel in
looks and every qualification. Oh, Dué,
if you knew her and your little Beck as
they are and could see them every day,
you would say there is nothing like
them.”
Still playful even as a religious sister,
she writes Eliza Sadler that when the
“echo” of news that Eliza had decided
to go to France reached Emmitsburg,
“Kit and I answered it with so many
Ah’s and Oh’s—you would have been
amused to hear us.”
Near the end of her life, Elizabeth
continued to write Antonio, whom she
sometimes called “my dearest Tonierlinno.”
To him, she owed much. He
and his wife, Amabilia, had helped bury
William, and had provided a temporary
home for her and Anna Maria.
It was Amabilia who had invited
Elizabeth inside a Catholic church,
where she was amazed by worshipers’
belief in the Real Presence in the Eucharist,
a belief foreign to her experience
as an Episcopalian. It was Antonio
who taught her the Sign of the Cross.
During the young widow’s voyage
back to the States, Antonio was with
Elizabeth and Anna Maria. And it was
he who encouraged Elizabeth to pursue
the call to become Catholic, despite
pressures back home from the Rev.
Hobart and her Protestant friends.
Throughout her life, she would turn
to him for financial support, but more
importantly as an anchor for her
Catholic faith.
Years later, now as a leader of a religious
community, Elizabeth would
remind him of the essential role he
played in her spiritual life: “The first
word I believe you ever said to me after
the first salute was to trust all to him
who fed the fowls of the air and made
the lilies grow.”
As her health was failing in 1818,
she penned this line to him: “Dearest
Antonio, I may well say with my whole
heart, ‘Thy will be done’—love and
bless your little Sister and devoted
EASeton.”
On January 4, 1821, at 46, Elizabeth
died of the tuberculosis that had
plagued her much of her life, especially
in her last few years. Although she
would have to wait to fulfill her desire
to be with Antonio in eternity, she herself
was finally one with her God, as she
had wanted.
When Elizabeth died, she left more
than a legacy of Catholic education
and religious leadership; she left an
imprint on the many family and friends
to whom she had endeared herself.
As Barbara McCormick and others
have testified so often, that imprint
has not dimmed over the nearly two
centuries since her death.
In Elizabeth Seton, McCormick sees
“a saint for the 21st century and all of
the centuries to come”—for her
strength, her courage, her faith and
her humanity.
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