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ON FAITH & MEDIA View Comments

The Tree of Life

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

When director/writer Terrence Malick’s new film opens we hear the quiet voice of 1950’s wife and mother Mrs. Obrien (Jessica Chastain): “The nuns always taught us that there is the way of nature and the way of grace; it is up to us to choose.”

Actually, it’s not that simple, as we discern during the roll out of Malick’s cinematic epic overflowing with color, sights, sounds, and realize we are witnessing the artist’s rendition of God’s creative act. We move through the ages and see aggression played out between dinosaurs. Then we are with the O’Brien’s in a small Texas town where their three sons are born, baptized and confirmed in their parish church.

Mr. O’Brien (Brad Pitt) is an inventor, disappointed that his creations do not succeed. He takes out his frustrations on his wife and children, especially Jack (Hunter McCracken as a child; Sean Penn later). Mrs. O’Brien is kind and protective of her children.

The threads the film weaves together often comes in pairs: nature and grace; nature and nurture; stern, intimidating father and sweet, strong mother; the astonishing beauty of God’s creation entwined with cement and steel, creations of humans.

We realize that the tapestry shows how twisted life can be – and that grace builds on nature if we nurture it. Scriptural allusions and motifs are abundant. Think the Garden of Eden and the river that ran through it, the narrow gate, and life after death.

To me, the film seemed deeply personal, almost autobiographical, though the production notes provided to film critics do not mention this. I felt the tense family dynamic, I could feel the hot, dry summer breezes that blew through the home in days before air conditioning; I, too, wandered the streets in the summer with my siblings and friends, looking for something to do.

“The Tree of Life” is a man’s story, however, and it seemed a man’s world. I felt like an onlooker, just as I did when I tried to figure out the behavior and thinking of my own three brothers in the 1950s.

“The Tree of Life” is about mystery and about grace, about certainty and the questions, and about the complexity of human freedom in relation to the Creator, to creation, and to one another.

You always have to take your time with a Terrence Malick film, and he has only made five in his forty-year career. If he finds an image that attracts him, he stays with it, and seems unable to edit it out. He asks us to marvel with him, as he did in “The Thin Red Line” (1998; a film about World War II), or more recently “The New World” (2005): Who are we to You, God? Who are you to us? What does this life, this creation mean?

“The Tree of Life” requires intentionality on the part of the audience: this is a film you choose because you are ready to slow down and journey with the filmmaker, to find God in the darkness of the theater and let the light of grace wash over you. This is a film that commands a big screen because the ideas and images – and the questions - are so huge.




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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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