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ON FAITH & MEDIA View Comments

The Help

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

“The Help” is based on Kathryn Stockett’s 2009 best selling novel of the same name.  I thoroughly enjoyed the book. Even though it is a fast read, it is a great read.
 
It is Jackson, Mississipi, in 1962.  Eugenia “Skeeter” Phelan (Emma Stone) returns home to her privileged life in Jackson, Mississipi.  All her friends are married with children and following the paths of their mother’s before them, they have hired maids, or “the help”. These are African American women who have served these families for generations, with great love and personal sacrifice. And for what? Often for very low wages and to be mistreated.
 
Skeeter tries to get a job in New York but an editor tells her to get experience. She is hired at the local paper to write household hints, about which she knows nothing. So she asks “the help.”
 
She begins with Aibileen Clark (Viola Davis) who tells the little girl she cares for, “You is kind, you is smart, you is important.” But the child is chubby and her mother is embarrassed by her.
 
Meanwhile, Minnie (Octavia Spencer) manages to get herself fired by the horrible rumor monger Holly Holbrook, who heads the local women’s society. Minnie’s sweet revenge is priceless. Sissy Spacek plays Mrs. Walter, Hilly’s mother. She is in the early stages of dementia, and she gets Hilly, too, with hilarious élan.
 
The rest of the maids are unwilling to tell their stories because they fear retribution. But an event galvanizes them. When the book is published, you can imagine the reaction.
 
The cast is filled with the finest African American actresses of our day, beginning with Cicely Tyson, as Constantine, the maid who brought up Skeeter. Emma Stone seems everywhere this summer, and she is credible and spirited. 
 
Yes, the white women are caricatures as contrasted with “the help.” And the film looks almost too pretty to tell stories of such heartbreak and betrayal.
 
But we get the point. Racism, white on white, too—and domestic abuse—is with us today, hidden behind closed doors.
 
“The Help” is a tribute to human dignity, faith, and forgiveness. It  is relevant, engaging, and entertaining. It will take you by the heart.


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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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